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      <image:title>Mystery of Iniquity</image:title>
      <image:caption>Mystery of Iniquity (2014) Repetitive pathological changes associated with pulp behavior in perception and violence on women in society by Way Wza</image:caption>
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      <image:title>Mystery of Iniquity</image:title>
      <image:caption>Fig. —1 Color plate Open edition 16pp, saddle-stitched 17.78cm × 12.7cm, 7″ × 5″ Published by FIST</image:caption>
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      <image:title>Mystery of Iniquity</image:title>
      <image:caption>Fig. —2 Color plate</image:caption>
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      <image:title>Mystery of Iniquity</image:title>
      <image:caption>Fig. —3 Color plate</image:caption>
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      <image:title>Mystery of Iniquity</image:title>
      <image:caption>Fig. —4 Color plate</image:caption>
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      <image:title>Mystery of Iniquity</image:title>
      <image:caption>Fig. —5 Color plate</image:caption>
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      <image:title>Mystery of Iniquity</image:title>
      <image:caption>Fig. —6 Color plate</image:caption>
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      <image:title>Mystery of Iniquity</image:title>
      <image:caption>Fig. —7 Color plate</image:caption>
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    <lastmod>2016-10-03</lastmod>
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    <lastmod>2025-07-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1629587014801-5UOF7CTGH9DGVBEALQKL/Linda-Zeb-Hang_Exodus_Residency-Rift-Bolt.jpg</image:loc>
      <image:title>Art - Rift Bolt, 2021</image:title>
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      <image:title>Art - Diamond-Shock Terrain, 2019</image:title>
      <image:caption>Linda Zeb Hang Diamond-Shock Terrain, 2019 Carbon on hand extruded Xerox and Elephant Hide paper, 300 joints 15 × 61 × .5 in (38.1 × 154.94 × 1.27 cm) Geological processes of terrain shaped through the folds of electric winds, creating sound driven peaks and valleys ‘Where there is no risk, the emotional terrain is flat and unyielding, and, despite all its dimensions, valleys, and pinnacles, and detours, life will seem to have none of its magnificent geography, only a length. It began in mystery, and it will end in mystery, but what a savage and beautiful country lies in between.’ — Diane Ackerman</image:caption>
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      <image:title>Art - Horological Tome, 2019</image:title>
      <image:caption>Linda Zeb Hang Horological Tome, 2019 CNC routed gaming stencils, 10 plates 12.5 × 10 × .75 in (31.75 × 25.4 × 1.905 cm) (tome) 12.5 × 20 × .375 in (31.75 × 50.8 × 0.9525 cm) (spread) Surgical anatomy of the book as movable type body maneuvering positions within role-playing game and architecture. A role-playing game is a browsing design system in which players assume the roles of characters in a fictional setting. Players take responsibility for acting out these roles within a narrative, either through literal acting, or through a process of decision-making regarding character development. The structural ‘ghostings‘ of these stencils predict the currency of gambling coins, eventual death terrain, and scope of time-based measurement in the life expectancy radar, mimicking the concocted, and providing ammunition for outsourcing landscapes of virtual reality.</image:caption>
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      <image:title>Art - Open Syllables: Paths, Dangers, Strategies (Grass/Roots Inoculant), 2019</image:title>
      <image:caption>Linda Zeb Hang Open Syllables: Paths, Dangers, Strategies (Grass/Roots Inoculant), 2019 Hand-carved negative space weaving on raised mesh canvas 13.25 × 22 × 1⁄16 in (33.655 × 55.88 × 0.1588 cm) Families and communities form to network and penetrate like the Endomycorrhizal Fungi, which makes up the building blocks of life, mimicking nature’s biological intelligence of microbe breakdown, plant sugar exodates, and the relationship between the two. This fungi only grows on living plant roots, and if the soil goes dormant the fungi can sustain for a short period on carbons, but needs living roots to thrive and colonize. The infiltration of fungicides find their way into top soils everywhere, and small amounts over time will burnish living soil systems, becoming acidic and lacking life force. Heavy tilling will also kill these fragile life giving organisms. Cultivating these strands is the ultimate joy of any carbon sequestering steward, and in keeping them around it creates a relationship with the microscopic endos. New gardens and soils need inoculations of mycorrhizal fungi either through collecting IMOs (Indigenous Microorganisms) and or using a cultured product that has multiple species of endos. It is important to follow up every harvest with a cover crop so the fungi has fresh sugars to survive during non growing seasons. Sundanese Sorghum grass can host and feed over 100 different mycorrhizae species, and it easily grows in many different environments. Many other cover crops and weeds will also feed the fungi.</image:caption>
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      <image:title>Art - From Border 2 Grove: A Reprographic Dialect, 2019</image:title>
      <image:caption>Linda Zeb Hang From Border 2 Grove: A Reprographic Dialect, 2019 Hand-carved negative space weavings and internment fractals on 14 liberated mesh canvases 13 × 9 × .75 in (33.02 × 22.86 × 1.905 cm) The currents of American carceral real estate with its trappings and benediction, beat and rhythm generated by manual labor accompanied by its worker’s voice—abstracts justification, while bodily sovereignty remains a perpetual haze of salvation in prayer, interlocking blues, and slip-streamed dreams. History repeats and repents through patterns of dissonance into a perilous realm. Reflecting and oscillating between groves of circumstance and judgment.</image:caption>
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      <image:title>Art - Rixmadaeus, Serpent Arachnid, I of VV, 2020</image:title>
      <image:caption>Linda Zeb Hang Rixmadaeus, Serpent Arachnid, I of VV, 2020 Archival Pigment Print Print Size: 8 × 10 in (20.32 × 25.4 cm) Edition of 5 plus II AP Description: A bloomed, reproductive state counters the sterility of current herbicides, pesticides, and fungicides. Role-playing natural architecture, and game design characters within the deep void of RGB terrain. Creature—Chamber Flute Serpent; Keyword Ability: Flying, Islandwalk. Denizens of its surroundings are mystified by the songs of the serpent, for it can still be heard long after it has submerged from the top soil waters.</image:caption>
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      <image:title>Art - Pattern Erosion, 2018</image:title>
      <image:caption>Linda Zeb Hang PATTERN EROSION, 2018 Hand carved negative space weaving on raised mesh canvas, whip stitched gradient binding, 3 stack elements: 36 signatures, 72 plate units 11 × 13.5 × 1.5 in (27.94 × 34.29 × 3.81 cm) (each stack) 11 × 27 × .75 inches (27.49 × 68.58 × 1.905 cm) (spread)</image:caption>
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      <image:title>Art - Mars Dust / Well, 2021</image:title>
      <image:caption>Linda Zeb Hang Mars Dust / Well, 2021 Acrylic on paper 6.5 × 10 in (16.51 × 25.4 cm)</image:caption>
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      <image:title>Art - Oxywave, Scroll I, 2016</image:title>
      <image:caption>Linda Zeb Hang Oxywave, Scroll I, 2016 Hand-stitched seed beads on fiberglass interfacing matrix Edition of 4, scrolls 20 × 17.25 in (50.8 × 43.815 cm)</image:caption>
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      <image:title>Art - Palisades I, 2015</image:title>
      <image:caption>Linda Zeb Hang Palisades I, 2015 Valdani pearl cotton basket-stitched on Aida cotton 12 in × 18 in (30.48 cm × 45.72 cm)</image:caption>
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      <image:title>Art - MYSTROH,  2017</image:title>
      <image:caption>Linda Zeb Hang MYSTROH, 2017 Sparkling acrylic on 3D Scythe Components, 17 plate units 12.5 × 11.75 in (31.8 × 29.9 cm) each plate Installation variable</image:caption>
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      <image:title>Art - STRUT/COIL/INDENT, 2018</image:title>
      <image:caption>Linda Zeb Hang STRUT/COIL/INDENT, 2018 Flexible distal binding on chipboard, 44 plate units 9 × 12 in (22.86 × 30.48 cm) (book) 3 × 3 × 3 in (7.62 × 7.62 cm) (coiled indents) Installation variable</image:caption>
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      <image:title>Art - SPEARA, 2021</image:title>
      <image:caption>Linda Zeb Hang SPEARA (detail), 2021 Handwoven fiber-optic paper, featherweight cot, bow frame, stretch-free PVC mesh, shock-corded anodized aluminum poles, nylon feet 81 × 4 × 4 in ( 205.74 × 10.16 × 10.16 cm) Fiber-optic woven talismans or “taleos” demarcate caution, rigor, and nuance in the everyday satellite of domestic spaces, or events. It is also a sanction on entering or leaving a place. The “taleo speara” is inter-woven as critical connections, guarding the point of entry, forwarding the craft. Accompanied by an arm’s throw gesture, and a short blessing in Hmong, the sacred language of Shamanism. The world of humans, and the world of spirits merge with a rumor that it is a “once a century” angry ghost occurrence, similar to Ghost Festivals of Buddhist and Taoist mythology. An arm’s throw offering to the God fearing.</image:caption>
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      <image:title>Art - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Art - The Effervescent Seed, 2021</image:title>
      <image:caption>Linda Zeb Hang The Effervescent Seed, 2021 Acrylic paint and flat gold riso ink on paper 9 × 12.5 in (22.86 × 31.75 cm) Abstracts have their own distinct colors, discovering innate word processes that narrate a complex memetic, climatological story to decode.</image:caption>
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      <image:title>Art - HIGHEST SPHERES, 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks Highest Spheres—Movement Observatory—An Ecliptic Equation—Endangered Script—Calyxes of Meditation—Steps of D. Gods, Whisper in D. Folds—New York City The flight travel that may occur in a dissociative fugue state can last for as little as a few hours, weeks or months, sometimes years. The journey is an internal scanning histology, experienced in Highest Spheres’ instrumental fugue, summiting acupressure as healing modality, carbon sequestering collage, and higher dimension flow systems. Dissociation staggers, and portals like a slip-stream blade: the cosmic dancer adapts, survives, and is forged through stress and relief, murking the cool waters of their mind.</image:caption>
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      <image:title>Art - Baptismal Surf (slipcase), 2021</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (structure), 2020 Burnished ‘Baptismal Surf’ seal, asahi book cloth, binder's board, bristol board, methyl cellulose/pva adhesive 16 × 20.25 × .75 inches (40.64 × 51.435 × 1.905 cm) The seismic expression of a cerebrospinal reef with alluvial fanned deltas, steel over the anvil of an olivine wilderness. A varved patterning that depicts seasonal deposition from summer and winter in a glacial setting. The light colored layers are more silty, deposited in summer while the dark layers contain more clay from slow deposition in winter.</image:caption>
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      <image:title>Art - Nematode/Boomslang Scales, I—IIII, 2019</image:title>
      <image:caption>Linda Zeb Hang Nematode/Boomslang Scales, I—IIII, 2019 Surgical hand incisions on deployable, flexible, woven, and liberated paper signatures I—72 Slices, 288 Incisions, 5 × 39 × 1 in (12.7 × 99.06 × 2.54 cm) II—96 Slices, 384 Incisions, 5 × 53.5 × 1 in (12.7 × 135.89 × 2.54 cm) III—64 Slices, 256 Incisions, 5 × 30 × 1 in (12.7 × 50.8 × 2.54 cm) IIII—40 Slices, 160 Incisions, 5 × 20 × 1 in (12.7 × 50.8 × 2.54 cm) Total : 272 Slices; 1,088 Hand Incisions As above, so below—seen on the expanded microscopic and baum level, the taxonomic tribe of boomslang parasite scales present patterns of “S” shaped striking poses when confronted and cornered, inflating its neck parasitizing around the hyphae of pathogens by various means such as swimming, coiling, penetrating through to secrete lyase to decompose the cell wall. The venomous contact zone of an adult boomslang has 1.6 to 8 mg of hemotoxin, and has been observed to cause hemorrhage into tissues such as muscle and brain. As a reclusive snake, bites generally occur with its maxillary teeth only when people attempt to handle, catch, or kill the being. Monovalent antivenom has been developed since the 1940s, by the South African Vaccine Producers for use in boomslang envenomations. To combat the poison, fungal endophytes are introduced as an endosymbiont, often a bacterium or fungus, that lives within a plant body for at least part of its life cycle without causing apparent disease, disrupting its colonized state back to a centered body.</image:caption>
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      <image:caption>The tunneling, kaleidoscopic visual readership of a contaminated state within its Rona virus—upon careful, and close inspection of its root origins through one end, reveals the re-assembly, distribution EQ, connections, and revelations of a warbling voice. In its forced punctuations through Language, the folded DNA joints spiral a commonality, and desired pathology of reflection, reproductive seed sovereignty, and anti-subject, characterizing the presence of abstraction in self-seeded images.</image:caption>
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      <image:title>Art - Foodscaping and the Sensorial Rhythm, 2021</image:title>
      <image:caption>Linda Zeb Hang Foodscaping and the Sensorial Rhythm, 2021 Buried logs, Bamboo, Rice Koji, Compost, Clay Soil, Seeds Installation Variable Sculptor and Gardener, site-specific micro-climate installation for Exodus: School of Expression’s Seed Summer Residency, BIPOC Community Garden for Composting, Mulching, and Pruning; Chickahominy and Powantan terrain in Richmond, Virginia, June–July 2021 From 2004–2007 I studied Sculpture, Typographic Design, Book Arts, and Horticulture in San Francisco, California. The recession of 2008 predicted the need to liberate oneself, and in doing so, the microcosm and thematic framework of these disciplines led me to live off-the-grid for years, building structural closed loop systems, studying chemistry, scientific food processes, and survival skills to heal body through land labor, as well as advocating for climate, food justice, and migrant workers’ rights. The slow reveal of this life’s union and self-determinant curricula provided a thinking station, engineering them as interfacing dimensions, and conjectures about shaped reality, the non-fungible nature of space and time, and the growth strictures of seed reception. This site-specific Foodscaping/Micro-Climate installation for Exodus Seed Summer BIPOC Artist Residency 2021 is dedicated to Asian-American abolitionists, and environmental justice feminists Dr. Grace Lee Boggs, PhD (of Chinese descent, June 27, 1915–October 5, 2015), co-founder of Detroit Summer, a multi-racial, inter-generational collective with a youth program that draws volunteers from all over the country to repair homes, paint murals, organize music festivals and turn vacant lots into community gardens in Detroit, Michigan. Dr. Connie Wun, PhD, (of Vietnamese descent), co-founder of AAPI Women Lead in Oakland, California, whose team uplifts the histories of anti-Asian violence, challenges the model minority myth by complicating what the Asian diaspora really looks like, highlighting issues of deportation, undocumented communities, and addressing economic disparities within the Asian diaspora, the invisibilization of our communities and our needs. Oakland's work around We Keep Us Safe, and call for solidarity work and resources to support our communities. Dr. Connie Wun writes: “The myth that we have not been impacted by white supremacy also ignores our diverse communities’ experiences with Islamophobia and anti-South Asian violence, especially post-9/11. It dismisses the lived realities of disabled and LGBTQI Asians and Asian Americans, as well as our youth. And it often fails to account for the experiences of our Native Hawaiian and Pacific Islander counterparts, whose stories are often conflated with that of Asians in the category of API, Asian Pacific Islanders. Yet, with all of these ongoing needs, less than one percent of philanthropic funding goes to our communities.” (2021) Dr. Grace Lee Boggs wrote: “We never know how our small activities will affect others through the invisible fabric of our connectedness. In this exquisitely connected world, it’s never a question of ‘critical mass.’ It’s always about critical connections.”</image:caption>
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      <image:title>Art - Artifact, 2022</image:title>
      <image:caption>Keith Graham and Linda Zeb Hang Artifact, 2022 3-color letterpress printed on French Paper Co Cover stock 12 × 17 in (30.48 × 43.18 cm) Edition of 48 Multi-media, multi-part book—Broadside Reading Abstract Series Published by THINGMAKER × FIST Printed at Center for Book Arts, New York City Designed, typeset and platemaking by Linda Zeb Hang Drawn, written and printed by Keith Graham</image:caption>
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      <image:title>Art - Warble I, 2020–1</image:title>
      <image:caption>Linda Zeb Hang WARBLE I, 2020–1 Handwoven fiber-optic paper 72 × 72 × 10 in (182.88 × 182.88 × 25.4 cm) WARBLE is an artifact of intimacy, hinge, and shadow. This process of repetitious folding yields a jointed architecture held together without adhesive, through gravity. The talismans of migrant cultures place importance on woven entry points: they hold significance as a marker, symbol for an exit, an architecture for one’s return to the world. In protection, this undisclosed design forms another “eye,” or a nest for meditation and restoration. As a geoglyph, it can be thought of as a braided crater.</image:caption>
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      <image:title>Art - Qaldera, I, 2020–2022</image:title>
      <image:caption>Linda Zeb Hang QALDERA, I 2020–2022 Handwoven mesh canvases, carved negative space, rainbow gradient acrylic yarn 25 3/4 × 13 5/8 × .75 inches the antique sorcerer … the mighty shield … cast away fear and regret... QALDERA is a hand-carved typeface, improvised in a trio of slipcase books constructed from easily accessible materials found in craft stores. The letterforms reference traditional and exquisite Southeast Asian reverse-appliqué needlework. They are formed by research into the industry of Hmong refugee labor within Amish quilting communities in Lancaster, Pennsylvania. Thread-splitting, architectural schema, distortions found in monograms, and whipstitching—typically used to close seams—have been employed to bring relief and color to the slipcase surfaces. The patterns contained within the books extend from the universal structure of the grid into the inscription of story-cloth. “patterns aren’t talking they are singing”</image:caption>
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      <image:title>Art - The Antique Sorcerer, 2024</image:title>
      <image:caption>Linda Zeb Hang The Antique Sorcerer MMXXIV (proletariat iteration) 20pp, unbound, grimoire letterpress printed cover ⁄ bookmark, atomic cartouche, molecular chatelaine, hand-set metal ‘Filigree’ type, digitally printed interior 5.5 × 15 inches (13.97 × 38.1 cm) If—a—village—has—no—music, how—can—it—be—called—a—village? Poems shape material behavior through spellbinding, letter casting in and out of the patterned ordinary. There are . . . . 2 iterations: hand-pulled + proletariat artist books. Loner folk verses, Brahmacharya, railroad tracks, atoms, and metallic adornment on my mind. Shots in the dark. Artwork and text by Linda Zeb Hang Designed, printed, and unbound by Linda Zeb Hang Published by FIST, Rotterdam NL Open Edition Hand-set metal ‘Filigree’ type, cover letterpress printed, and unbound at Kala Art Institute, Berkeley CA by Linda Zeb Hang Polymer plates by Boxcar Press, Syracuse NY Interior printed by Shiva at Easy Copy Center, Berkeley CA Fine-tuned at Frans Masereel Centrum, Kasterlee BE Copyright © 2024, Linda Zeb Hang ⁄ FIST All rights reserved Last queer Asian-American publication. Collection of Thomas J. Watson Library at The Metropolitan Museum of Art (NYC). Printed Matter (NYC) has some copies.</image:caption>
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      <image:caption>SENKA MILUTINOVIĆ × LINDA ZEB HANG body less, 2024 5-color UV printing on hand-pulled metallic silver sunome-shi washi paper, enclosed in hand-made copper gold momi kozo folio, FMC printer’s embossed stamp Print and Paper size: 13.25 × 19.25 in, 33.5 × 48 cm Folio size: 22 × 15.75 in , 55.8 × 40 cm Edition of 5 + 3 AP, each one unique Broadside Reading Abstract Series body less Written, designed and illustrated by Senka Milutinović ( @readingrhythmsclub ) Published by FIST Printed and produced by Linda Zeb Hang at Frans Masereel Centrum ( @fransmasereelcentrum ), Kasterlee, Belgium During a summer we were waiting for 18:02 11.06.2024 Rotterdam, South Netherlands</image:caption>
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      <image:title>Art - (FORTHCOMING)</image:title>
      <image:caption>THE ANTIQUE SORCERER MMXXIV</image:caption>
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      <image:title>Art - Run O’ The River / Bitter Medicine II (ROTR-BM II), 2020–22</image:title>
      <image:caption>Price upon request Email: info@fistbiz.com Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine II (ROTR-BM II), 2020–22 Hand-set metal type, foil-stamped cover, hand-made book cloth and adhesive, waxed linen, leather diamond cartouche, obi-strip, letterpress printed interior from polymer plates on Rives BFK, bitmap pigment print on green kitakata, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches (closed); 18.5 × 15 1/4 inches (opened) 8 Folios (folded): 5.5 × 15 inches; 8 Folios (unfolded) 11 × 15 inches Edition of 18 Designed by Linda Zeb Hang × Keith Graham Published by FIST and THINGMAKER Printed at Robert Blackburn Printmaking Workshop, Center for Book Arts NYC, Kala Art Institute and San Francisco Center for the Book Printed and bound by Keith Graham × Linda Zeb Hang Our collaborative project entitled Run O’ The River / Bitter Medicine is a printmaking odyssey and book expedition through psychedelic terrain. Visionary poems, drawings, schematic assemblages, instant aura-reading photographs and encoded glyphs congeal to reveal psychic and hypnagogic micro-climates. We offer a guided meditation, presented in media res, on the realization of simple truths—to open a window into a deeper relationship with our surroundings. Visually, Run O’ The River / Bitter Medicine embeds hard-won esoteric knowledge in a mapping of internal landscapes. Drawing on personal experience and interaction with place, our interests collide creating ﬁssures, oblique intersections and ambiguous storytelling that both hides and reveals an intricately woven yet frayed environment. Using a direct but persistent devotional code we have reprogrammed our mark-making voices, working collaboratively and spontaneously, collecting and generating information to arrive at a knotty mixed-media synthesis. In this moment, on the cusp of widening medicinal and recreational adoption of psilocybin, ﬂexibility, instinct and intuition have been our chosen guides. Our tools are digital, machine age and ‘primitive.’ Within lies spacecraft language, two toilers’ take on no-zones cultivated through technical experimentation, not hesitating to get dirt under our ﬁngernails. Run O’ The River / Bitter Medicine sets out on a naturalist-adaptationist voyage into brutal, implacable terrain, as difﬁcult to subdue as the wind, piercing gaps in the gates of perception with pure oxygen.</image:caption>
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      <image:title>Exhibitions/Events - Rhythmic Publications - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/b0cb0f6a-3f6f-48f7-b887-f8439dae4895/%E2%80%94+w139+flyer+workshop3.jpg</image:loc>
      <image:title>Exhibitions/Events - Rhythmic Publications - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/6946612d-cc64-4886-b5ef-bfb3f5064163/%E2%80%94+w139+flyer+workshop4.jpg</image:loc>
      <image:title>Exhibitions/Events - Rhythmic Publications - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - Rhythmic Publications - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/cd9c53eb-5090-49e0-b55c-7817d438f8d5/%E2%80%94+LINDA-17.jpg</image:loc>
      <image:title>Exhibitions/Events - Rhythmic Publications - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/eebb4756-2b5f-4db9-bf06-4a7074cfc0ba/%E2%80%94+LINDA-13.jpg</image:loc>
      <image:title>Exhibitions/Events - Rhythmic Publications - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - Rhythmic Publications - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/c147d104-98f5-41a8-b411-9322b5ea5db6/%E2%80%94+LINDA-22.jpeg</image:loc>
      <image:title>Exhibitions/Events - Rhythmic Publications - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:caption>A garden is a body that cannot be possessed Its secret is beautiful because it belongs to no one Though some have exploited it Its true nature cannot be controlled</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - DHZ—PPP Exhibition, W139, Amsterdam NL - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/cf845931-4e66-4694-a09d-e7f73a1ba9bb/W801_3213416-tentoonstelling-PPP-begin.jpg</image:loc>
      <image:title>Exhibitions/Events - DHZ—PPP Exhibition, W139, Amsterdam NL - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/096c2624-6744-4fad-90d3-da5577823c11/W801_3213494-tentoonstelling-PPP-begin.jpg</image:loc>
      <image:title>Exhibitions/Events - DHZ—PPP Exhibition, W139, Amsterdam NL - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/3d0548f6-3d75-45b7-aeae-a24f3d6f99d2/W801_3213434-tentoonstelling-PPP-begin.jpg</image:loc>
      <image:title>Exhibitions/Events - DHZ—PPP Exhibition, W139, Amsterdam NL - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - DHZ—PPP Exhibition, W139, Amsterdam NL - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - DHZ—PPP Exhibition, W139, Amsterdam NL - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - DHZ—PPP Exhibition, W139, Amsterdam NL - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/52b8a53c-f719-489c-9322-fd859bac5678/W801_3213449-tentoonstelling-PPP-begin.jpg</image:loc>
      <image:title>Exhibitions/Events - DHZ—PPP Exhibition, W139, Amsterdam NL - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
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      <image:title>Exhibitions/Events - Hot—Glue—Stick—Maps Workshop - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - Hot—Glue—Stick—Maps Workshop - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - Hot—Glue—Stick—Maps Workshop - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - Hot—Glue—Stick—Maps Workshop - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - Hot—Glue—Stick—Maps Workshop - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
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    <lastmod>2024-07-27</lastmod>
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      <image:title>Exhibitions/Events - body less, 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - body less, 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/14bce14e-9f85-4ce3-bd6a-1a8cecbe9630/%E2%80%94+Senka+and+I+Broadside+%28social+media%293.jpg</image:loc>
      <image:title>Exhibitions/Events - body less, 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/6272280f-5ec3-43c3-ae37-2c5086ebd049/%E2%80%94+Senka+and+I+Broadside+%28social+media%294.jpg</image:loc>
      <image:title>Exhibitions/Events - body less, 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/38ac730c-955e-4f65-8a22-626f10324b97/%E2%80%94+Senka+and+I+Broadside+%28social+media%295.jpg</image:loc>
      <image:title>Exhibitions/Events - body less, 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/0beef24d-b0b1-4279-be1e-57b5f969fd19/%E2%80%94+Senka+and+I+Broadside+%28social+media%296.jpg</image:loc>
      <image:title>Exhibitions/Events - body less, 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/13926da7-663a-4c3e-bc80-0026c79e02bd/%E2%80%94+Senka+and+I+Broadside+%28social+media%297.jpg</image:loc>
      <image:title>Exhibitions/Events - body less, 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - body less, 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - body less, 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - body less, 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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  <url>
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    <lastmod>2024-07-27</lastmod>
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      <image:title>Exhibitions/Events - The Antique Sorcerer - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/30f8a5cc-4946-4ed7-8d3c-b45e51f11f8d/%E2%80%94+Frans+Masereel+Centrum+Residency+%28social+media+1%29+copy2.jpg</image:loc>
      <image:title>Exhibitions/Events - The Antique Sorcerer - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/09ecac6d-07c9-4e99-9716-868cd4a29656/%E2%80%94+Frans+Masereel+Centrum+Residency+%28social+media+1%29+copy3.jpg</image:loc>
      <image:title>Exhibitions/Events - The Antique Sorcerer - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/6fc56051-b1ca-47e2-a6c2-1806770ef5c7/%E2%80%94+Frans+Masereel+Centrum+Residency+%28social+media+1%29+copy4.jpg</image:loc>
      <image:title>Exhibitions/Events - The Antique Sorcerer - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/7f131c7e-e7e9-409a-a6ad-907055b7f83f/%E2%80%94+Frans+Masereel+Centrum+Residency+%28social+media+1%29+copy5.jpg</image:loc>
      <image:title>Exhibitions/Events - The Antique Sorcerer - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/9c89d6a1-22ed-41a0-8170-10a704f8c7be/%E2%80%94+Frans+Masereel+Centrum+Residency+%28social+media+1%29+copy6.jpg</image:loc>
      <image:title>Exhibitions/Events - The Antique Sorcerer - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/75628321-f3a5-43bc-bf42-ee1f6e1a558d/%E2%80%94+Frans+Masereel+Centrum+Residency+%28social+media+1%29+copy7.jpg</image:loc>
      <image:title>Exhibitions/Events - The Antique Sorcerer - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/d89fc618-e94f-453f-8165-01a6544bfd0d/%E2%80%94+Frans+Masereel+Centrum+Residency+%28social+media+1%29+copy8.jpg</image:loc>
      <image:title>Exhibitions/Events - The Antique Sorcerer - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/2b1156fc-9176-4169-9a62-3f0265561bd5/%E2%80%94+Frans+Masereel+Centrum+Residency+%28social+media+1%29+copy9.jpg</image:loc>
      <image:title>Exhibitions/Events - The Antique Sorcerer - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/df156adb-7a2a-463a-b12e-eb307cd7cbf7/%E2%80%94+Frans+Masereel+Centrum+Residency+%28social+media+1%29+copy10.jpg</image:loc>
      <image:title>Exhibitions/Events - The Antique Sorcerer - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.fistbiz.com/exhibitions-and-events/2024/3/31/hatch-workshop-reflections</loc>
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    <priority>0.5</priority>
    <lastmod>2024-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/240c4fed-c848-4239-9b49-c4c93faf0196/%E2%80%94+sml-Hatch+Workshop+Social+Media+Suminagashi+Workshop.jpg</image:loc>
      <image:title>Exhibitions/Events - HATCH WORKSHOP ARTIST-IN-RESIDENCE REFLECTIONS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/2b88f08b-0c17-4460-b518-d8e5961942ba/%E2%80%94+sml-Hatch+Workshop+Social+Media+Suminagashi+Workshop2.jpg</image:loc>
      <image:title>Exhibitions/Events - HATCH WORKSHOP ARTIST-IN-RESIDENCE REFLECTIONS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - HATCH WORKSHOP ARTIST-IN-RESIDENCE REFLECTIONS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/0debfcde-8701-480e-8659-a31e7fa0d21a/%E2%80%94+sml-Hatch+Workshop+Social+Media+Suminagashi+Workshop4.jpg</image:loc>
      <image:title>Exhibitions/Events - HATCH WORKSHOP ARTIST-IN-RESIDENCE REFLECTIONS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/c4eace25-7e93-4723-b032-1a3b4c7cde6c/%E2%80%94+sml-Hatch+Workshop+Social+Media+Suminagashi+Workshop5.jpg</image:loc>
      <image:title>Exhibitions/Events - HATCH WORKSHOP ARTIST-IN-RESIDENCE REFLECTIONS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/68912486-75c4-4a03-8d66-eba544ab4e26/%E2%80%94+sml-Hatch+Workshop+Social+Media+Suminagashi+Workshop6.jpg</image:loc>
      <image:title>Exhibitions/Events - HATCH WORKSHOP ARTIST-IN-RESIDENCE REFLECTIONS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/060a2947-f189-4143-af21-f3c920cc4549/%E2%80%94+sml-Hatch+Workshop+Social+Media+Suminagashi+Workshop7.jpg</image:loc>
      <image:title>Exhibitions/Events - HATCH WORKSHOP ARTIST-IN-RESIDENCE REFLECTIONS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.fistbiz.com/exhibitions-and-events/2022/10/16/the-nyabf-2022-classroom-sunday-october-16</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/4c48bb36-79e8-4fe7-ab23-afafd3c3af27/Screen+Shot+2024-03-17+at+4.59.24+AM.png</image:loc>
      <image:title>Exhibitions/Events - The NYABF 2022 Classroom: Sunday, October 16 - Make it stand out</image:title>
      <image:caption>The Classroom, is a long-running program that provides space for artists, writers, designers, and publishers to highlight new releases at NYABF and fosters dialogue around important themes in artists’ book publishing. The NYABF 2022 Classroom is organized in collaboration with David Senior, Director of Library &amp; Archives at SFMOMA, and is hosted by Dia Art Foundation. 0:00:00 - The Conditions of the Archive—Marilyn Nance: Last Day in Lagos, with Oluremi C. Onabanjo. Presented by Center for Art, Research and Alliances (CARA). 1:28:40 - Porneia: Movimento de Arte Pornô 1980-1982, with Eduardo Kac and Tie Jojima. Presented by Nightboat Books. 2:23:10 - Publishing as Legacy Work, with Drew Sawyer and Silas Munro on Darrel Ellis. Presented by Visual Aids. 3:25:56 - Run O’ The River / Bitter Medicine, with Linda Zeb Hang and Keith Graham. Presented by FIST and Sming Sming Books. 4:22:55 - Tender Noted and Earnestly, with Shala Miller, Monilola Olayemi Ilupeju, and Corinne Butta. Presented by Archive Books.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/963e8672-a11c-4bb8-9f60-b50f588a5d59/Screen+Shot+2024-03-17+at+5.25.46+AM.png</image:loc>
      <image:title>Exhibitions/Events - The NYABF 2022 Classroom: Sunday, October 16 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.fistbiz.com/exhibitions-and-events/2024/3/24/hatch-workshop-artist-in-residence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/ee065114-77ca-4c7e-b2f8-f541c9e91bfa/%E2%80%94+Hatch+Workshop+Social+Media+Suminagashi+Workshop.jpg</image:loc>
      <image:title>Exhibitions/Events - HATCH Workshop Artist-In-Residence - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/6a011a43-b89a-4425-9752-992b288a8faf/%E2%80%94+Hatch+Workshop+Social+Media+Suminagashi+Workshop2.jpg</image:loc>
      <image:title>Exhibitions/Events - HATCH Workshop Artist-In-Residence - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/dc96edf6-6223-4b3e-bcf9-7bc9b96f50c8/%E2%80%94+Hatch+Workshop+Social+Media+Suminagashi+Workshop3.jpg</image:loc>
      <image:title>Exhibitions/Events - HATCH Workshop Artist-In-Residence - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/cf71c337-f073-4676-8529-203e4d8b5ebc/%E2%80%94+Hatch+Workshop+Social+Media+Suminagashi+Workshop6.jpg</image:loc>
      <image:title>Exhibitions/Events - HATCH Workshop Artist-In-Residence - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/0ee39c31-2ea6-4249-971c-dc72871ab444/%E2%80%94+Hatch+Workshop+Social+Media+Suminagashi+Workshop7.jpg</image:loc>
      <image:title>Exhibitions/Events - HATCH Workshop Artist-In-Residence - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/b21024e0-5f10-45be-a865-9b518bb9fa46/%E2%80%94+Hatch+Workshop+Social+Media+Suminagashi+Workshop5.jpg</image:loc>
      <image:title>Exhibitions/Events - HATCH Workshop Artist-In-Residence - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/c4c87dbc-e9a4-41d1-831e-e50d9610ca12/%E2%80%94+Hatch+Workshop+Social+Media+Suminagashi+Workshop8.jpg</image:loc>
      <image:title>Exhibitions/Events - HATCH Workshop Artist-In-Residence - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/edf5dafe-1882-4b1b-a7c4-23f661e5bda5/%E2%80%94+Hatch+Workshop+Social+Media+Suminagashi+Workshop9.jpg</image:loc>
      <image:title>Exhibitions/Events - HATCH Workshop Artist-In-Residence - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/f4406cd6-5d02-4aa8-8004-23a74bd0c2c1/%E2%80%94+Hatch+Workshop+Social+Media+Suminagashi+Workshop10.jpg</image:loc>
      <image:title>Exhibitions/Events - HATCH Workshop Artist-In-Residence - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.fistbiz.com/exhibitions-and-events/2023/4/1/rrradiossage</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-11-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/3c712adc-29e4-40cf-b83b-09ff4e2120b5/Screen+Shot+2023-11-14+at+6.38.35+PM.png</image:loc>
      <image:title>Exhibitions/Events - RRRadiossage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.fistbiz.com/exhibitions-and-events/2024/5/21/frans-masereel-centrum-artist-in-residence-kasterlee-belgium</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/0c725e7b-61bf-425d-8f7f-90307a678049/%E2%80%94+Frans+Masereel+Centrum+Residency+%28Fundraising+on+social+media%29.jpg</image:loc>
      <image:title>Exhibitions/Events - FRANS MASEREEL CENTRUM ARTIST-IN-RESIDENCE, KASTERLEE, BELGIUM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/6ef93c09-1c98-4b5a-beba-93c37d9e3515/%E2%80%94+Frans+Masereel+Centrum+Residency+%28Fundraising+on+social+media%292.jpg</image:loc>
      <image:title>Exhibitions/Events - FRANS MASEREEL CENTRUM ARTIST-IN-RESIDENCE, KASTERLEE, BELGIUM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/56a071de-7c6f-4d96-b1c5-4ca2124b96dd/%E2%80%94+Frans+Masereel+Centrum+Residency+%28Fundraising+on+social+media%293.jpg</image:loc>
      <image:title>Exhibitions/Events - FRANS MASEREEL CENTRUM ARTIST-IN-RESIDENCE, KASTERLEE, BELGIUM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/c28c4008-393d-49b1-9d8a-77603ed97b78/%E2%80%94+Frans+Masereel+Centrum+Residency+%28Fundraising+on+social+media%295.jpg</image:loc>
      <image:title>Exhibitions/Events - FRANS MASEREEL CENTRUM ARTIST-IN-RESIDENCE, KASTERLEE, BELGIUM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/ce66ba5e-2d8b-4397-a0bc-f076985f2807/%E2%80%94+Frans+Masereel+Centrum+Residency+%28Fundraising+on+social+media%296.jpg</image:loc>
      <image:title>Exhibitions/Events - FRANS MASEREEL CENTRUM ARTIST-IN-RESIDENCE, KASTERLEE, BELGIUM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/70b41f3d-e4fc-4341-94e6-a257fb91cf12/%E2%80%94+Frans+Masereel+Centrum+Residency+%28Fundraising+on+social+media%298.jpg</image:loc>
      <image:title>Exhibitions/Events - FRANS MASEREEL CENTRUM ARTIST-IN-RESIDENCE, KASTERLEE, BELGIUM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/2bfc0e70-ef4e-4fa0-99ed-f2a9ce1200a0/%E2%80%94+Frans+Masereel+Centrum+Residency+%28Fundraising+on+social+media%299.jpg</image:loc>
      <image:title>Exhibitions/Events - FRANS MASEREEL CENTRUM ARTIST-IN-RESIDENCE, KASTERLEE, BELGIUM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/09fcf642-9879-4f70-a1d8-27411f9a686f/%E2%80%94+Frans+Masereel+Centrum+Residency+%28Fundraising+on+social+media%2910.jpg</image:loc>
      <image:title>Exhibitions/Events - FRANS MASEREEL CENTRUM ARTIST-IN-RESIDENCE, KASTERLEE, BELGIUM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.fistbiz.com/exhibitions-and-events/2023/5/26/vine-and-hollow-ultradependent-public-school-and-the-necessary-paradoxes-of-the-liberated-institution</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/2e3c1ba2-f43b-4d1e-98f2-acbc825a4725/Screen+Shot+2023-09-29+at+2.32.25+AM.png</image:loc>
      <image:title>Exhibitions/Events - Vine and Hollow: “Ultradependent Public School” and the Necessary Paradoxes of the Liberated Institution - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/8dc6e364-c106-46ab-bd34-d571dd2387b1/Screen+Shot+2023-09-29+at+2.31.49+AM.png</image:loc>
      <image:title>Exhibitions/Events - Vine and Hollow: “Ultradependent Public School” and the Necessary Paradoxes of the Liberated Institution - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/048f10e5-07dd-4eb6-9f27-ab062556d669/Screen+Shot+2023-09-29+at+2.32.41+AM.png</image:loc>
      <image:title>Exhibitions/Events - Vine and Hollow: “Ultradependent Public School” and the Necessary Paradoxes of the Liberated Institution - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/804fa18a-ed3d-4b33-a5d3-7de3ffd051d7/Screen+Shot+2023-09-29+at+2.32.08+AM.png</image:loc>
      <image:title>Exhibitions/Events - Vine and Hollow: “Ultradependent Public School” and the Necessary Paradoxes of the Liberated Institution - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/74fa261e-30fe-4c4e-9846-6ae7c8397752/Screen+Shot+2023-09-22+at+6.40.12+PM.png</image:loc>
      <image:title>Exhibitions/Events - Vine and Hollow: “Ultradependent Public School” and the Necessary Paradoxes of the Liberated Institution - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.fistbiz.com/exhibitions-and-events/2023/4/1/aga-lab-artist-in-residence-amsterdam-netherlands</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/da9bf6e3-ff6f-4b3b-a7a2-606b34815916/%E2%80%94+2023+AGA+LAB+SOCIAL+MEDIA+POSTING1+copy.jpg</image:loc>
      <image:title>Exhibitions/Events - AGA LAB Artist-in-Residence, Amsterdam, Netherlands - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/dd4a210c-8f90-4df4-a9b2-af4764d84eaf/%E2%80%94+2023+AGA+LAB+SOCIAL+MEDIA+POSTING3+copy.jpg</image:loc>
      <image:title>Exhibitions/Events - AGA LAB Artist-in-Residence, Amsterdam, Netherlands - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/39b30224-6f51-43f2-ad3e-981f4d82f241/%E2%80%94+2023+AGA+LAB+SOCIAL+MEDIA+POSTING2+copy.jpg</image:loc>
      <image:title>Exhibitions/Events - AGA LAB Artist-in-Residence, Amsterdam, Netherlands - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/c3111e27-e5ca-471a-b738-93b551dc23e9/%E2%80%94+2023+AGA+LAB+SOCIAL+MEDIA+POSTING4+copy.jpg</image:loc>
      <image:title>Exhibitions/Events - AGA LAB Artist-in-Residence, Amsterdam, Netherlands - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/3c3cd619-b192-459c-a84f-fc908142c063/%E2%80%94+2023+AGA+LAB+SOCIAL+MEDIA+POSTING6+copy.jpg</image:loc>
      <image:title>Exhibitions/Events - AGA LAB Artist-in-Residence, Amsterdam, Netherlands - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/07d9d61b-22fd-4872-8d29-aa9a8e569eb4/%E2%80%94+2023+AGA+LAB+SOCIAL+MEDIA+POSTING7+copy.jpg</image:loc>
      <image:title>Exhibitions/Events - AGA LAB Artist-in-Residence, Amsterdam, Netherlands - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/ecf3f3c7-cbdb-4731-ae20-c775431e1b75/%E2%80%94+2023+AGA+LAB+SOCIAL+MEDIA+POSTING8+copy.jpg</image:loc>
      <image:title>Exhibitions/Events - AGA LAB Artist-in-Residence, Amsterdam, Netherlands - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/27815902-6b13-4b27-92e3-710e18294140/%E2%80%94+2023+AGA+LAB+SOCIAL+MEDIA+POSTING9+copy.jpg</image:loc>
      <image:title>Exhibitions/Events - AGA LAB Artist-in-Residence, Amsterdam, Netherlands - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - AGA LAB Artist-in-Residence, Amsterdam, Netherlands - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>http://www.fistbiz.com/exhibitions-and-events/2023/5/3/the-microcosmicroom</loc>
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      <image:title>Exhibitions/Events - THE MICROCOSMICROOM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Exhibitions/Events - THE MICROCOSMICROOM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/d15b4101-9f8c-4fa0-bc99-034ebdf9a7b0/%E2%80%94+2023+BAK+MICROCOSMICROOM+SOCIAL+MEDIA+POSTING4.jpg</image:loc>
      <image:title>Exhibitions/Events - THE MICROCOSMICROOM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/c223a683-66f7-4bb5-a43c-71b38c5af27f/%E2%80%94+2023+BAK+MICROCOSMICROOM+SOCIAL+MEDIA+POSTING5.jpg</image:loc>
      <image:title>Exhibitions/Events - THE MICROCOSMICROOM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Exhibitions/Events - THE MICROCOSMICROOM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Exhibitions/Events - THE MICROCOSMICROOM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Exhibitions/Events - THE MICROCOSMICROOM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Exhibitions/Events - THE MICROCOSMICROOM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/4206032f-4b4d-42dd-8892-4bcdf9bb25f7/%E2%80%94+2023+BAK+MICROCOSMICROOM+SOCIAL+MEDIA+POSTING10.jpg</image:loc>
      <image:title>Exhibitions/Events - THE MICROCOSMICROOM - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2024-03-17</lastmod>
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      <image:title>Exhibitions/Events - THE DIAMOND MIND II TRAINING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Exhibitions/Events - THE DIAMOND MIND II TRAINING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Exhibitions/Events - THE DIAMOND MIND II TRAINING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Exhibitions/Events - THE DIAMOND MIND II TRAINING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Exhibitions/Events - THE DIAMOND MIND II TRAINING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Exhibitions/Events - THE DIAMOND MIND II TRAINING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Exhibitions/Events - THE DIAMOND MIND II TRAINING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - THE DIAMOND MIND II TRAINING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - THE DIAMOND MIND II TRAINING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>http://www.fistbiz.com/exhibitions-and-events/2023/4/1/ultradependent-public-school</loc>
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    <priority>0.5</priority>
    <lastmod>2024-12-22</lastmod>
    <image:image>
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      <image:title>Exhibitions/Events - ULTRADEPENDENT PUBLIC SCHOOL - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Exhibitions/Events - ULTRADEPENDENT PUBLIC SCHOOL - Make it stand out</image:title>
      <image:caption>Linda Zeb Hang The Microcosmicroom, film still-1, 2023 Collaborative Exhibition Scenography with Goof Kloosterman</image:caption>
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  </url>
  <url>
    <loc>http://www.fistbiz.com/exhibitions-and-events/2023/1/28/the-lantern-mark-workshop</loc>
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    <lastmod>2024-03-17</lastmod>
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      <image:title>Exhibitions/Events - The Lantern Mark Workshop - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>http://www.fistbiz.com/exhibitions-and-events/2022/12/1/small-press-book-bazaar-at-sfmoma</loc>
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    <lastmod>2022-11-30</lastmod>
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      <image:title>Exhibitions/Events - Small Press Book Bazaar at SFMOMA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Exhibitions/Events - Small Press Book Bazaar at SFMOMA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Exhibitions/Events - Small Press Book Bazaar at SFMOMA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Exhibitions/Events - Small Press Book Bazaar at SFMOMA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Exhibitions/Events - Small Press Book Bazaar at SFMOMA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Exhibitions/Events - Small Press Book Bazaar at SFMOMA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/c6a7a5a1-3b22-4ccf-ab0c-9382bfdac995/7+%E2%80%94+11%3A29%3A2022.jpg</image:loc>
      <image:title>Exhibitions/Events - Small Press Book Bazaar at SFMOMA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/ffe1d852-daf3-41e2-8b12-9a63010d9056/8+%E2%80%94+11%3A29%3A2022.jpg</image:loc>
      <image:title>Exhibitions/Events - Small Press Book Bazaar at SFMOMA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - Small Press Book Bazaar at SFMOMA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions/Events - Small Press Book Bazaar at SFMOMA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>http://www.fistbiz.com/microcosmicroom</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2026-02-03</lastmod>
    <image:image>
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      <image:title>The Microcosmicroom - MICROCOSMICROOM, 2023</image:title>
      <image:caption>LINDA ZEB HANG A Cooling Nest for All Kinds of Speech, Lamentations, and Ecstatic Forms ASSORTED PUBLICATIONSCULPTURES, DYADIC FURNITURE, WAVES OF LIGHT, AND OTHER SUPPORTIVE MATERIAL A Cooling Nest . . . is a microcosmicroom (or a pocket universe) for classes of study and rites. It contains different languages—publicationsculptures—as a gateway to kinds of knowledge drawn with the body, in collaboration or cultivated solitude, with transparency or in private. This knowledge is broadcast through different matrices in printmaking and waves of sound and light. Pockets of sub-universes are arranged to allow for certain relationships to take shape within it and because. It’s a library of sorts, an artery area, mostly cool memories, with spots of far infrared heat as color. People don’t interpret heat in the same way, but comfort, to me, is a cool temperature. MICROCOSMICROOM is assembled with artwork by LINDA ZEB HANG at BAK, basis voor actuele kunst, Utrecht NL. GOOF KLOOSTERMAN Collaborative MICROCOSMICROOM exhibition scenography THOMAS TAWANDA ORBON JANGLE film production, editing and sound TOM PHILIP JANSSEN MICROCOSMICROOM installation photos</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Microcosmicroom - MICROCOSMICROOM, 2023</image:title>
      <image:caption>LINDA ZEB HANG A Cooling Nest for All Kinds of Speech, Lamentations, and Ecstatic Forms ASSORTED PUBLICATIONSCULPTURES, DYADIC FURNITURE, WAVES OF LIGHT, AND OTHER SUPPORTIVE MATERIAL A Cooling Nest . . . is a microcosmicroom (or a pocket universe) for classes of study and rites. It contains different languages—publicationsculptures—as a gateway to kinds of knowledge drawn with the body, in collaboration or cultivated solitude, with transparency or in private. This knowledge is broadcast through different matrices in printmaking and waves of sound and light. Pockets of sub-universes are arranged to allow for certain relationships to take shape within it and because. It’s a library of sorts, an artery area, mostly cool memories, with spots of far infrared heat as color. People don’t interpret heat in the same way, but comfort, to me, is a cool temperature. MICROCOSMICROOM is assembled with artwork by LINDA ZEB HANG at BAK, basis voor actuele kunst, Utrecht NL. GOOF KLOOSTERMAN Collaborative MICROCOSMICROOM exhibition scenography THOMAS TAWANDA ORBON JANGLE film production, editing and sound TOM PHILIP JANSSEN MICROCOSMICROOM installation photos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1758825532916-6APL4VDBS2UJGHCCNA5K/LZH%2BStudio_THE-MICROCOSMICROOM_BAK_workshops.webp</image:loc>
      <image:title>The Microcosmicroom - MICROCOSMICROOM, 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1700014548056-7FRK1LM22AH8KL0HQB98/image-asset.jpeg</image:loc>
      <image:title>The Microcosmicroom - MICROCOSMICROOM, 2023</image:title>
      <image:caption>JANGLE, 2023 1:27 min. Single-channel video installation BW, stereo Director: Linda Zeb Hang Production, editing, sound: Thomas Tawanda Orbon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1683644374918-UH067EK5IUJBBX5MNLKE/IMG_2765+copy.jpg</image:loc>
      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
      <image:caption>I dance to remind. I will create as I speak. I seek the simple and interpenetrating shapes. Processing with imagination, I’m interested in who, how and what gets left behind. My research is built from resourceful memory, in which orality is a primary cultural script. The frayed, layered aesthetic language of my reprographic culture is not fixed—I can reinterpret, repeat, distill, generating a mixed-media synthesis. For me, the hinge in comfort and grief holds density in texture. Geometry in sound and voice soothes this altered condition of life. Linda Zeb Hang Spring Equinox 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1743083268200-H6AEO9FII6RJI1WXOKL4/image-asset.jpg</image:loc>
      <image:title>The Microcosmicroom - Microcosmicroom (film still of the artist), 2023</image:title>
      <image:caption>A GARDEN IS A BODY THAT CANNOT BE POSSESSED ITS SECRET IS BEAUTIFUL BECAUSE IT BELONGS TO NO ONE THOUGH SOME HAVE EXPLOITED IT ITS TRUE NATURE CANNOT BE CONTROLLED</image:caption>
    </image:image>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
      <image:caption />
    </image:image>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
      <image:caption>Pocket I : Warble  2020–2021, HAND-WOVEN FIBER-OPTIC PAPER WARBLE is an artifact of intimacy, hinge, and shadow. This process of repetitious folding yields a jointed architecture held together without adhesive, through gravity. The talismans of migrant cultures place importance on woven entry points: they hold significance as a marker, symbol for an exit, an architecture for one’s return to the world. In protection, this undisclosed design forms another “eye,” or a nest for meditation and restoration. As a geoglyph, it can be thought of as a braided crater.</image:caption>
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      <image:title>The Microcosmicroom - MICROCOSMICROOM, 2023</image:title>
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      <image:title>The Microcosmicroom - MICROCOSMICROOM, 2023</image:title>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
      <image:caption>Interlinked joints echo molecular bonds, DNA strands, and celestial constellations. A micro-gesture (a fold) becomes a macro-cosmos (a room). Viewers step inside what feels like a scaled-up body or pocket universe of folds. The patterned shadows lace the weaving into the architecture itself—as if the whole room is time wrapped or imprinted on a fabric.</image:caption>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
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      <image:title>The Microcosmicroom - MICROCOSMICROOM, 2023</image:title>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
      <image:caption>Petch-Lite, I</image:caption>
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      <image:title>The Microcosmicroom - MICROCOSMICROOM, 2023</image:title>
      <image:caption>Star-Tent Suspended wooden grids and the polarized lens layer shadow with structure, filtering light so patterns flicker, shift, and dissolve with movement. It turns the installation into a woven field of interference—where light, code, and enclosure are registered as multi-hyphenate and in flux, much like identity politics.</image:caption>
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      <image:title>The Microcosmicroom - MICROCOSMICROOM, 2023</image:title>
      <image:caption>Star-Tent</image:caption>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
      <image:caption>Story-Cloth, I</image:caption>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
      <image:caption>Story-Cloth, II</image:caption>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
      <image:caption>Story-Cloth, III</image:caption>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
      <image:caption>Speara</image:caption>
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      <image:title>The Microcosmicroom - MICROCOSMICROOM, 2023</image:title>
      <image:caption>Shoulder-Rotator-Cuff Diamond cartouche furniture</image:caption>
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      <image:title>The Microcosmicroom - MICROCOSMICROOM, 2023</image:title>
      <image:caption>Artery Area, I (Somnambulist reflections :; deflections) The fiber-optics of place, an artery area, a micro-climate theory, spacecraft language, and calyxes of meditation. Human body parts are strewn about in this ordinary, yet rare feminist read. The technologist’s reliquary. A lullaby for the unborn (an empty nest). Dislocation of the adaptationist divine, and into the Diamond Mind 2.0, cutting thru all illusion. I can feel something within this cold code. A recognito scene, cool memories, and September blues.</image:caption>
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      <image:title>The Microcosmicroom - MICROCOSMICROOM, 2023</image:title>
      <image:caption>Artery Area, II</image:caption>
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      <image:title>The Microcosmicroom - MICROCOSMICROOM, 2023</image:title>
      <image:caption>Knee-Ligament, I Diamond cartouche furniture</image:caption>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
      <image:caption>Lullaby, I</image:caption>
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      <image:title>The Microcosmicroom - MICROCOSMICROOM, 2023</image:title>
      <image:caption>Lullaby, II</image:caption>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
      <image:caption>Parasite, I</image:caption>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
      <image:caption>Parasite, II</image:caption>
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      <image:title>The Microcosmicroom - MICROCOSMICROOM, 2023</image:title>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
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      <image:title>The Microcosmicroom - MICROCOSMICROOM, 2023</image:title>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
      <image:caption>Pocket II : QALDERA (I–III)   2020–2022, HAND-WOVEN MESH CANVASES, CARVED NEGATIVE SPACE, RAINBOW GRADIENT ACRYLIC YARN QALDERA is a hand-carved typeface, improvised in a trio of slipcase books constructed from easily accessible materials found in craft stores. The letterforms reference traditional and exquisite Southeast Asian reverse-appliqué needlework. They are formed by research into the industry of Hmong refugee labor within Amish quilting communities in Lancaster, Pennsylvania. Thread-splitting, architectural schema, distortions found in monograms, and whipstitching—typically used to close seams—have been employed to bring relief and color to the slipcase surfaces. Hand-beaded currency tokens accompany QALDERA: trading and marking altered labor within precarious identification.</image:caption>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
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      <image:title>The Microcosmicroom - Microcosmicroom, 2023</image:title>
      <image:caption>Pocket III : Run O’ The River / Bitter Medicine (I–III) 2020–2022, FLASH-FICTION PUBLICATION ROTR-BM (I–III) reflects on the shapeshifting and sensorial identities of language, the voice in speech, as it gathers and moves in-between marginal and non-marginal gait. With its eight poems, this book of flash-fiction and emotion provides a way of looking at empire—the Ego, the Environment, the Complicit—processing with imagination on what we search for after trauma, loss, or injustice.</image:caption>
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      <image:title>The Microcosmicroom - MICROCOSMICROOM, 2023</image:title>
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      <image:title>The Microcosmicroom - MICROCOSMICROOM, 2023</image:title>
      <image:caption>Run O’ The River / Bitter Medicine embeds Linda’s internal and esoteric landscapes shaped by the 2020 New York pandemic, where fissures and oblique intersections both conceal and reveal. Poems, drawings, encoded glyphs articulate psychic micro-climates in a frayed environment, depicting misalignments, registers of the print that obscure or score the dailyness of linguistics and orality. Letterpress printed and aligned like textiles, the glyphs form patterned repetitions, encoding encryption into paper. Each symbol is not only written but worn, like embroidery across the page. The flocked surfaces with sun gold mica amplify the poems’ luminosity: catching light as you move, the pages reflect a shifting identity back to the reader, carrying glow and code.</image:caption>
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  </url>
  <url>
    <loc>http://www.fistbiz.com/lzhdhzpppw139</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1750248514515-XS3T9MPWTTH6X3JHRM81/W801_3213422-tentoonstelling-PPP-begin.jpg</image:loc>
      <image:title>LZH—DHZ—PPP—W139 - Attuning the Dramaturgy:  Poetic Enjambments / Conditions of the Squat, 2025</image:title>
      <image:caption>Linda Zeb Hang Attuning the Dramaturgy: Poetic Enjambments / Conditions of the Squat Wood, text mural, printmaking sink, plastic roofing, theatre curtain, Rotterdam community garden water tank, soil, potato plants, acrylic paint, loudspeaker, technics record player, mic, Detroit and Hip Hop records, crowbars, distiller, anarchist books, burner cans, protest posters, textiles, biscuits, chips, apples, coffee and tea maker Dimensions variable 2025 A garden is a body that cannot be possessed Its secret is beautiful because it belongs to no one Though some have exploited it Its true nature cannot be controlled Spent the month of May living in and ATTUNING this dramaturgy of an environment we crafted by hand at W139 in Amsterdam NL. It is a sonic and visual FRAMEWORK. An occupied space for INTELLECTUAL SQUATTERS like me to articulate POETIC ENJAMBMENTS, shaping character with each other in this former performance theatre and artist-driven space. It channels the conditions of the squat—survival, care, resistance—through architecture, movement, print, and sound. LZH–DHZW–PPP Exhibition May 23 — July 27, 2025 W139 139 Warmoesstraat Amsterdam NL Installation Photos: Pieter Kers | Beeld.nu</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1750248514515-XS3T9MPWTTH6X3JHRM81/W801_3213422-tentoonstelling-PPP-begin.jpg</image:loc>
      <image:title>LZH—DHZ—PPP—W139 - Attuning the Dramaturgy:  Poetic Enjambments / Conditions of the Squat, 2025</image:title>
      <image:caption>Linda Zeb Hang Attuning the Dramaturgy: Poetic Enjambments / Conditions of the Squat Wood, text mural, printmaking sink, plastic roofing, theatre curtain, Rotterdam community garden water tank, soil, potato plants, acrylic paint, loudspeaker, technics record player, mic, Detroit and Hip Hop records, crowbars, distiller, anarchist books, burner cans, protest posters, textiles, biscuits, chips, apples, coffee and tea maker Dimensions variable 2025 A garden is a body that cannot be possessed Its secret is beautiful because it belongs to no one Though some have exploited it Its true nature cannot be controlled Spent the month of May living in and ATTUNING this dramaturgy of an environment we crafted by hand at W139 in Amsterdam NL. It is a sonic and visual FRAMEWORK. An occupied space for INTELLECTUAL SQUATTERS like me to articulate POETIC ENJAMBMENTS, shaping character with each other in this former performance theatre and artist-driven space. It channels the conditions of the squat—survival, care, resistance—through architecture, movement, print, and sound. LZH–DHZW–PPP Exhibition May 23 — July 27, 2025 W139 139 Warmoesstraat Amsterdam NL Installation Photos: Pieter Kers | Beeld.nu</image:caption>
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      <image:title>LZH—DHZ—PPP—W139 - Attuning the Dramaturgy:  Poetic Enjambments / Conditions of the Squat, 2025</image:title>
      <image:caption>A garden is a body that cannot be possessed Its secret is beautiful because it belongs to no one Though some have exploited it Its true nature cannot be controlled Every material—from soil, potato plants, protest murals to crowbars, records, and a printshop sink—honors those invisible codes communities have always lived by, even when unacknowledged.</image:caption>
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      <image:title>LZH—DHZ—PPP—W139 - Attuning the Dramaturgy:  Poetic Enjambments / Conditions of the Squat, 2025</image:title>
      <image:caption>The Garden of Learning is the artery area, located in the center of speech, writing, and dance. Grounded and rooted in the Rotterdam ⁄ Amsterdam grow community, these archival sub-textures reveal traces of the people’s multiplicity, complexities, and geographies. It is canopied by tent-like theatre curtain drapery, while rhythmically painted edges act as score-making, placing the colors as nods to movement building.</image:caption>
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      <image:title>LZH—DHZ—PPP—W139 - Attuning the Dramaturgy:  Poetic Enjambments / Conditions of the Squat, 2025</image:title>
      <image:caption>Close by is a Listening Sessions Station where you can listen to Linda’s other collective: Detroit’s Sterling Toles’ music with Wes Taylor’s record design. Their deep roots in printshop, Underground Resistance, Motown, and Archer vinyl pressing plant invite the plants to grow in the way of the village’s faith. A second spine to W139’s site of origin, with ceremony as a gesture to consider how structure, sound, and freedom interact.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1750248657248-9V7R9PTUUXAHFKYOW8J2/W801_3213494-tentoonstelling-PPP-begin.jpg</image:loc>
      <image:title>LZH—DHZ—PPP—W139 - Attuning the Dramaturgy:  Poetic Enjambments / Conditions of the Squat, 2025</image:title>
      <image:caption>Inhabiting the architectural, columnist vertices feel like encountering tall trees that make up a grove in an encoded forest where the poems, prints, textiles, books, and oral stories can breathe, iterate, and support one another.</image:caption>
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      <image:title>LZH—DHZ—PPP—W139 - Attuning the Dramaturgy:  Poetic Enjambments / Conditions of the Squat, 2025</image:title>
      <image:caption>Linda’s 6 week journey to Flint and Detroit MI as an honorary community member in 2024 inspired them to build the squat as part of a transnational network of contested infrastructures, where the right to print, water, and build link parallel struggles for autonomy.</image:caption>
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      <image:title>LZH—DHZ—PPP—W139 - Rhythmic Publications Workshop, 2025</image:title>
      <image:caption>Organized and initiated by the artist, the public was invited to meaningfully participate and build culture with these learning environments in the framework of a Community Center on July 13, 2025 at W139 in Amsterdam NL. Youth participants from Iran, Cyprus, Turkey, Italy, France, Belgium, NYC, and California created rhythmic publications and workshops while transducing the space into their own.</image:caption>
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      <image:title>LZH—DHZ—PPP—W139 - Attuning the Dramaturgy:  Poetic Enjambments / Conditions of the Squat, 2025</image:title>
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  </url>
  <url>
    <loc>http://www.fistbiz.com/installations</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-18</lastmod>
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  <url>
    <loc>http://www.fistbiz.com/subscribe</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2017-03-03</lastmod>
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  <url>
    <loc>http://www.fistbiz.com/lzh</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/634bbda2-b890-42b6-84b4-21bd8f99ff21/%E2%80%94+5+%E2%80%94+Black+Poem+II.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE”, 2020–22 Obsidian (ITZLI), Ebony Wood (HBNY), Yucca Angustissima (ICZOTL) Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/33a1939a-1431-436d-9e79-ceb7b079fcc4/TPJ_BAK_UPS_Exhibition_print_105.jpeg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “MICROCOSMICROOM”, 2023 Hand folded metallic and fluorescent offset printed paper joints, black lumber, polarized plexiglass, wheels, wire mesh, spray paint, compressed foam Installation variable Photo: Tom Janssen Courtesy of the artist BAK, basis voor actuele kunst, Utrecht NL</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/eff52e34-300e-4241-9051-b62cca622e94/W801_3213422-tentoonstelling-PPP-begin.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ATTUNING THE DRAMATURGY / CONDITIONS OF THE SQUAT”, 2025 Wood engraved relief prints (wheatpasted mural poem), screenprint ink, lumber, printer’s apron, water tank, sink, paint buckets, soundsystem, mic, record player, vinyls, independent publishing Photo: Pieter Kers Courtesy of the artist W139, Amsterdam NL A GARDEN IS A BODY THAT CANNOT BE POSSESSED ITS SECRET IS BEAUTIFUL BECAUSE IT BELONGS TO NO ONE THOUGH SOME HAVE EXPLOITED IT ITS TRUE NATURE CANNOT BE CONTROLLED</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/4ae27f10-c606-47bc-97ad-96ad86b09efa/TPJ_BAK_UPS_Exhibition_print_091.jpeg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “MICROCOSMICROOM”, 2023 Hand pulled etchings, lithographs, letterpress printed poems, single-channel video installation, hand folded metallic and fluorescent offset printed paper joints, black lumber, polarized plexiglass, wheels, wire mesh, spray paint, compressed foam Installation variable Photo: Tom Janssen Courtesy of the artist BAK, basis voor actuele kunst, Utrecht NL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/7e7c2faf-b14a-450c-9c3a-21838d6ea5c8/Screen+Shot+2025-01-23+at+7.30.13+PM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “THE FOREST”, 2020 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/2e5edebe-7a68-44c6-8595-cf9f158a65a3/%E2%80%94+2023+BAK+SOCIAL+MEDIA+POSTING7.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “DIAMOND MIND 2.0”, 2023–24 Film Stills Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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    <image:image>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “DIAMOND MIND 2.0”, 2023–24 Film Stills Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/b94aa7d5-1182-412b-8464-434200b564fd/Screen+Shot+2025-03-09+at+11.38.49+AM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “THE ANTIQUE SORCERER: FILIGREE”, 2024 Cast lead metal type Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/5ba96c54-6c62-4acb-bcbf-374d3ba446b3/%E2%80%94+ROTR-BM-Second-Iteration-Letterpress-2.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE II”, 2020–22 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/483a4d7a-d078-469b-ba05-17eccf65fba0/%E2%80%94electric-sutures-display.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ELECTRIC SUTURES ALPHABETICAL”, 2017–19 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/eb5dfbdc-6571-46e8-b919-0a4565cda1b7/new+crit+portrait.JPG</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ROTTERDAM SOUTH NL”, 2025 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/639fc474-e8e3-4026-b793-fef42acc34a7/Screen+Shot+2023-02-19+at+2.30.27+PM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “OXYWAVE: SCROLL I”, 2016 Hand peyote stitched Miyuki glass seed beads on fiberglass mesh Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/9b85e4ea-5f5e-403a-93c5-2d621e8aabde/Screen+Shot+2023-02-19+at+2.08.48+PM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “WARBLE”, 2020–22 Film still Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “WARBLE”, 2020–22 Sonic boom film still research Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/52139568-c241-45b8-97ba-357d4c3e7b47/Screen+Shot+2024-07-05+at+6.15.51+PM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “THE ANTIQUE SORCERER”, 2022–24 Film stills Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/cd48aebb-98a7-4169-a4e9-14a61a977768/%E2%80%94+ROTR-BM-Second-Iteration-Letterpress-2.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE II”, 2020–22 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/e265771f-b915-4a06-b2b9-8707728268e1/%E2%80%94+ROTR-BM-Second-Iteration-Letterpress-1.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE II”, 2020–22 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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    <image:image>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE II”, 2020–22 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/3ddfc69e-634c-41a3-b763-02eb15759c2d/Screenshot+2026-01-25+at+6.01.12%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “UNDER DRY SKY ON BRITTLE EARTH, COLD SKY ON DARK EARTH (detail)”, 2024 Metallic paste paint on handmade and dyed paper Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/2bdd2d59-1375-40da-94ac-9483b69c3e12/Screenshot+2026-01-25+at+6.58.49%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “UNDER DRY SKY ON BRITTLE EARTH, COLD SKY ON DARK EARTH (detail)—KASTERLEE BE”, 2024 Metallic paste paint mixture Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/be70e6be-d05d-4628-b8ae-a39c5920bf7d/Screenshot+2026-01-25+at+6.59.00%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “UNDER DRY SKY ON BRITTLE EARTH, COLD SKY ON DARK EARTH (detail)—KASTERLEE BE”, 2024 Metallic paste paint on handmade and dyed paper Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/84a579a7-fbbb-479c-88c3-0423e8022685/Screenshot+2026-01-25+at+6.59.30%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “UNDER DRY SKY ON BRITTLE EARTH, COLD SKY ON DARK EARTH (detail)—KASTERLEE BE”, 2024 Metallic paste paint on handmade and dyed paper Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/93e87672-e73f-4997-bb70-3a8bb6af5c8a/Screenshot+2026-01-25+at+7.15.37%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “UNDER DRY SKY ON BRITTLE EARTH, COLD SKY ON DARK EARTH (detail)—KASTERLEE BE”, 2024 Handmade washi paper Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/64485a1a-ceae-4372-8d6f-08ea2be52ab0/Screenshot+2026-01-25+at+7.16.45%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “THE ANTIQUE SORCERER—BERKELEY CA”, 2024 Letterpress printed poems from bitmap photopolymer relief matrices on metallic washi tissue foil Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/59bf0a22-b1c7-45b4-a426-16b2e6bab29a/Screenshot+2026-01-25+at+7.16.23%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “THE ANTIQUE SORCERER—BERKELEY CA”, 2024 Letterpress printed poems from bitmap photopolymer relief matrices on metallic washi tissue foil Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/6c5184c0-283d-4495-b53e-f3260c121584/Screenshot+2026-01-25+at+7.37.32%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “THE ANTIQUE SORCERER—BERKELEY CA”, 2024 Letterpress printed poems from bitmap photopolymer relief matrices on metallic duotone cover paper Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/d60d14ef-7947-4313-a1d6-0a03a3c8f156/Screenshot+2026-01-25+at+7.37.50%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “THE ANTIQUE SORCERER—BERKELEY CA”, 2024 Letterpress printed poems from bitmap photopolymer matrices on metallic duotone cover paper Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “OPEN SYLLABLES: PATHS, DANGERS, STRATEGIES”, 2004–2020 Carved plastic mesh canvas 18 × 24 cm Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG WITH COMMUNITY CENTER YOUTH PARTICIPANTS IN “RHYTHMIC PUBLICATIONS”, 2023–ONGOING Photo: Linda Zeb Hang Courtesy of the artist  The Lantern Mark sculpture workshop, Kala Art Institute, Berkeley CA, February 2023 The participants gained experience using various book arts / printmaking tools and techniques to scavenge, shape, assemble materials into structural story-cloths, braiding foresight with image and text. The lantern can be thought of as a site-intelligent landmark, gathering material and storytelling; there is an emphasis on pattern exploration, adventures in symmetrical reversal textures, and divining the distance between the real and ideal. Coeval pedagogy is not a program—it’s a structure of time. Teaching and making coexist, not follow one another. The exhibition or residency is not a fixed site, but a live architecture where knowledge is built in chorus—gesture, print, voice, and repetition replacing hierarchy. In Rhythmic Publications, makers learn that form is a kind of kinship: making is thinking, paper folds remember breath, ink records temperature between private memory and public assembly. Between what can be said and what can only be made, they're learning that art isn't what you show; it's what you share. For the youth participants—many from migrant, working-class, multi-generational wealth, or diasporic backgrounds—The Lantern Mark is a moment of self-definition. They aren’t being told what art is; they’re discovering what it feels like to see their imagination take physical form. To hold something glowing that they made is to feel visible again—to experience sovereignty in miniature. They might become artists, teachers, parents, or simply better listeners. But what they take with them is a Lantern Mark modeling how to inhabit the world with attention. This is the architecture of co-learning—iterative, embodied, alive. Each surface becomes a diagram of relation, every page an archive of proximity. To work together is to map trust—Linda's vocation is a gift to the collective maintenance, and the collective, when it’s healthy, is a gift back.</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “OPEN SYLLABLES: PATHS, DANGERS, STRATEGIES”, 2004–2020 Carved plastic mesh canvas 65 × 38 cm Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “COLD CODE”, 2023–24 Watercolor, 2-color lithograph, black velvet monotype on mulberry paper  28 × 38 cm Photo: Linda Zeb Hang Courtesy of the artist  COLD CODE is an atlas-graphic in chine-collé, as part of a larger mixed-media print on Zerkall Kopernik paper, layering spatial genetics, encryption, atmosphere with nautical and bodily traces drawn from port-city origins. It reads as a visual score for DNA rhythms, opacity, and transduction—each community printshop residency offered opportunity and site-specific necessity to reflect on Linda’s world in a way that they could absorb, leaving gaps for interpretation, using materials, spatial choices, and abstraction to embed meaning subtly. Hand pulled print processes developed in 4 printmaking residencies at: 2023 Mills College Printshop, Oakland CA Kala Art Institute, Berkeley CA AGA Lab, Amsterdam NL 2024 MASEREEL, Kasterlee BE</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/f94d2a2a-492c-41ed-99d6-21f011099a20/Pitch-Glue_300.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “PITCH GLUE”, 2024 Letterpress print 20 × 38 cm Photo: Linda Zeb Hang Courtesy of the artist  ✍  Pitch Glue O’—sunsºººbooks˘˘˘polymers˙˙˙ And—bond¬ Terpene—membersˇˇˇærosolˆˆˆ And—stone—ground—lime Acetic—boreal˜˜˜dredge—and—behold Polish—the—plank O’—nepenthes Peerless—caves—crafting—nite—alkali Embers—then˚˚˚with—rare Wax—filigree Warbling—radical˘˘˘manipulating Moon—darts Shots—in—the—dark Steam—bending—and—once On—our—own Two-feet Back-tap—the—jukebox O’—star-tentsˆˆˆ Cold—code—and—petch—lite World-wide—singling˙˙˙ Hideous—and—comic Even—love ¶ revolutionary ¬</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RIXMADÆUS”, 2020 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “WARBLE”, 2020 WARBLE film research, opening salvo collider Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:caption>LINDA ZEB HANG, “DETROIT MI”, 2025 Photo: Wes Taylor Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “DETROIT MI”, 2025 Photo: Wes Taylor Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “DETROIT MI”, 2025 Photo: Wes Taylor Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “DETROIT MI”, 2025 Photo: Wes Taylor Courtesy of the artist</image:caption>
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      <image:caption>LINDA ZEB HANG, “AMSTERDAM NL”, 2025 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “BERKELEY CA”, 2024 Bitmap photopolymer relief matrix for letterpress printing Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “APACHE JUNCTION AZ”, 2024 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “DETROIT MI”, 2025 Photo: Wes Taylor Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/a584ab5a-b05b-41a7-82c3-f64e4e9774cb/Screenshot+2025-10-15+at+7.19.59%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “BELGIUM—INTAGLIO”, 2024 Drypoint and chine collé on Zerkall Kopernik paper Photo: Laia Gombu Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “BELGIUM—INTAGLIO”, 2024 Drypoint and chine collé on Zerkall Kopernik paper Photo: Laia Gombu Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “BELGIUM—INTAGLIO”, 2024 Drypoint and chine collé on Zerkall Kopernik paper Photo: Laia Gombu Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/0ea56b8b-c7a4-4e08-976d-8c73a7b0ee1b/Screenshot+2025-12-02+at+11.40.02%E2%80%AFAM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “BERKELEY CA”, 2024 Photopolymer letterpress on Japanese metallic washi tissue foil Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/334cfd12-eee5-4b9f-8735-43e0eb9a87b1/Screenshot+2026-01-20+at+5.37.26%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “BERKELEY CA”, 2024 Photopolymer letterpress on Japanese metallic washi tissue foil Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/7cff2ab0-d811-4d1a-bf10-07d78596737e/Screenshot+2025-12-02+at+3.13.05%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “BERKELEY CA”, 2024 Detail of torn washi paper edge Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/5713b714-133f-4d1a-9314-06f35e211fcb/Pitch-Glue_3006.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “PITCH GLUE”, 2024 Letterpress print (detail) 20 × 38 cm Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/9666fe88-3c03-40c7-b9a4-8e327759274e/Pitch-Glue_3003.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “PITCH GLUE”, 2024 Letterpress print (detail) 20 × 38 cm Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “PITCH GLUE”, 2024 Letterpress print (detail) 20 × 38 cm Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/02fe7bcd-6cb2-49e2-9c8b-d14f3cb19858/Screenshot+2025-07-01+at+4.18.22%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>FLEXIBILITY,</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/83077daa-d31c-480e-b611-c73c18eb4418/Screenshot+2025-07-01+at+4.15.52%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>INSTINCT,</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/cd660e60-5848-4daa-960e-aae0a3c0a074/Screenshot+2025-07-01+at+4.18.17%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>AND INTUITION,</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/dd878040-f800-4aa4-9650-b149289df438/Screenshot+2025-07-01+at+4.16.00%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>ARE THEIR GUIDING PRINCIPLES.</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “WARBLE”, 2020–22 Film still Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ROTTERDAM NL”, 2024 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:caption>EACH ONE</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>TEACH ONE.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/8a44db25-a162-465e-9466-dde1d9ce69f1/Screen+Shot+2024-07-11+at+9.58.25+PM.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “TULUWAT, HUMBOLDT COUNTY CA”, 2020 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:caption>LINDA ZEB HANG, “PANDEMIC NEW YORK CITY”, 2020 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “KASTERLEE BE”, 2024 Photo: Laia Gombau Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “DETROIT MI”, 2024 Photo: Jaleel W Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “KASTERLEE BE”, 2024 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “BERKELEY CA”, 2024 Photopolymer letterpress on Japanese metallic washi tissue foil Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “BELGIUM—INTAGLIO”, 2024 Drypoint and chine collé on Zerkall Kopernik paper Photo: Laia Gombu Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “BERKELEY CA”, 2024 Carefully torn washi strips Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “BERKELEY CA”, 2024 Detail of torn washi edges Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:caption>LINDA ZEB HANG, “ROTTERDAM NL”, 2025 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “AMSTERDAM NL”, 2024 Build out process Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/c24a4476-e813-472d-b134-295e5e3ccdb1/Screen+Shot+2024-09-05+at+9.47.57+AM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “TOME”, 1945–2026 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “TOME”, 1945–2026 Qee zaum qhov kev ua tib zoo kawg ntawm ib tug tub rog yog kev thim rov qab ntawm kev sib ntaus sib tua. Hauv zaj dab neeg, tom qab kev sib ntaus sib tua, ib tug kws sau ntawv sau txog yam uas tau kawm. Txhua kab lus yog tsim los: ntau yam, txhob txwm ua, sib npaug ntawm kev hlub tshua thiab qhov tseeb. Nws paub tias txhua qhov txiav ntawm rab ntaj yog rau dab tsi. Kev raug thiab phom loj yog nws cov hniav nyiaj hniav kub. Nws cov kua mem tsaus ntuj nrog ntshav, ci ntsa iab nrog cov kua muag pob zeb diamond; txhua lub cim rov qab ua pa, tawm hauv qhov tob zais cia hla thaj av tawv. Kev tsim mos mos yog li cas nws metabolizes kev sib ntaus sib tua. Nws sib ntaus sib tua hauv pawg hu nkauj, los ntawm kev thim rov qab, tsis yog los ntawm kev puas tsuaj. Nws cov ntawv sau yog qhov kev ua uas them cov nuj nqis ntawm kev coj ncaj ncees. Qhov pov thawj tseem tsis tau tiav. Tus kws sau ntawv txuas ntxiv sau vim tias oxygen, zoo li kev ncaj ncees, xav tau kev saib xyuas. Nws tau sim cov kev txwv ntawm huab cua sib koom. Cov ntaub ntawv yog qaug zog, lub operating system - ntsiag to. Hauv rhythm, ob qho tib si yog qhov tseem ceeb - ib qho khaws cia yav dhau los ntev txaus rau lwm tus sau yav tom ntej. // txheej txheem: txuas ntxiv mus // kev saib xyuas: pov thawj ntawm lub neej Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE III”, 2022 Photo: Linda Zeb Hang Courtesy of the artist and Sming Sming Books Staying true to oneself doesn’t mean staying the same. They know the cost of my journey—the isolation, relentless work, heartbreak, and racial trauma. As an artist, I often contemplate structures of love that reflect the bonds of our time: collaboration over competition, care over control, and growth over rigidity. It represents for me: a love of when we were equals, not roles. A love that builds, rather than deceives. To show what’s possible when an artist fully embraces their multifaceted identification. To adapt in different mediums, cultures, and environments revealing that boundaries are self-imposed, and that breaking them is a form of liberation. These moments will remain because they represent profound shifts—reflecting a rare kind of recognition, one that meets me where I am, and lifts me into where I could go.</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE III”, 2022 Photo: Linda Zeb Hang Courtesy of the artist and Sming Sming Books</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE III (detail)”, 2022 Photo: Linda Zeb Hang Courtesy of the artist and Sming Sming Books</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE III”, 2022 Photo: Linda Zeb Hang Courtesy of the artist and Sming Sming Books</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/22c2c37a-c274-452f-9b7b-600097caed71/patternerosion-5.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “PATTERN EROSION”, 2018 During a residency in Humboldt County CA, Linda was struck by the natural birth phenomena, critical food geography, and politics of survival within the Far Northern California back-to-the-land movement, an experience which left a profound impact on the way they think about space travel, ecology, and ethnography. Guided by their research and experience in the science of wound contraction these soiled, sedimented plastic book carcasses, with elements of gold, purple and black matter—known for spirited expansion, industry and pollution—patterns the toxicology of greed on the environment. Climate insecurities and policies of exhaustion are embedded into the plastic soil as negative space weavings, carving paths of root network and currency systems, collective electric circuitries and life cycle rituals to realize topographical traumas. Technology and the concept of capitalism erodes into fossilized chambers of abstraction; nature invades and calibrates, healing its wound only by changing shape. Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “TULUWAT—FAR NORTHERN CA”, 2015 Photo: Linda Zeb Hang Courtesy of the artist Linda learned about indigenous survival, walking beside, sitting in circle, working with Wiyot tribe members. They lived across the water from Tuluwat, where the 1860 massacre occurred, when European settlers murdered over 100 Wiyot people (mostly women and children) during their World Renewal Ceremony.</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “TULUWAT—FAR NORTHERN CA”, 2015 Photo: Linda Zeb Hang Courtesy of the artist Rainbows appear when conditions align: water, light, angle. That itself mirrors the conditions of justice: so many forces must align for it to be seen. It came not before, but at the moment of LAND BACK. Making it clear that not only humans but the Earth and Sky themselves recognized the return.</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “TULUWAT—FAR NORTHERN CA”, 2010–17 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/d0c73589-1d35-4751-97dc-911eb43958d2/Screenshot+2025-10-23+at+12.51.51%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “TULUWAT—FAR NORTHERN CA”, 2015 Photo: Linda Zeb Hang Courtesy of the artist The land was finally given back in 2019, after generations of long and hard won fight by the people, and on that day the brightest rainbow appeared over the island. When people fight 159 years for justice, the fear is that it will go unnoticed. But the rainbow felt like the Earth itself acknowledging the moment. Like the ancestors and the land communicating that persistence, prayer, and survival do change the world—even if it takes lifetimes.</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “TULUWAT—FAR NORTHERN CA”, 2015 Photo: Linda Zeb Hang Courtesy of the artist Now based in Rotterdam—a port built on the legacy of Dutch empire—Linda’s relationship to Tuluwat and the Wiyot story becomes a mirror to European modernity itself. They carry the lessons of land return and embodied inquiry into a city that profited from extraction and displacement. Linda’s portal brings ceremonial restitution into the epicenter of global logistics. Carrying a transoceanic ethic: what began in Far Northern California continues in Europe.</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “TULUWAT, HUMBOLDT COUNTY”, 2015 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “WARBLE”, 2020 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “MICROCOSMICROOM”, 2023 Qaldera, I–III Photo: Tom Janssen Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “MICROCOSMICROOM”, 2023 Star-tent Photo: Tom Janssen Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “MICROCOSMICROOM”, 2023 Star-tent Photo: Tom Janssen Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “MICROCOSMICROOM”, 2023 Hand pulled etchings, lithographs, letterpress printed poems, single-channel video installation, hand folded metallic and fluorescent offset printed paper joints, black lumber, polarized plexiglass, wheels, wire mesh, spray paint, compressed foam Installation variable Photo: Tom Janssen Courtesy of the artist BAK, basis voor actuele kunst, Utrecht NL</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ATTUNING THE DRAMATURGY / CONDITIONS OF THE SQUAT”, 2025 Wood engraved relief prints (wheatpasted mural poem), screenprint ink, lumber, printer’s apron, water tank, sink, paint buckets, soundsystem, mic, record player, vinyls, independent publishing Photo: Pieter Kers Courtesy of the artist W139, Amsterdam NL</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “MICROCOSMICROOM”, 2023 A Cooling Nest for All Kinds of Speech, Lamentations, and Ecstatic Forms Verzameling publicatiesculpturen, dyadische meubels, golven van licht, en andere ondersteunende materialen ⁄ ASSORTED PUBLICATIONSCULPTURES, DYADIC FURNITURE, WAVES OF LIGHT, AND OTHER SUPPORTIVE MATERIAL A Cooling Nest . . . is a microcosmicroom (or a pocket universe) for classes of study and rites. It contains different languages—publicationsculptures—as a gateway to kinds of knowledge drawn with the body, in collaboration or cultivated solitude, with transparency or in private. This knowledge is broadcast through different matrices in printmaking and waves of sound and light. This pocket of sub-universes is arranged to allow for certain relationships to take shape within it and because. It’s a library of sorts, an artery area, mostly cool memories, with spots of far infrared heat as color. People don’t interpret heat in the same way, but comfort, to me, is a cool temperature.</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “MICROCOSMICROOM”, 2023 Photo: Tom Janssen Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “MICROCOSMICROOM”, 2023 Photo: Tom Janssen Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RIXMADÆUS”, 2020 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE I”, 2020–22 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE II”, 2020–22 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE II”, 2020–22 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/0e5868c7-8281-4f02-96a4-3b5803f6fcc6/%E2%80%94+Run+O%E2%80%99+The+River+%3A+Bitter+Medicine-20-bw+%28deluxe%29.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE II”, 2020–22 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE II”, 2020–22 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “CRITICAL FOOD GEOGRAPHY AND EDUCATION”, 2014–ongoing CHEM: Origins of Natural and Dry Farming; CHEM II: International Cultured Food Processes; CHEM III: Soil, Nematodes and Scanning Systems. #sproutouts Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>CRITICAL FOOD GEOGRAPHY AND EDUCATION, 2014–ongoing CHEM: Origins of Natural and Dry Farming; CHEM II: International Cultured Food Processes; CHEM III: Soil, Nematodes and Scanning Systems. #sproutouts</image:caption>
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      <image:caption>LINDA ZEB HANG, “ELECTRIC SUTURES ALPHABETICAL”, 2017–19 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ELECTRIC SUTURES ALPHABETICAL”, 2017–19 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:caption>LINDA ZEB HANG, “FUGEES”, 2014 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:caption>LINDA ZEB HANG, “RHYTHMIC PUBLICATIONS WORKSHOP”, 2025 W139, Amsterdam NL Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RHYTHMIC PUBLICATIONS WORKSHOP”, 2025 W139, Amsterdam NL Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RHYTHMIC PUBLICATIONS WORKSHOP”, 2025 W139, Amsterdam NL Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “CRITICAL FOOD GEOGRAPHY AND EDUCATION”, 2014–ongoing CHEM: Origins of Natural and Dry Farming; CHEM II: International Cultured Food Processes; CHEM III: Soil, Nematodes and Scanning Systems. #sproutouts Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ELECTRIC SUTURES ALPHABETICAL”, 2017–19 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ELECTRIC SUTURES ALPHABETICAL”, 2017–19 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ELECTRIC SUTURES ALPHABETICAL”, 2017–19 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ELECTRIC SUTURES ALPHABETICAL”, 2017–19 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ELECTRIC SUTURES ALPHABETICAL”, 2017–19 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ELECTRIC SUTURES ALPHABETICAL”, 2017–19 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ELECTRIC SUTURES ALPHABETICAL”, 2017–19 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ELECTRIC SUTURES ALPHABETICAL”, 2017–19 Film Still Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RHYTHMIC PUBLICATIONS WORKSHOP”, 2025 W139, Amsterdam NL Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RHYTHMIC PUBLICATIONS WORKSHOP”, 2025 W139, Amsterdam NL Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ELECTRIC SUTURES ALPHABETICAL”, 2017–19 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “MICROCOSMICROOM”, 2023 Shoulder-Rotator-Cuff Diamond cartouche furniture Photo: Tom Janssen Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “UNDERGROUND COMICS (COSMETIC PORTRAITURE III)”, 2022 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SOUTHSIDE STOCKTON CA”, 2024 Suminagashi: To Print and Publish Soul Reachers, large-scale collaborative printmaking, making public the collective vat, co-taught with Tiffany Pech; HATCH—Helping Artists To Create Here, Southside Stockton CA, 2024 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SOUTHSIDE STOCKTON CA”, 2024 Suminagashi: To Print and Publish Soul Reachers, large-scale collaborative printmaking, making public the collective vat, co-taught with Tiffany Pech; HATCH—Helping Artists To Create Here, Southside Stockton CA, 2024 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “A FREE REED IS A VIBRATING TONGUE WHICH DOES NOT NEED TO BEAT AGAINST A SOLID SURFACE”, 2019 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “A FREE REED IS A VIBRATING TONGUE WHICH DOES NOT NEED TO BEAT AGAINST A SOLID SURFACE”, 2019 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “CRADLE REGALIA”, 2016 Wonderful Law PT2, principal choreographer and dancer, directed by Ka Yan, MoMA PS1, Long Island City, New York, September 2018 Photo: Ka Yan Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “CRADLE REGALIA”, 2016 Textiles Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “HIGHEST SPHERES”, 2018 Textiles Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “HIGHEST SPHERES”, 2018 Textiles Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “CRADLE REGALIA”, 2016 Textiles Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “CRADLE REGALIA”, 2016 Hangtag for textiles Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “HIGHEST SPHERES”, 2018 Textiles Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “MICROCOSMICROOM”, 2023 Photo: Tom Janssen and Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SAN JOAQUIN VALLEY CA”, 1997–98 Affirmative Action gave me opportunity to be a life-long learner. As part of a growing rhythm of artists in the states and beyond its borders. I stand on the shoulders of people like Mary Avila and Ms. Fagan who gave me a real education while respecting, understanding and asking the hard questions. Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “EARTH DAY”, 1999 Science and Builders’ Club organized by Tony Shuke (RIP) Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SAN JOAQUIN VALLEY CA”, 1999 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “HIGHEST SPHERES”, 2018 Co-published with TXTbooks, Brooklyn NY Printed by Kurt Woerpel Bound by Nichole Shinn and Kurt Woerpel Photo: Linda Zeb Hang Courtesy of the artist and TXTbooks</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SAN JOAQUIN VALLEY CA”, 1997–98 Ms. Fagan was from Little Rock, Arkansas and taught us poster-making, poetry, and singing that came from her church. As a child of Shamanism, I drew strength and inspiration from these public school lessons. It was stick up kids from asylum seekers, the trailer park, and some from good parenting. We all had one thing in common: the love of sports and meaning-making.</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SAN JOAQUIN VALLEY CA”, 1999 Asian / Builder’s Club in California. Initiation, roots in community and youth organizing. What have I learned these 27 years? I remember kindness and warmth being cultivated in these spaces. I know that saved so many of these kids’ lives for reals. We had fun learning together. You can see the grit: surviving on clowning and thrift. Not much has changed in my values. Still Asian, still building, just in the Netherlands. I was part of the photo and publishing crew which, now looking back, was the initiation for everything I still do— towards collective dignity countering the shame of being tokenized alone. Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “HIGHEST SPHERES”, 2018 Co-published with TXTbooks, Brooklyn NY Printed by Kurt Woerpel Bound by Nichole Shinn and Kurt Woerpel Photo: Linda Zeb Hang Courtesy of the artist and TXTbooks</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>JANICE MIRIKITANI, San Francisco CA, 1975 After participating in the Asian American Political Alliance, she joined Third World Communications. Later co-founding and editing AION—regarded as the first Asian-American literary magazine—which published just two issues in 1970 before folding. She edited two anthologies for Third World Communications: Third World Women (1972) and Time to Greez! Incantations from the Third World (1975). We share the same birthplace, Stockton CA, an industrial port city, with its history of labor movement, red-lined architecture, printing, and Hip-Hop philosophy.</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE II”, 2020–22 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “HOROLOGICAL TOME”, 2019 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “A FREE REED IS A VIBRATING TONGUE WHICH DOES NOT NEED TO BEAT AGAINST A SOLID SURFACE”, 2019 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “PALISADES”, 2015 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:caption>LINDA ZEB HANG, “GARDEN OF LEARNING: BAN VINAI REFUGEE CAMP”, 1975–1992 ATTUNING THE DRAMATURGY / CONDITIONS OF THE SQUAT research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “NEMATODE/BOOMSLANG SCALES I–III”, 2019 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ATTUNING THE DRAMATURGY / CONDITIONS OF THE SQUAT”, 2025 Wood engraved relief prints (wheatpasted mural poem), screenprint ink, lumber, printer’s apron, water tank, sink, paint buckets, soundsystem, mic, record player, vinyls, independent publishing Photo: Pieter Kers Courtesy of the artist W139, Amsterdam NL</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SOUTHSIDE STOCKTON CA”, 1986 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/4ec2741d-3bcd-4a43-8339-a168bbcb74ba/Screen+Shot+2025-01-23+at+7.31.06+PM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG Artwork: TOYIN OJIH ODUTOLA, “YOU MAKE YOUR OWN”, 2013 Pen, ink, and marker on paper Exhibited in “MY COUNTRY HAS NO NAME,” May 16–Jun 29, 2013, Jack Shainman Gallery, 513 West 20th Street New York, NY 10011 Collection Barbara and Jon Lee Courtesy of the artist In Linda’s world, where print, gesture, and craft are acts of care, their drawn humanity by fam/peer becomes a record of relational study. “I have seen you move through the world, and I need to keep a trace of that movement. We’ve arrived and we recognize each other.” The gaze is mutual aid, power is shared in this coeval resonance: the artist who renders also listens, translates, and carries.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/6fe62037-041b-4ce7-8c18-d0d8d979a60b/Screen+Shot+2025-01-23+at+7.31.53+PM.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “MA-LE’L DUNES CA”, 2020 Parfois, le dernier acte soigneux de la guerrière est de se retirer du combat. Dans les mythes, après la bataille, une scribe consigne ce qui a été appris. Chaque phrase est forgée: facettée, délibérée, équilibrée entre la miséricorde et la vérité. Elle sait à quoi sert chaque entaille de l’épée. Ses joyaux sont la précision et l’articulation. Son encre, assombrie par le sang et éclairée par des larmes de diamant, rendait le souffle à chaque marque, laissant une profondeur secrète au-delà du sol dur. La création douce est la manière dont elle métabolise la bataille. Elle combat en chœur, par retrait, non par annihilation. Son écriture est l’acte qui rembourse les arriérés moraux. La preuve reste inachevée. La scribe continue d’écrire, car l’oxygène, comme la justice, exige un entretien. Elle a testé les limites de l’air partagé. Les données étaient la fatigue, le système d’exploitation—le silence. Dans le rythme, les deux sont nécessaires—l’un tient le passé assez longtemps pour que l’autre écrive l’avenir. // processus: en cours // maintenance: preuve de vie Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “UNDER DRY SKY ON BRITTLE EARTH, COLD SKY ON DARK EARTH”, 2024 Carborundum grit, etching inks on pale yellow Hahnemühle Paper Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “MASEREEL BELGIUM”, 2024 Haar inkt werd donker van bloed, licht van tranen die hardden tot diamant. Elk teken bracht adem terug in de grond die te lang stil lag. Zachte schepping is hoe zij strijd verteert. Zij vecht in koor— door terugtrekking, niet door te vernietigen. Haar schrijven lost de morele schuld af. Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “OAKLAND CA”, 2023 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “UTRECHT NL”, 2023 Photo: Goof Kloosterman Courtesy of the artist</image:caption>
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      <image:caption>LINDA ZEB HANG, “LA TIMES”, 2014 Photo: Ed Templeton Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “OBJECTIVE OXYGEN”, 2020–ongoing Acrylic marbling and glaze, soft pastels on Rives BFK 38 × 28 cm</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “STAKES”, 2025–ongoing Hand modified pigmented ink, watercolour pigment pencils, sun gold mica on Schut paper 29.7 × 21 cm</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “STAKES”, 2025–ongoing Hand modified pigmented ink, watercolour pigment pencils, sun gold mica on Schut paper 29.7 × 21 cm (each) STAKES hover between wound, healing tissue, algorithm, coastlines, circuitry, and machine. Lungs, arteries, faces, hair brooches, currents, scars, seeds. Body and system, nature and computation. Each piece feels like a specimen, a study, a cell under a microscope, or inside a memory.</image:caption>
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      <image:caption>LINDA ZEB HANG, “BERKELEY CA”, 2022 Letterpress printing Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “OPERATOR RADIO—ROTTERDAM NL”, 2025 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “MICROCOSMICROOM”, 2023 Photo: Tom Janssen Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “BAN VINAI REFUGEE CAMP”, 1975–1992 MICROCOSMICROOM research in Thailand Photo: Linda Zeb Hang Courtesy of the artist ✍  Village’s Faith We—all—go—there—in—time Mixing—it—up—with—iconic Graphic—silhouettes Drape—and—shadow—work It’s—there—when—the—written Language—is—absent The—flow—of—compulsion—to—transduce A—promise A—wish This—serpentinized—curse Their—recovery—was—worth—the—operation The—unlikely—yet—possible—return Towards—the—locus—of—cosmetic—portraiture Into—procedure—of—war And—the—breaking—of—our—world Make—seen—and—valuable A—resinous—exudate Harvested—by—its—Antique—Sorcerer Meaningful—and—terribly—bare In—the—vertical—way—we—pray To—cure—our—goodbyes¬</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/dd756d84-9ce6-4d51-97d8-9b329bca0d8b/Screen+Shot+2025-01-23+at+7.27.25+PM.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “JANGLE”, 2023 Hang Clan, Hmong indigenous instrument Photo: Linda Zeb Hang Courtesy of the artist I—came—from—the—many. I—walked—alone. But—I—remain—open. And—what—I—carry—is—sacred.</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “TULUWAT, HUMBOLDT COUNTY, FAR NORTHERN CALIFORNIA”, 2019 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE II”, 2020–22 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “OPEN SYLLABLES: PATHS, DANGERS, STRATEGIES”, 2004–2020 Carved plastic mesh canvas, hand folded laser printed paper joints, flexible wire binding Installation variable Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE II”, 2020–22 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “UNDER DRY SKY ON BRITTLE EARTH, COLD SKY ON DARK EARTH”, 2024 Carborundum grit, bristol board stencils, matte medium on museum board Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “UNDER DRY SKY ON BRITTLE EARTH, COLD SKY ON DARK EARTH”, 2024 Carborundum grit, bristol board stencils, matte medium on museum board Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “UNDER DRY SKY ON BRITTLE EARTH, COLD SKY ON DARK EARTH—KASTERLEE BE”, 2024 Carborundum grit, à la poupée etching inks on museum board Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ROBERT BLACKBURN PRINTSHOP—NEW YORK CITY”, 2020–24 Monotype experiments Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ROBERT BLACKBURN PRINTSHOP—NEW YORK CITY”, 2020–24 Acidic experiments Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ROBERT BLACKBURN PRINTSHOP—NEW YORK CITY”, 2020–24 Acidic experiments Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:caption>LINDA ZEB HANG, “UNDER DRY SKY ON BRITTLE EARTH, COLD SKY ON DARK EARTH (detail)”, 2024 Metallic paste paint on handmade and dyed paper Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “TULUWAT CA”, 2020 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “LAST AMERICAN ATELIER”, 2023 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “COLD CODE—BERKELEY CA”, 2024 Monotype experiments Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:caption>LINDA ZEB HANG, “THE GARDEN OF LEARNING—ROTTERDAM NL”, 2024–2025 Children absorb a way of being. They might not remember every detail, but they’ll remember how it felt—safe, creative, and theirs. Responding to the world—not just through reaction, but through transformation. They’re not just playing in a space; they’re making the space. It shifts their relationship to publics—they start to see that they can change it. It teaches them that public space is not fixed—it’s something they can shape and contribute to. Maybe these kids will grow up to be an artist, a dancer, an activist, or a community leader.  Maybe years from now, they’ll do the same for someone else.</image:caption>
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      <image:caption>LINDA ZEB HANG WITH COMMUNITY CENTER YOUTH PARTICIPANTS IN “RHYTHMIC PUBLICATIONS”, 2023–ONGOING Photo: Linda Zeb Hang Courtesy of the artist  The Lantern Mark sculpture workshop, Kala Art Institute, Berkeley CA, February 2023</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG WITH COMMUNITY CENTER YOUTH PARTICIPANTS IN “RHYTHMIC PUBLICATIONS”, 2023–ONGOING Photo: Linda Zeb Hang Courtesy of the artist Suminagashi printing and binding workshop, W139, Amsterdam NL, October 2025</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG WITH COMMUNITY CENTER YOUTH PARTICIPANTS IN “RHYTHMIC PUBLICATIONS”, 2023–ONGOING Photo: Monica Liu Courtesy of the artist  Amsterdam Coalition of Autonomous Book-makers: LINDA ZEB HANG / FIST, W139, Amsterdam NL, October 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/6c294e98-6b95-4e2a-9253-99047b87913f/Screenshot+2025-07-01+at+4.18.04%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/3fca7da7-9a63-4c28-a81a-cf3a27cd238d/Screenshot+2025-07-01+at+4.18.08%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “HIGHEST SPHERES”, 2018 Film Stills Photo: Linda Zeb Hang Courtesy of the artist Decorating—figure—8z—towards—the—7th—day Blessed—by—drums,— smoke-covered—joss Rheumy—tertiaries—of—their—Floor—Culture Move—in-between—marginal—gait— and Brite—altars—of—non—deceptive— remind Metallic—and—bottomless Footwork—commingle—in—this—swool—pit — LZH, The Diamond Mind II, 2022</image:caption>
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      <image:caption>TIME TO GREEZ, edited by Janice Mirikitani, Glide Publications, San Francisco CA, 1975 People come together behind common needs, issues, and goals. Third World Communications, formed in 1971, is a coalition of Black, Raza, Asian, American Indian, and Native Island people. What we all had in common was our involvement in writing, art, and our communities. The racism, poverty, lack of power and resources in the publishing arena are factors we all experience as Third World people. We had a real need to participate in providing vehicles for the communities to experience their own creative resources. We recognize the necessity for Third World people to have accessible to them materials written by and for them—we must be able to see, hear, feel, smell, taste portraits of ourselves. All of us have experience working in our respective communities and in writing workshops, attempting to publish soul reachers: AION (Asian-American), Pocho che (Raza), San Francisco Black Writers Workshop, and American Indian artists have attempted to nurture and encourage Third World people to express ourselves through avenues by which we can be heard and reinforced on a broader scale.</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SUMINAGASHI”, 2020 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:caption>LINDA ZEB HANG, “BAN VINAI REFUGEE CAMP”, 1975–1992 MICROCOSMICROOM research in Thailand Photo: Linda Zeb Hang Courtesy of the artist ✍  Cold Code Indestructible—identity Shatter—not ºººShe—lives—her—justice The—kind—that—no—one—sees The—causeway—o’ Plainclothes—regret Caress—and—bind—your—sleep Creep—up—on—you And—you’ll—cave You’ve—entered Fires—earth—snakes Even—floods Unbreakable—adaptation Equality—in—isolation Crushing—abstract—and—skein Difference—o’—negative—plate Raged—from—pæsina—rays With—ol’—glamour Hard—street—edge Stone—wash —and Sun—erased Stone—wash —and Sun—erased ¬</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ROTTERDAM NL”, 2023 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “AMSTERDAM NL”, 2025 Locating ourselves in the sky. Holding asylum stories like second spines. Archiving into digital commons. Put something down on it. Each one teach one. Instructions, values, and practices being carried into the future. Memory into code, survival into law, and collective action into something sacred. What’s monumentalized are not elite spaces—it’s gardens, squats, refugee camps, community centers. It’s daily practice: how to carry memory, how to share food, how to teach, how to hold space. The title honors those invisible codes communities have always lived by, even when unacknowledged. Peace and survival aren’t just physical, they’re emotional and spiritual geographies. Conceptual art’s structure (archive, catalog, document) Liberation movements’ design (posters, codes, text murals, manifestos) Cinema’s poetry of memory Soul aesthetics (music, voice, ritual presence) Activate different truths for different people To consider: What do I carry ? What will I put down ? How do I teach, share, and hold space ? Reflecting in the language of structure and authority (codes, conduct, law) then reorienting it, showing those codes come from gardens, refugee camps, and rituals—not from patriarchal posers. The price you pay is emotional heaviness, spiritual vulnerability, material sacrifice, and the weight of responsibility. But that cost is also what gives the work its depth. Without it, the archive wouldn’t breathe the way it does. Memory is not neutral; it has texture, scar tissue, relief, grief, and joy. Every body in the images is doing something—teaching, planting, drumming, holding, dancing. Instructions don’t only live in text; they live in gesture, posture, gathering, repetition. The archive becomes cinematic: it lives in motion, not just static display. Photo: Dana Claasen Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “BERKELEY CA”, 2024 Bitmap photopolymer relief matrix for letterpress printing Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “OAKLAND CA”, 2023 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ROTTERDAM NL”, 2025 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “PARIS FR”, 2025 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:caption>LINDA ZEB HANG, “MICROCOSMICROOM”, 2023 Lullaby, II Photo: Tom Janssen Courtesy of the artist  ✍  Drum Drops Boreal—forest Canocopic—oak-ash Omniscient—letters Ecstatic—tap—dancer Woven—by—hand Stretched—to—receive Distribution—EQ O’—strike Machinist—primitive —and Baby-faced ¬</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “OAKLAND CA”, 2023 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “KASTERLEE BE”, 2024 Photo: Lies Jacobs Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ARTERY AREA”, 2024 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “DETROIT MI”, 2025 Sprouted lentil soup sustenance Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “OAKLAND CA”, 2023 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “CHIRP BOOMERANG (Cross Fade Rhythm)”, 2019 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “BAN VINAI REFUGEE CAMP”, 1975–1992 MICROCOSMICROOM research in Thailand Hmong indigenous burial Photo: Linda Zeb Hang Courtesy of the artist ✍  Treacle and Exudate PaPa Properties—o’—knife—war—and—device MaMa Way—o’—iron—and—needle Thread-splitting—sacred—sorrows ¬</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “BAN VINAI REFUGEE CAMP”, 1975–1992 MICROCOSMICROOM research in Thailand Hmong indigenous burial Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “THE MICROCOSMICROOM”, 2023 Knee-Ligament, I Diamond cartouche furniture Photo: Tom Janssen Courtesy of the artist  ✍  Artery Area Somnambulist—body—parts—are—strewn—about In—this—ordinary—yet—rare—feminist—read The—technologist’s—reliquary A—lullaby—for—the—unborn [ An—empty—nest ] Dislocation—o’—the—adaptationist—divine And—into—the—Diamond—Mind—2.0 [ Cutting—thru—all—illusion ] I—can—feel—something—within—this Cold—code A—recognito—scene—cool—memories And—September—blues ¬</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “BAN VINAI REFUGEE CAMP”, 1975–1992 MICROCOSMICROOM research in Thailand Hmong indigenous burial Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “MICROCOSMICROOM”, 2023 Artery Area Photo: Tom Janssen Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “UNDERGROUND COMICS (COSMETIC PORTRAITURE III)”, 2022 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “UNDERGROUND COMICS (COSMETIC PORTRAITURE III)”, 2022 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “A FREE REED IS A VIBRATING TONGUE WHICH DOES NOT NEED TO BEAT AGAINST A SOLID SURFACE”, 2019 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “A FREE REED IS A VIBRATING TONGUE WHICH DOES NOT NEED TO BEAT AGAINST A SOLID SURFACE”, 2019 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “A FREE REED IS A VIBRATING TONGUE WHICH DOES NOT NEED TO BEAT AGAINST A SOLID SURFACE”, 2019 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:caption>LINDA ZEB HANG, “LA TIMES”, 2014 Photographed by Ed Templeton</image:caption>
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      <image:caption>LINDA ZEB HANG, “BERLIN”, 2012 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ELECTRIC SUTURES ALPHABETICAL”, 2017–19 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:caption>Gu Du Zheng Wu (Japanese: Kotsu Do Sei Go Zu Setsu) 《骨度正誤》 (Correcting Errors in Standard Bone Measurement) was written by Cunshang Zongzhan (Japanese: Sōsen Murakami) 村上宗占. It is a tiny book packed with both drawings of all of the channels, with an eloquent discussion on the importance of the measurement of bones, and hence measurement of the cun 寸, 2019</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “THE MICROCOSMICROOM”, 2023 Pocket I : Warble  2020–2021, HAND-WOVEN FIBER-OPTIC PAPER WARBLE is an artifact of intimacy, hinge, and shadow. This process of repetitious folding yields a jointed architecture held together without adhesive, through gravity. The talismans of migrant cultures place importance on woven entry points: they hold significance as a marker, symbol for an exit, an architecture for one’s return to the world. In protection, this undisclosed design forms another “eye,” or a nest for meditation and restoration. As a geoglyph, it can be thought of as a braided crater.</image:caption>
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      <image:caption>LINDA ZEB HANG, “WOVEN PORTAL: BAN VINAI REFUGEE CAMP”, 1975–1992 WARBLE woven entry point research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:caption>LINDA ZEB HANG, “MICROCOSMICROOM”, 2023 Photo: Tom Janssen Courtesy of the artist</image:caption>
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      <image:caption>LINDA ZEB HANG, “ARTIFACT”, 2022 3-color letterpress print from photopolymer relief matrix Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:caption>Black Apollo of Science: The Life of Ernest Everett Just by Kenneth Manning Dr. Just studied sea urchin egg cells, cytoplasm of cells, and fertilization. He coined the word “ectoplasm” to denote the part of the cell's cytoplasm near the cell's surface. Integrating approaches to the study of genetics, and subsequent cell differentiation, 1985</image:caption>
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      <image:caption>LINDA ZEB HANG, “LIBRARY: BAN VINAI REFUGEE CAMP”, 1975–1992 MICROCOSMICROOM research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ARCHITECTS: BAN VINAI REFUGEE CAMP”, 1975–1992 MICROCOSMICROOM research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/8f50456b-585f-446b-b063-045a27b65a90/Screen+Shot+2022-04-27+at+11.01.20+PM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “CLAN AND COLLECTIVE MAKING: BAN VINAI REFUGEE CAMP”, 1975–1992 MICROCOSMICROOM research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/70c2fae5-0a34-474b-95de-7f46750f1d24/Screen+Shot+2022-04-27+at+11.00.43+PM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “CULTURAL BEARERS: BAN VINAI REFUGEE CAMP”, 1975–1992 MICROCOSMICROOM research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/65c56512-f40d-4f43-b75e-a5bc05202eb1/Screen+Shot+2022-04-28+at+1.13.29+AM.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “CULTURAL BEARERS: BAN VINAI REFUGEE CAMP”, 1975–1992 MICROCOSMICROOM research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/bc056101-f08f-4bb4-ac1d-09827f717ed7/sealsofauthenticity2%2Bcopy.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SEALS OF AUTHENTICITY”, 2006–15 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/bdb9b48d-6430-48df-bf50-e24ba66f599f/%E2%80%94diamond-shock.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “DIAMOND-SHOCK TERRAIN”, 2019 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/ad4d34c0-765f-4112-8923-8a6ad224c626/Screen+Shot+2025-01-23+at+6.55.52+PM.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “COLD CODE”, 2023 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/4eb79900-59f9-42f7-9fe1-816f1a49a6a5/%E2%80%94%2BRGB%2BBW%2BPSD%2BCOLLAGE-SAMPLE-60-web.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “A FREE REED IS A VIBRATING TONGUE WHICH DOES NOT NEED TO BEAT AGAINST A SOLID SURFACE”, 2019 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/cf388c46-fd38-4def-ac19-e8fd9f0cb35d/effervescence-nectar-vector-elixir-of-d-Gods-2.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>CRITICAL FOOD GEOGRAPHY AND EDUCATION, 2014–ongoing CHEM: Origins of Natural and Dry Farming; CHEM II: International Cultured Food Processes; CHEM III: Soil, Nematodes and Scanning Systems. #sproutouts</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/879e2c9c-f212-4072-a278-d7b4ae319f89/861371B9-6DBE-48E0-90DF-A5CA0DB00D83.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>CRITICAL FOOD GEOGRAPHY AND EDUCATION, 2014–ongoing CHEM: Origins of Natural and Dry Farming; CHEM II: International Cultured Food Processes; CHEM III: Soil, Nematodes and Scanning Systems. #sproutouts</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/72033b64-9828-450d-9def-d9c2f4e6365e/Screen+Shot+2024-09-05+at+10.19.47+AM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/38465a69-bbf4-4b98-a147-f5a6181f749a/Screen+Shot+2022-04-27+at+11.14.25+PM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “PAPER RITUALS: BAN VINAI REFUGEE CAMP”, 1975–1992 MICROCOSMICROOM research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1da6a189-130a-4126-b3b4-063d11adaed8/Screenshot+2025-07-26+at+9.35.22%E2%80%AFAM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “DRUM DANCE CULTURE: CHARACTER SHAPING”, 1975–1992 The typographic code of the Miao drum, MICROCOSMICROOM research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/c32c30ec-e484-4337-878b-fc584966ed17/Screenshot+2025-07-26+at+9.22.38%E2%80%AFAM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “LARGE SCALE DRUM COMMUNITY CULTURE: HMONG SONIC TECHNOLOGY”, 1975–1992 MICROCOSMICROOM research in Thailand—China—Laos—Thailand—Vietnam—French Guiana—Suriname—France—the Netherlands—Australia Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/78ed0715-83b2-4185-b0e6-04ad8f246bab/Screenshot+2025-07-26+at+9.26.39%E2%80%AFAM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “DRUM DANCE CULTURE: CODE OF THE INDIGENOUS HMONG”, 1975–1992 Women drummers and dancers, MICROCOSMICROOM research in Thailand, China—Laos—Thailand—Vietnam—French Guiana—Suriname—France—the Netherlands—Australia Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/f27ea6e5-fc8a-4fd8-a5cc-e48571bd1d77/Screen+Shot+2025-02-19+at+12.38.10+AM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SCRIBE”, 2017 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/ae4a8cc8-c17d-4cab-aa22-4a7d1792e1e2/Screen+Shot+2025-01-27+at+5.23.38+PM.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Time to Greez! Incantations from the Third World, edited by Janice Mirikitani (1941–2021), introduction by Maya Angelou (1928–2014), Glide Publications, San Francisco CA, 1975</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/472601ec-2d01-4b63-a61c-30d43eba0f23/infanteyes-4%2Bcopy.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “INFANT EYES”, 2012 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/dfa8000c-5f92-476c-a6b2-32b7268aa7ab/infanteyes-9%2Bcopy.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “INFANT EYES”, 2012 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/4dd82ea7-4768-486d-b62b-f368b8912271/infanteyes-14%2Bcopy.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “INFANT EYES”, 2012 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/dc22245f-c4dc-4b59-91c4-8c1482c7b08b/--Warble+Book14.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “WARBLE”, 2020–22 Film still Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/6e8c825b-1e40-43fa-9990-514ab1a1f527/--Warble+Book2.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “WARBLE”, 2020–22 Film still Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/40b70b54-2651-42a3-b920-daf0ae652980/Screen+Shot+2022-04-27+at+10.58.26+PM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/f6612d42-e9af-4f52-b334-d16872a1de6a/IMG-2160.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/2880e3d9-bd66-4fac-b202-c4c966475ac8/IMG-2157.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/9094f171-506e-4f81-9085-c026b21d94cd/Screen+Shot+2022-04-27+at+10.41.43+PM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/742ec05f-ae9a-4e68-af71-4966b5bd38a8/Screenshot+2025-07-26+at+12.09.12%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>HMONG / SURINAME Gardening and Community Grow Flag Research Through the numerous wars waged against the Hmong during the Qing Dynasty in China, most of the survivors dispersed in several directions. The Hmong in Southeast Asia migrated from China at the end of the 1700s and the beginning of the 1800s. When the American War ended in the mid-1970s, and well into the 1980s, many fled Vietnam, Laos, Thailand, and eastern Myanmar as communist governments were established. Some refugees went to Suriname to start a new life.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/fc4ee7a6-a330-443a-8fc2-66041aa999a7/Screenshot+2025-08-05+at+1.43.56%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/55dbc512-506d-4413-8e24-79d668235a40/%E2%80%94+2022_CBA_ROTR-BMSPREADS3.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE II”, 2020–22 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/fffe57a2-9e04-4cb4-9014-ccf77dcfefb4/%E2%80%94+2022_CBA_ROTR-BM-18-19-SPREADS2.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE II”, 2020–22 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/e5cf2e03-6e43-43fb-b91a-08dd4c0743a1/%E2%80%94+2022_CBA_ROTR-BMSPREADS6.JPG</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE II”, 2020–22 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/f0a77a84-158c-408c-8587-534d6b96328a/Screenshot+2025-06-08+at+8.51.57%E2%80%AFPM.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE”, 2022 Artist talk Co-presented by FIST and Sming Sming Books Dia Art Foundation, New York NY Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/13d6f5da-03cf-4908-841a-ed5c73a9f792/%E2%80%94+2022_CBA_ROTR-BM-18-19-SPREADS.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE II”, 2020–22 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/93add7e1-e369-4aeb-b39e-286cfe28ac91/%E2%80%94+2022_CBA_ROTR-BMSPREADS7.JPG</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE II”, 2020–22 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/bb2de377-4efe-4373-acca-4a5e5c3a7e57/%E2%80%94+sml-Hatch+Workshop+Social+Media+Suminagashi+Workshop.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SOUTHSIDE STOCKTON CA”, 2024 Suminagashi: To Print and Publish Soul Reachers, large-scale collaborative printmaking, making public the collective vat, co-taught with Tiffany Pech; HATCH—Helping Artists To Create Here, Southside Stockton CA, 2024 Photo: Jacqueline Bahnsen Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/f44f014b-58fc-4367-8ad7-74309bd60a44/%E2%80%94+sml-Hatch+Workshop+Social+Media+Suminagashi+Workshop2.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/ea82f159-643d-447e-9fb9-27025874e9e6/%E2%80%94+sml-Hatch+Workshop+Social+Media+Suminagashi+Workshop3.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/ea6bfa91-40e6-4450-8b86-2b8f19457f7c/%E2%80%94+sml-Hatch+Workshop+Social+Media+Suminagashi+Workshop4.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SOUTHSIDE STOCKTON CA”, 2024 Suminagashi: To Print and Publish Soul Reachers, large-scale collaborative printmaking, making public the collective vat, co-taught with Tiffany Pech; HATCH—Helping Artists To Create Here, Southside Stockton CA, 2024 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SOUTHSIDE STOCKTON CA”, 2024 Suminagashi: To Print and Publish Soul Reachers, large-scale collaborative printmaking, making public the collective vat, co-taught with Tiffany Pech; HATCH—Helping Artists To Create Here, Southside Stockton CA, 2024 Photo: Jacqueline Bahnsen and Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/c87d0455-8771-4e4e-b087-df0cad9311ac/%E2%80%94+sml-Hatch+Workshop+Social+Media+Suminagashi+Workshop6.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SOUTHSIDE STOCKTON CA”, 2024 Suminagashi: To Print and Publish Soul Reachers, large-scale collaborative printmaking, making public the collective vat, co-taught with Tiffany Pech; HATCH—Helping Artists To Create Here, Southside Stockton CA, 2024 Photo: Tiffany Pech and Linda Hang Courtesy of the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/f2e8f0c2-817b-47f0-b297-1f3d3f1dea51/%E2%80%94+sml-Hatch+Workshop+Social+Media+Suminagashi+Workshop7.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SOUTHSIDE STOCKTON CA”, 2024 Suminagashi: To Print and Publish Soul Reachers, large-scale collaborative printmaking, making public the collective vat, co-taught with Tiffany Pech; HATCH—Helping Artists To Create Here, Southside Stockton CA, 2024 Photo: Jacqueline Bahnsen and Tiffany Pech Courtesy of the artist</image:caption>
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    <image:image>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SOUTHSIDE STOCKTON CA”, 2024 Suminagashi: To Print and Publish Soul Reachers, large-scale collaborative printmaking, making public the collective vat, co-taught with Tiffany Pech; HATCH—Helping Artists To Create Here, Southside Stockton CA, 2024 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SOUTHSIDE STOCKTON CA”, 2024 Suminagashi: To Print and Publish Soul Reachers, large-scale collaborative printmaking, making public the collective vat, co-taught with Tiffany Pech; HATCH—Helping Artists To Create Here, Southside Stockton CA, 2024 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “BELGIUM—INTAGLIO”, 2024 Drypoint and à la poupée on copper Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “OPEN SYLLABLES: PATHS, DANGERS, STRATEGIES”, 2004–20 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:caption>LINDA ZEB HANG, “DETROIT MI”, 2024 Photo: Linda Zeb Hang Courtesy of the artist  ✍ The Free Reed Tongue—o’—many—strings —and Erotic—plots Unusual—elan —and Flair [ Draped—ivories—patterned—with—special—hardware ] Androgynous—grey—green Its—presence—o’—encoded—script Implanted—on—domestic—sheets—o’—hemp Varying—degrees—o’—stitch—a Rhythmic—site—to—abstract ¬</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “A LOVE TRILOGY”, 2014 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “A LOVE TRILOGY”, 2014 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “A LOVE TRILOGY”, 2014 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “A LOVE TRILOGY”, 2014 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “INFANT EYES”, 2012 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RHYTHMIC PUBLICATIONS: BAN VINAI REFUGEE CAMP”, 1975–1992 MICROCOSMICROOM research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:caption>LINDA ZEB HANG, “RHYTHMIC PUBLICATIONS: OBJECTIVE OXYGEN”, 2025 Photo: Nontsikeleo Mutiti Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “A LOVE TRILOGY”, 2014 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “AMSTERDAM—COLD CODE”, 2023 Detail of black velvet monotype press plate Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:caption>LINDA ZEB HANG, “THE ANTIQUE SORCERER (DETAIL)—BERKELEY CA”, 2024 Handset Filigree cast lead metal type, letterpress printing on metallic jade washi tissue foil Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:caption>LINDA ZEB HANG, “AMERICAN AND EUROPEAN PRINTSHOPS”, 2019–24 Acidic experiments Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “AMSTERDAM—COLD CODE”, 2023 Detail of black velvet monotype press plate Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SUMÊG VILLAGE”, 2020 Constructed by local Yuroks, who use it for occasional ceremonies. Filled with redwood plank houses, sweathouse, a dance pit and redwood canoes, which, like other traditional boats from the region, have structures identified with primary organs, such as the heart, the lungs and kidneys. Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “WIP”, 2025 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “A LOVE TRILOGY”, 2014 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “TULUWAT—FAR NORTHERN CA”, 2015 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “MICROCOSMICROOM”, 2023 Lullaby, I Photo: Tom Janssen Courtesy of the artist  ✍  Calyxes A—gifted—Calyx Forming—the—whorls—of—inspiration ºººBy—a—visionary—sacred—pen [ Who—are—the—pœts—? ] ˘˘˙˙˙It—hisses—when—the—written Language—is—absent With—elegance—and—gall ¬</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “UNDER DRY SKY ON BRITTLE EARTH, COLD SKY ON DARK EARTH”, 2024 Carborundum grit, etching inks on pale yellow Hahnemühle Paper Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “AMERICAN AND EUROPEAN PRINTSHOPS”, 2019–24 Acidic experiments Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “RUN O’ THE RIVER / BITTER MEDICINE (artist portrait)”, 2019 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ARTERY AREA”, 2024 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ARTERY AREA”, 2024 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “AMSTERDAM—COLD CODE”, 2023 Detail of black velvet monotype press plate Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “TOME”, 1945–2026 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SOUTHSIDE STOCKTON CA”, 2024 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SCRIBE”, 2017 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SCRIBE”, 2017 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “INFANT EYES”, 2012 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “WARBLE”, 2020 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “EMBROIDERY: BAN VINAI REFUGEE CAMP”, 1975–1992 MICROCOSMICROOM research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “WOVEN BURIAL GROUNDS: BAN VINAI REFUGEE CAMP”, 1975–1992 MICROCOSMICROOM research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “BAN VINAI REFUGEE CAMP”, 1975–1992 MICROCOSMICROOM research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ELDERS: BAN VINAI REFUGEE CAMP”, 1975–1992 MICROCOSMICROOM research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Their tools are digital, machine age, and primitive. LINDA ZEB HANG, “BAN VINAI REFUGEE CAMP”, 1975–1992 MICROCOSMICROOM research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “MASTERS OF CEREMONY: BAN VINAI REFUGEE CAMP”, 1975–1992 Hang Clan Archive Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG WITH COMMUNITY CENTER YOUTH PARTICIPANTS IN “RHYTHMIC PUBLICATIONS”, 2023–ONGOING Photo: Linda Zeb Hang Courtesy of the artist Suminagashi printing and binding workshop, W139, Amsterdam NL, October 2025</image:caption>
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      <image:caption>LINDA ZEB HANG, “INTELLECTUAL SQUATTERS 1/3”, 2025 Detroit MI Photo: Kashira Dowridge Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “HOROLOGICAL TOME”, 2019 CNC routed gaming stencils, 10 plates. Surgical anatomy of the book as movable type body maneuvering positions within role-playing game and architecture. A role-playing game is a browsing design system in which players assume the roles of characters in a fictional setting. Players take responsibility for acting out these roles within a narrative, either through literal acting, or through a process of decision-making regarding character development. The structural ‘ghostings’ of these stencils predict the currency of gambling coins, eventual death terrain, and scope of time-based measurement in the life expectancy radar, mimicking the concocted, and providing ammunition for outsourcing landscapes of virtual reality. Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
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      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “HOROLOGICAL TOME”, 2019 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/df9e1a30-6f6e-4006-84fc-306f2bfacdc0/%E2%80%94%2BSenka%2Band%2BI%2BBroadside%2B%28social%2Bmedia%294.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>SENKA MULTINOVIC + LINDA ZEB HANG, “BODYLESS”, 2024 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/0051eff5-a0b0-4f80-b6cf-82bb5f4a443d/%E2%80%94%2BSenka%2Band%2BI%2BBroadside%2B%28social%2Bmedia%29.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>SENKA MULTINOVIC + LINDA ZEB HANG, “BODYLESS”, 2024 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/39f1e96c-1719-42c3-828b-b8e32f63d741/%E2%80%94+DHZ+Garden+August+2024+Portrait.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “GARDEN OF LEARNING: PARK PUBLICS, ABOLITION, AND THE SENSORIAL RHYTHM”, 2024–25 Rotterdam NL Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/4c48e05c-07d5-412f-83ba-33c4b4e93317/Linda-DHZ-Garden-2025+copy.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “GARDEN OF LEARNING: PARK PUBLICS, ABOLITION, AND THE SENSORIAL RHYTHM”, 2024–25 Rotterdam NL Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/9b6c1d10-fc69-4eb3-8b4f-f8b7ca722704/%E2%80%94+DHZ+Garden+August+202424.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “GARDEN OF LEARNING: PARK PUBLICS, ABOLITION, AND THE SENSORIAL RHYTHM”, 2024–25 Rotterdam NL Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/e10a09c1-b03d-49b0-820d-0e86c28640f7/%E2%80%94+DHZ+Garden+August+202420.PNG</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “GARDEN OF LEARNING: PARK PUBLICS, ABOLITION, AND THE SENSORIAL RHYTHM”, 2024–25 Rotterdam NL Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/47e4d1a7-5e0e-4ad5-a572-fd7debee04ad/%E2%80%94%2Bexodus%2Bgarden2.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “GARDEN OF LEARNING: THE SENSORIAL RHYTHM”, 2021 Richmond VA Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/edd7b633-2fd4-4efa-99ac-b0de0329a500/DDF21BDB-1D9D-4BD0-BE2D-968538C54F54.JPG</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ATTUNING THE DRAMATURGY / CONDITIONS OF THE SQUAT”, 2025 Sawdust, fig leaves, flexible nylon, willow charcoal, potato carbon ink Photo: Linda Zeb Hang Courtesy of the artist W139, Amsterdam NL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/a2031795-b748-4d14-a805-48ab524bf0be/Screen+Shot+2022-04-27+at+10.44.35+PM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “GARDEN OF LEARNING: BAN VINAI REFUGEE CAMP”, 1975–1992 ATTUNING THE DRAMATURGY / CONDITIONS OF THE SQUAT research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/ace84116-ccbb-452b-8135-a4bfb93f54a9/W801_3213443-tentoonstelling-PPP-begin.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ATTUNING THE DRAMATURGY / CONDITIONS OF THE SQUAT”, 2025 Wood engraved relief prints (wheatpasted mural poem), screenprint ink, lumber, printer’s apron, water tank, sink, paint buckets, soundsystem, mic, record player, vinyls, independent publishing Photo: Pieter Kers Courtesy of the artist W139, Amsterdam NL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/93f83e85-d002-4ecc-b737-b4496fde1c14/Screen+Shot+2022-04-27+at+10.58.55+PM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “GARDEN OF LEARNING: BAN VINAI REFUGEE CAMP”, 1975–1992 ATTUNING THE DRAMATURGY / CONDITIONS OF THE SQUAT research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/2a0eee20-c46a-4d8a-80ee-1aa646835cf8/Screen+Shot+2022-04-27+at+10.52.58+PM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “SQUATTERS: BAN VINAI REFUGEE CAMP”, 1975–1992 ATTUNING THE DRAMATURGY / CONDITIONS OF THE SQUAT research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/bff8ee48-8242-48c5-aba4-74a06294c69f/Screenshot+2025-08-05+at+1.44.13%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/487e8c06-27bd-47e4-a6a1-28f68f516dea/Screenshot+2025-08-05+at+1.42.30%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/416e9eec-8765-4733-8fc3-574cf414fedb/Screen+Shot+2025-03-21+at+8.13.16+AM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/e1f5686b-38e6-4113-8bed-85ecde1aecf4/Screenshot+2025-08-05+at+1.51.23%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/2e37d7c0-2e7f-48f7-b99b-26e524578191/Garage+Workshop+Social+Media+Flyer+Graphics2.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/6884ebbf-1e18-436a-a7fe-d66c578918bd/Garage+Workshop+Social+Media+Flyer+Graphics3.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/742cab74-3502-431c-b70a-c149fd203cbe/Screenshot+2025-06-08+at+8.51.12%E2%80%AFPM.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/f5278df0-eb39-4c43-8380-298a8d204b3d/sealsofauthenticity3%2Bcopy.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/2fe66243-3b81-4c8e-a984-1f784d1c8596/Screenshot+2025-07-01+at+10.52.25%E2%80%AFPM.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/c43b4da2-dace-4013-aa99-6c113ea07342/IMG-2162.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/893be14e-3238-4c4a-afee-c04567418814/Ban-Vinai-Tombstone.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/e7bb6c9e-1c3f-463b-8f93-56cbe2f92489/IMG-2156.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/d49d0815-4344-4cc0-9b38-06dc61c446fc/Screenshot+2025-06-08+at+8.51.03%E2%80%AFPM.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>RUN O’ THE RIVER / BITTER MEDICINE Artist talk on hypnagogic micro-climates 2022 Co-presented by FIST and Sming Sming Books Dia Art Foundation, New York NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/f1899e7b-1015-41eb-bd3c-7c90e670f849/W801_3213494-tentoonstelling-PPP-begin.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ATTUNING THE DRAMATURGY / CONDITIONS OF THE SQUAT”, 2025 Movement color scores, articulated shelves Photo: Pieter Kers Courtesy of the artist W139, Amsterdam NL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/3c14c4e5-7687-45b7-abe1-1da66b3f2c20/Screenshot+2025-07-26+at+10.42.50%E2%80%AFAM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “GARDEN OF LEARNING: PARK PUBLICS, ABOLITION, AND THE SENSORIAL RHYTHM”, 2024–25 Rotterdam NL Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/ef81c61e-d7a1-4588-abd6-5c482500ca32/Screenshot+2025-07-26+at+10.59.11%E2%80%AFAM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “GARDEN OF LEARNING: PARK PUBLICS, ABOLITION, AND THE SENSORIAL RHYTHM”, 2024–25 Rotterdam NL Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/4f72525a-9b2a-4fb5-aef4-62bfe51b090f/Screenshot+2025-07-25+at+8.02.11%E2%80%AFAM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>KONGSAVATH / SOTHY SEING 1980–1981 LAO CASSETTE TAPE—Khae Noy / Lao Yi, Ngao Jai, Lamvong Kiew Kan, Thwer Swan, Soukki Pimai, Nyin Di Dai Phob, Mali, Sweng Wi Sa, Surfer On Acid (1981) RECORD IN FRANCE BY SOTHY PRODUCTIONS! PHASED-SPACED LAMVONG MUSIC! THE DRUMMER'S ON ACID! THE SURFER'S ON ACID! WHO'S NEXT...?! Kongsavath S.—1971–1975, 1980–1981, 1982–1983, 1992*</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/fe8183c9-0b66-48ad-8608-c92d30844e10/Screen+Shot+2025-03-21+at+8.13.30+AM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/86006e9b-9454-454a-8689-6cef00914a20/Screenshot+2025-08-05+at+1.50.54%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/550f67cb-c769-40e4-83e1-c2d75c687281/W801_3213422-tentoonstelling-PPP-begin.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “ATTUNING THE DRAMATURGY / CONDITIONS OF THE SQUAT”, 2025 Wood engraved relief prints (wheatpasted mural poem), screenprint ink, lumber, printer’s apron, water tank, sink, paint buckets, soundsystem, mic, record player, vinyls, independent publishing Photo: Pieter Kers Courtesy of the artist W139, Amsterdam NL Clan, Crew, Collective Circling back, acknowledging the emotional traces—is part of tending to a collective memory. A relational archive that creates cultural work. Collectivity is a spiral. You come back to the same people, the same questions. But you’re not the same. You revisit it. You repair what can be mended, you respect what can’t. But you honor the weave. In the refusal to leave people unloved, even when they’ve left . . . . . Every time you drop ink into water, you’re performing what it means to accept change and still make something intentional from it. You don’t force healing. You allow grace to move. It’s an art form of respecting flow. Letting things settle. Transformation occurring—without violence.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/ad332d80-7b83-4bef-9206-924a7deb3185/Screenshot+2025-06-25+at+11.32.42%E2%80%AFPM.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>WESTERN COSMOLOGY OF MINOR AND MAJOR DIVISIONS OF PRINTING</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/8f1998e9-901e-4cef-909d-95f79a0ee235/Screenshot+2025-07-26+at+11.01.50%E2%80%AFAM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “GARDEN OF LEARNING: PARK PUBLICS, ABOLITION, AND THE SENSORIAL RHYTHM”, 2024–25 Rotterdam NL Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/357c6db0-a0a0-47f9-8add-6f7bbc5c2537/Screenshot+2025-08-05+at+1.52.51%E2%80%AFPM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/693e23d3-d9f0-4cdd-94f2-667bdff6efb6/Screenshot+2025-07-26+at+9.39.36%E2%80%AFAM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/bce82d49-889b-4b1a-a0a1-0876b31ed2cb/ciphr-1%2Bcopy.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “CIPHR”, 2015 Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/b3f5c0e4-1f05-4009-9c56-a1d5cc589cda/Screen+Shot+2022-04-27+at+10.44.21+PM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “GARDEN OF LEARNING: BAN VINAI REFUGEE CAMP”, 1975–1992 ATTUNING THE DRAMATURGY / CONDITIONS OF THE SQUAT research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/c7e34dad-1411-495a-857e-dc81be8191ea/Screenshot+2025-07-26+at+10.45.25%E2%80%AFAM.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “GARDEN OF LEARNING: PARK PUBLICS, ABOLITION, AND THE SENSORIAL RHYTHM”, 2024–25 Rotterdam NL Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/471ad37e-b7fc-45a1-a9e9-a2a823084b4d/IMG-2158.jpg</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “EMPIRE’S EXODUS: BAN VINAI REFUGEE CAMP”, 1975–1992 MICROCOSMICROOM research in Thailand Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/3e8943ca-7175-45f1-a81f-3e04f5b83d95/%E2%80%94+DHZ+Garden+August+202419.png</image:loc>
      <image:title>CV–Bio - Make it stand out</image:title>
      <image:caption>LINDA ZEB HANG, “GARDEN OF LEARNING: PARK PUBLICS, ABOLITION, AND THE SENSORIAL RHYTHM”, 2024–25 Rotterdam NL Photo: Linda Zeb Hang Courtesy of the artist</image:caption>
    </image:image>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions, 400-square-foot polyhedron pod structure, 2017</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>INVINCIBLE–ILL WEAVER, DETROIT MI, Taylor’s creative partner, in Complex Movements and Emergence Media, mentee of Grace Lee Boggs</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/75366c53-b52f-45c7-b04f-7067ee08aa57/%E2%80%94Grace+Lee+Boggs.jpg</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>MENTOR GRACE LEE BOGGS, 1915-2015, courtesy of the James and Grace Lee Boggs Center to Nurture Community Leadership, Detroit MI</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Invincible-ill Weaver, L05, Sage Crump, Waajeed, Wesley Taylor installation, 2017 Complex Movements shares insights from their project Beware of the Dandelions which is a mobile art installation that functions as a multimedia performance, a community organizing process, and oral history video archive. The piece intersects disciplines including: community organizing, design, hip-hop and electronic music, architecture, and theater. Complex Movements engages communities to expand their strategies for organizing around local and trans-local social justice issues, 2017</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>GRACE LEE BOGGS, 1915-2015, with Complex Movements: Invincible-ill Weaver, L05, Sage Crump, Waajeed, Wesley Taylor, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/80d35bd3-5b44-47c0-ada7-91ae7e5b010a/Screen+Shot+2025-01-20+at+2.09.05+PM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>GRACE LEE BOGGS, 1915-2015, with Complex Movements: Invincible-ill Weaver, L05, Sage Crump, Waajeed, Wesley Taylor, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/2094b85e-3cb7-4372-a114-abd2f7ea93dd/taylor-scaled-dandalions-4-65329df86e11e.jpg</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Beware of the Dandelions installation and workshop mode, 2017</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Philly/Detroit Conversation, Kites on Kites: Shadow to Sky, collaborative installation, URBN Center, Drexel University, Philadelphia PA, 2017</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Philly/Detroit Conversation, Kites on Kites: Shadow to Sky, collaborative installation, URBN Center, Drexel University, Philadelphia PA, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/9a816fcd-a65d-4b80-95a1-3c440470130d/Screen+Shot+2025-01-20+at+2.20.45+PM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of the Dandelions touring structure, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/b0691586-2409-43c1-b4fb-c5dd7eed18bf/taylor-scaled-retrospective-65329e44c25d8.jpg</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Emergence Media Retrospective, 2016</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/9c15284a-7819-46f1-adbf-edb06969f646/Screen+Shot+2025-01-20+at+2.28.58+PM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Invincible-ill Weaver, L05, Sage Crump &amp; Wesley Taylor presentation, 2017</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Wesley Taylor interdisciplinary designer and fine artist, musician, filmmaker, and curator</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/d6f13dbe-19f5-47a4-9427-360c930f971a/Screen+Shot+2025-01-20+at+2.48.30+PM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Waajeed music producer, sound designer, filmmaker</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Sage Crump producer, cultural strategist</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Invincible (ill Weaver) lyricist, organizer, filmmaker</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>L05 (Carlos Garcia) artist and designer + Aaron Jones architect/fine artist</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions, which occurred inside a 400-square-foot polyhedron pod structure, 2017</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions, which occurred inside a 400-square-foot polyhedron pod structure, 2017</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions, which occurred inside a 400-square-foot polyhedron pod structure, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/93eb655f-5fe5-4449-8f64-5620542df3db/Screen+Shot+2025-01-20+at+2.49.11+PM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements film title, 2017 Complex Movements' Beware of the Dandelions (Detroit) was presented in collaboration with Allied Media Projects and Talking Dolls with support from: National Endowment for the Arts. New England Foundation for the Arts' National Theater Project, with lead funding from The Andrew W. Mellon Foundation. John S. and James L. Knight Foundation. Peck Family Foundation. Creative Capital. Robert Rauschenberg Foundation. MAP Fund. Creative Many. The Kresge Foundation. The Center for Community-Based Enterprise (C2BE). David Blair Memorial Fund. Video by The Right Brothers</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions performance, 2017</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Design Justice Network: 10 Principles publication and workshop, 2023</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Design Justice Network: Community-led Practices to Build the Worlds We Need publication, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/d1b88248-3bfe-4065-93b2-3043599dbb03/wes-img6.jpg</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Design Justice Network: Practicing New Worlds publication, 2025</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>PRINTWORK, 2016</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Detroit Pistons Malcolm X Detroit Red Capsule commission, 2025</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Screen print and pochoir on ball grained aluminum and grey linen covers Flocked lilac mica 3-color handwoven metallic washi tissue foil Chine collé on kitakata Gable map structure Carborundum grit</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/fa1690aa-1504-488f-98b7-4ae81418655a/Screenshot+2026-01-16+at+3.55.44%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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    <image:image>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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    <image:image>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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    <image:image>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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    <image:image>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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    <image:image>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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    <image:image>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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    <image:image>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1958512c-8001-46b0-92c0-baeeffeb4138/Screenshot+2026-01-16+at+5.04.08%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/25259ccc-2430-486f-bd9b-67d27def9d66/Screenshot+2026-01-16+at+5.15.02%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Wes Taylor, Samuel Michaelsson, 2024 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/53d52d67-cdb6-4ff9-a201-b9abb10b2880/Screenshot+2026-01-16+at+4.57.53%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/44a274a2-1019-4ef0-a23f-202db8458aad/WT-TD-PORTRAIT.jpg</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>WES TAYLOR, DETROIT MI, 2025</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/5a56899c-3e53-4f22-90ef-dce5b0cdc39b/taylor-scaled-printworks1-65329e1b84880.jpg</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>PRINTWORK, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/793ae481-6b15-4c4e-a6ee-2a878c339402/WT-TD.jpg</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>TAYLOR AT HIS TALKING DOLLS PRINT SHOP, DETROIT MI, 2024</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>PRINTWORK, 2011</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>TALKING DOLLS CO-DIRECTORS with Taylor, Ron Watters and Andrea Cardinal, DETROIT MI, 2023 Talking Dolls has been rooted in our Northeast Detroit neighborhood for almost 15 years in an area of the city devoid of many cultural spaces. The space houses a 500 sf gallery, fabrication wood shop, and a high-production cooperative screenprinting studio. We have hosted interactive performance installations, festivals, artist collectives, community meetings, and art workshops. Talking Dolls hosts one of the largest black-owned printing studios in the midwest. We are able to print thousands of posters, t-shirts, and ephemera for many local grassroots organizations and initiatives. We also develop other screen printing businesses and entrepreneurs through access to resources and an apprenticeship program.</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>TAYLOR’S THEATER BUILDING, DETROIT MI, 2024</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>TALKING DOLLS DETROIT EXCHANGE AT ANIMAL FARM PRINTSHOP IN ZIMBABWE, 2024</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>TAYLOR’S PRINTWORK, DETROIT MI, 2024</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of the Dandelions merch, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/034eae61-5d14-4819-b45d-f2598e62d5eb/Screen+Shot+2025-01-20+at+2.44.09+PM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of the Dandelions, one of Taylor’s collaborators, Waajeed, on his sound design, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/2b310aa8-6e41-45a6-a403-79410ea8acdd/Screen+Shot+2025-01-20+at+2.45.10+PM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Invincible-ill Weaver, L05, Sage Crump, Waajeed, Wesley Taylor installation, 2017</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions, 400-square-foot polyhedron pod structure, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/fc821c94-3c31-45a9-901d-b2278365ab56/Screen+Shot+2025-01-20+at+2.12.21+PM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions, ant iconography, 2017</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions, starling flock iconography, 2017</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions, dandelion iconography, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/e4a133ca-a785-4399-8a47-855c022757b0/Screen+Shot+2025-01-20+at+2.18.52+PM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions, iconocity installation, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/abfd2229-4a9b-42f1-aa8c-eb3054df26a3/Screen+Shot+2025-01-20+at+2.15.33+PM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions, modalities of movement making and art exhibition, 2017</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions, multi-planar screen space, 2017</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions, this entire project is in dedication to Charity Hicks, to Sheddy Rollins Sanchez, to Grace Lee Boggs, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/f502f173-5941-4652-b378-0e0a594f82e2/Screen+Shot+2025-01-20+at+2.22.14+PM.jpg</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions, when we are first invited to a city, we ask how can Complex Movements support local movement building here? We work with cohorts to co-curate a series of activities, 2017</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions, dialectic narratives, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/07133c53-94c5-4702-bdf2-1e3e9c7bff72/Screen+Shot+2025-01-20+at+2.24.27+PM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions, in Dallas, black and indigenous organizers from the groups Mothers Against Police Brutality and American Indian Heritage Day in Texas committee met through our cohort and are now working in regular collaboration with each other, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/6473a6b5-9ba4-4513-aaa9-9155a48a6616/Screen+Shot+2025-01-20+at+2.24.52+PM.jpg</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions, in Seattle, organizers from the group Ending the Prison Industrial Complex of EPIC and another group, Got Green, which is a people of color led environmental and economic justice organization, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/5f42f552-af9a-456a-bf21-31700edf50f1/Screen+Shot+2025-01-20+at+2.25.47+PM.jpg</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions, in New Mexico, we will also be working with community organizations such as Taywa Women United, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/0e115634-ba0b-49ea-9f43-32ce387ca093/Screen+Shot+2025-01-20+at+2.25.17+PM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions, with the lessons learned from this as our guide we are embarking on future work by hosting a series of creative community residencies, a text called Tower and Dungeon by Detroit elder, activist and author Dr. Gloria House, exploring spatial politics of Detroit through architecture by examining two structures: one as a Renaissance Center, the other in Jackson State Prison, 2017</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Complex Movements: Beware of The Dandelions, we were fascinated by the way Grace Lee Boggs and Meg Wheatley were framing social justice movements as emerging complex systems, 2017</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Wesley Taylor, Linda Zeb Hang, 2024</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Wesley Taylor, Linda Zeb Hang, 2024</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Wesley Taylor, Linda Zeb Hang, 2024</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>PRINTWORK, 2016</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>SOUND GRAFFITI, Detroit MI, 2024 Wes Taylor, Detroit MI Stefan Pederson, Denmark Linda Zeb Hang, Rotterdam NL Samuel Michaelsson, Göteborg SE</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/cff8600c-1148-4881-9ccd-f62099678a86/%E2%80%94wes-img.jpeg</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>SOUND GRAFFITI, Detroit MI, 2024 Wes Taylor, Detroit MI Stefan Pederson, Denmark Linda Zeb Hang, Rotterdam NL Samuel Michaelsson, Göteborg SE</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/7b450d5c-44cc-48f0-9186-88168c8dfdf8/wes-img8.jpeg</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>SOUND GRAFFITI, Detroit MI, 2024 Wes Taylor, Detroit MI Stefan Pederson, Denmark Linda Zeb Hang, Rotterdam NL Samuel Michaelsson, Göteborg SE</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/9bed504d-f6c0-456d-9abb-c92c52c2e2b0/Screen+Shot+2025-02-19+at+1.27.20+AM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Athletic Mic League — RU???, music video, 2004 You ready for the onslaught? We’re colonizing and not checking for alliances / I’m zoning / rising / blowing by them / open note books for notoriety / don’t close them till my eyes bleed</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/7557d93b-f515-4223-87e3-1f8d697d9103/Screen+Shot+2025-02-19+at+1.28.13+AM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Athletic Mic League — RU???, music video, 2004 Blow ‘em a kiss / I’m gone with the wind / on the road to get rich / spread culture and spit Inspiring minds is a risky business / unsure where it leads / when I get back make you believe that.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/5d238ea3-a4f4-44c4-bbf6-2151ccc207f7/Screenshot+2026-01-16+at+3.40.26%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Kashira Dowridge Courtesy of the artists</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Kashira Dowridge Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/9bc8fcdd-1d03-45eb-9b69-2e074d86e718/Screenshot+2026-01-16+at+3.41.25%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Screen print and pochoir on ball grained aluminum and French Paper grey linen covers Flocked lilac mica 3-color handwoven metallic washi tissue foil Chine collé on kitakata Gable map structure Carborundum grit Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/d2eaf981-19c4-41b9-bb54-9476567a5639/Screenshot+2026-01-16+at+3.41.00%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/78eb52c6-73cf-4e06-9b7a-802b98e04732/Screenshot+2026-01-16+at+4.32.54%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Screen print on etched zinc Photo: Wes Taylor Courtesy of the artists</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/c68e146b-97ce-49e6-9c63-a2923b66bd7f/Screenshot+2026-01-16+at+4.33.04%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Screen print on carborundum grit on ball grained aluminum Photo: Wes Taylor Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/e74a76d9-bee6-45f0-9f97-c05e8630d561/Screenshot+2026-01-16+at+3.49.09%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Screen print on ball grained aluminum Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/b6d6ea6f-494f-4371-8f29-64d8ca4e7b73/Screenshot+2026-01-16+at+4.20.22%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Gable map structure on French Paper grey linen covers Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/ec327799-e9d4-47d5-af7b-681e05b4e3e7/Screenshot+2026-01-16+at+4.19.56%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Gable map structure on French Paper grey linen covers Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/92c47d30-11fc-40b7-b5e8-d956e829efe2/Screenshot+2026-01-16+at+3.55.13%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/2bea9ac2-891e-4f4d-b26b-e24f42cf1ffa/Screenshot+2026-01-16+at+3.52.03%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Screen print and pochoir on ball grained aluminum and French Paper grey linen covers Flocked lilac mica 3-color handwoven metallic washi tissue foil Chine collé on kitakata Gable map structure Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
    </image:image>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/6ad7f806-d95c-4f71-82b7-cdec1ab19b74/Screenshot+2026-01-16+at+3.52.17%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/4d78c045-cbf9-40c3-a4bc-ebb48f3768be/Screenshot+2026-01-16+at+3.53.16%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Visit from Nontsikelelo Mutiti Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/557e0591-4acb-41f0-a392-69f4dfed6c7a/Screenshot+2026-01-16+at+3.58.08%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/db4abcf1-976c-42ac-9141-ea58c4dff6a2/Screenshot+2026-01-16+at+3.58.24%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Wes with Taylor Simone Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/a3ad00bc-6bfe-435c-8d0d-65e1e5c74795/Screenshot+2026-01-16+at+3.58.41%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/4b8529bb-d225-4f16-a384-c6da88ceb40c/Screenshot+2026-01-16+at+3.59.06%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/8e83a443-4662-4ade-9b83-b4134c664dca/Screenshot+2026-01-16+at+4.38.56%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/15bcfd9b-f9cf-4e0e-982d-0f33cdedefde/Screenshot+2026-01-16+at+4.56.51%E2%80%AFPM.png</image:loc>
      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2024 Ann Arbor MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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      <image:title>W.T. - Make it stand out</image:title>
      <image:caption>Intellectual Squatters: Sterling Toles, Linda Zeb Hang, Wes Taylor, 2025 Detroit MI Photo: Linda Zeb Hang Courtesy of the artists</image:caption>
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  <url>
    <loc>http://www.fistbiz.com/intellectual-squatters</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/ad9d8285-b934-481e-b987-72d3271fe3ca/Screenshot+2026-01-16+at+4.54.00%E2%80%AFPM.png</image:loc>
      <image:title>Intellectual Squatters</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/87d61a75-d02c-4808-8f89-aabbc1a39dd4/Screenshot+2026-01-16+at+5.04.22%E2%80%AFPM.png</image:loc>
      <image:title>Intellectual Squatters - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/0011a1e1-3817-491c-bb9f-08012c8c6f2e/Intellectual+Squatters1-portrait.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/bbe627c1-fcc1-45ba-90e2-a85b3ed843b0/Intellectual+Squatters2-portrait.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1683644320716-5C210ETKH8PKZ4LGLBZN/%E2%80%94+2023+BAK+MICROCOSMICROOM+SOCIAL+MEDIA+POSTING.jpg</image:loc>
      <image:title>Intellectual Squatters - MICROCOSMICROOM, 2023</image:title>
      <image:caption>LINDA ZEB HANG A Cooling Nest for All Kinds of Speech, Lamentations, and Ecstatic Forms ASSORTED PUBLICATIONSCULPTURES, DYADIC FURNITURE, WAVES OF LIGHT, AND OTHER SUPPORTIVE MATERIAL A Cooling Nest . . . is a microcosmicroom (or a pocket universe) for classes of study and rites. It contains different languages—publicationsculptures—as a gateway to kinds of knowledge drawn with the body, in collaboration or cultivated solitude, with transparency or in private. This knowledge is broadcast through different matrices in printmaking and waves of sound and light. Pockets of sub-universes are arranged to allow for certain relationships to take shape within it and because. It’s a library of sorts, an artery area, mostly cool memories, with spots of far infrared heat as color. People don’t interpret heat in the same way, but comfort, to me, is a cool temperature. MICROCOSMICROOM is assembled with artwork by LINDA ZEB HANG at BAK, basis voor actuele kunst, Utrecht NL. GOOF KLOOSTERMAN Collaborative MICROCOSMICROOM exhibition scenography THOMAS TAWANDA ORBON JANGLE film production, editing and sound TOM PHILIP JANSSEN MICROCOSMICROOM installation photos</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1758825532916-6APL4VDBS2UJGHCCNA5K/LZH%2BStudio_THE-MICROCOSMICROOM_BAK_workshops.webp</image:loc>
      <image:title>Intellectual Squatters - MICROCOSMICROOM, 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1683644374918-UH067EK5IUJBBX5MNLKE/IMG_2765+copy.jpg</image:loc>
      <image:title>Intellectual Squatters - Microcosmicroom, 2023</image:title>
      <image:caption>I dance to remind. I will create as I speak. I seek the simple and interpenetrating shapes. Processing with imagination, I’m interested in who, how and what gets left behind. My research is built from resourceful memory, in which orality is a primary cultural script. The frayed, layered aesthetic language of my reprographic culture is not fixed—I can reinterpret, repeat, distill, generating a mixed-media synthesis. For me, the hinge in comfort and grief holds density in texture. Geometry in sound and voice soothes this altered condition of life. Linda Zeb Hang Spring Equinox 2023</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1743083268200-H6AEO9FII6RJI1WXOKL4/image-asset.jpg</image:loc>
      <image:title>Intellectual Squatters - Microcosmicroom (film still of the artist), 2023</image:title>
      <image:caption>A GARDEN IS A BODY THAT CANNOT BE POSSESSED ITS SECRET IS BEAUTIFUL BECAUSE IT BELONGS TO NO ONE THOUGH SOME HAVE EXPLOITED IT ITS TRUE NATURE CANNOT BE CONTROLLED</image:caption>
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      <image:title>Intellectual Squatters - Microcosmicroom, 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1683643986662-6A7DLLAM1HMP3VIV9ZFZ/TPJ_BAK_UPS_Exhibition_web_107.jpeg</image:loc>
      <image:title>Intellectual Squatters - Microcosmicroom, 2023</image:title>
      <image:caption>Pocket I : Warble  2020–2021, HAND-WOVEN FIBER-OPTIC PAPER WARBLE is an artifact of intimacy, hinge, and shadow. This process of repetitious folding yields a jointed architecture held together without adhesive, through gravity. The talismans of migrant cultures place importance on woven entry points: they hold significance as a marker, symbol for an exit, an architecture for one’s return to the world. In protection, this undisclosed design forms another “eye,” or a nest for meditation and restoration. As a geoglyph, it can be thought of as a braided crater.</image:caption>
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      <image:title>Intellectual Squatters - MICROCOSMICROOM, 2023</image:title>
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      <image:title>Intellectual Squatters - MICROCOSMICROOM, 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1683643968227-58WTCDISZXIB2MXZINQB/TPJ_BAK_UPS_Exhibition_web_108.jpeg</image:loc>
      <image:title>Intellectual Squatters - Microcosmicroom, 2023</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1683643998025-9I5JICKPFZOTS5VR7EPG/TPJ_BAK_UPS_Exhibition_web_105.jpeg</image:loc>
      <image:title>Intellectual Squatters - Microcosmicroom, 2023</image:title>
      <image:caption>Interlinked joints echo molecular bonds, DNA strands, and celestial constellations. A micro-gesture (a fold) becomes a macro-cosmos (a room). Viewers step inside what feels like a scaled-up body or pocket universe of folds. The patterned shadows lace the weaving into the architecture itself—as if the whole room is time wrapped or imprinted on a fabric.</image:caption>
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      <image:title>Intellectual Squatters - Microcosmicroom, 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1691955463676-69R003ZD6J5BDY2N3FYI/TPJ_BAK_UPS_Exhibition_IG_117.jpeg</image:loc>
      <image:title>Intellectual Squatters - MICROCOSMICROOM, 2023</image:title>
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      <image:title>Intellectual Squatters - Microcosmicroom, 2023</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1683643944880-2DHA3KOUVBXX46JVAI4H/TPJ_BAK_UPS_Exhibition_web_111.jpeg</image:loc>
      <image:title>Intellectual Squatters - Microcosmicroom, 2023</image:title>
      <image:caption>Petch-Lite, I</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1685242713834-PACFB10R3AH52MKU3HPN/TPJ_BAK_UPS_Exhibition_print_168.jpeg</image:loc>
      <image:title>Intellectual Squatters - MICROCOSMICROOM, 2023</image:title>
      <image:caption>Star-Tent Suspended wooden grids and the polarized lens layer shadow with structure, filtering light so patterns flicker, shift, and dissolve with movement. It turns the installation into a woven field of interference—where light, code, and enclosure are registered as multi-hyphenate and in flux, much like identity politics.</image:caption>
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      <image:title>Intellectual Squatters - MICROCOSMICROOM, 2023</image:title>
      <image:caption>Star-Tent</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1683643990123-IPU3YRB8R56ENJHHEXYP/TPJ_BAK_UPS_Exhibition_web_106.jpeg</image:loc>
      <image:title>Intellectual Squatters - Microcosmicroom, 2023</image:title>
      <image:caption>Story-Cloth, I</image:caption>
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      <image:title>Intellectual Squatters - Microcosmicroom, 2023</image:title>
      <image:caption>Story-Cloth, II</image:caption>
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      <image:caption>Story-Cloth, III</image:caption>
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      <image:caption>Speara</image:caption>
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      <image:title>Intellectual Squatters - MICROCOSMICROOM, 2023</image:title>
      <image:caption>Shoulder-Rotator-Cuff Diamond cartouche furniture</image:caption>
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      <image:title>Intellectual Squatters - MICROCOSMICROOM, 2023</image:title>
      <image:caption>Artery Area, I (Somnambulist reflections :; deflections) The fiber-optics of place, an artery area, a micro-climate theory, spacecraft language, and calyxes of meditation. Human body parts are strewn about in this ordinary, yet rare feminist read. The technologist’s reliquary. A lullaby for the unborn (an empty nest). Dislocation of the adaptationist divine, and into the Diamond Mind 2.0, cutting thru all illusion. I can feel something within this cold code. A recognito scene, cool memories, and September blues.</image:caption>
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      <image:caption>Artery Area, II</image:caption>
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      <image:title>Intellectual Squatters - MICROCOSMICROOM, 2023</image:title>
      <image:caption>Knee-Ligament, I Diamond cartouche furniture</image:caption>
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      <image:caption>Lullaby, I</image:caption>
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      <image:caption>Lullaby, II</image:caption>
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      <image:caption>Parasite, I</image:caption>
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      <image:caption>Parasite, II</image:caption>
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      <image:caption>Pocket II : QALDERA (I–III)   2020–2022, HAND-WOVEN MESH CANVASES, CARVED NEGATIVE SPACE, RAINBOW GRADIENT ACRYLIC YARN QALDERA is a hand-carved typeface, improvised in a trio of slipcase books constructed from easily accessible materials found in craft stores. The letterforms reference traditional and exquisite Southeast Asian reverse-appliqué needlework. They are formed by research into the industry of Hmong refugee labor within Amish quilting communities in Lancaster, Pennsylvania. Thread-splitting, architectural schema, distortions found in monograms, and whipstitching—typically used to close seams—have been employed to bring relief and color to the slipcase surfaces. Hand-beaded currency tokens accompany QALDERA: trading and marking altered labor within precarious identification.</image:caption>
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      <image:caption>Pocket III : Run O’ The River / Bitter Medicine (I–III) 2020–2022, FLASH-FICTION PUBLICATION ROTR-BM (I–III) reflects on the shapeshifting and sensorial identities of language, the voice in speech, as it gathers and moves in-between marginal and non-marginal gait. With its eight poems, this book of flash-fiction and emotion provides a way of looking at empire—the Ego, the Environment, the Complicit—processing with imagination on what we search for after trauma, loss, or injustice.</image:caption>
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      <image:title>Intellectual Squatters - MICROCOSMICROOM, 2023</image:title>
      <image:caption>Run O’ The River / Bitter Medicine embeds Linda’s internal and esoteric landscapes shaped by the 2020 New York pandemic, where fissures and oblique intersections both conceal and reveal. Poems, drawings, encoded glyphs articulate psychic micro-climates in a frayed environment, depicting misalignments, registers of the print that obscure or score the dailyness of linguistics and orality. Letterpress printed and aligned like textiles, the glyphs form patterned repetitions, encoding encryption into paper. Each symbol is not only written but worn, like embroidery across the page. The flocked surfaces with sun gold mica amplify the poems’ luminosity: catching light as you move, the pages reflect a shifting identity back to the reader, carrying glow and code.</image:caption>
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      <image:title>Intellectual Squatters - Attuning the Dramaturgy:  Poetic Enjambments / Conditions of the Squat, 2025</image:title>
      <image:caption>Linda Zeb Hang Attuning the Dramaturgy: Poetic Enjambments / Conditions of the Squat Wood, text mural, printmaking sink, plastic roofing, theatre curtain, Rotterdam community garden water tank, soil, potato plants, acrylic paint, loudspeaker, technics record player, mic, Detroit and Hip Hop records, crowbars, distiller, anarchist books, burner cans, protest posters, textiles, biscuits, chips, apples, coffee and tea maker Dimensions variable 2025 A garden is a body that cannot be possessed Its secret is beautiful because it belongs to no one Though some have exploited it Its true nature cannot be controlled Spent the month of May living in and ATTUNING this dramaturgy of an environment we crafted by hand at W139 in Amsterdam NL. It is a sonic and visual FRAMEWORK. An occupied space for INTELLECTUAL SQUATTERS like me to articulate POETIC ENJAMBMENTS, shaping character with each other in this former performance theatre and artist-driven space. It channels the conditions of the squat—survival, care, resistance—through architecture, movement, print, and sound. LZH–DHZW–PPP Exhibition May 23 — July 27, 2025 W139 139 Warmoesstraat Amsterdam NL Installation Photos: Pieter Kers | Beeld.nu</image:caption>
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      <image:title>Intellectual Squatters - Attuning the Dramaturgy:  Poetic Enjambments / Conditions of the Squat, 2025</image:title>
      <image:caption>A garden is a body that cannot be possessed Its secret is beautiful because it belongs to no one Though some have exploited it Its true nature cannot be controlled Every material—from soil, potato plants, protest murals to crowbars, records, and a printshop sink—honors those invisible codes communities have always lived by, even when unacknowledged.</image:caption>
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      <image:caption>The Garden of Learning is the artery area, located in the center of speech, writing, and dance. Grounded and rooted in the Rotterdam ⁄ Amsterdam grow community, these archival sub-textures reveal traces of the people’s multiplicity, complexities, and geographies. It is canopied by tent-like theatre curtain drapery, while rhythmically painted edges act as score-making, placing the colors as nods to movement building.</image:caption>
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      <image:caption>Close by is a Listening Sessions Station where you can listen to Linda’s other collective: Detroit’s Sterling Toles’ music with Wes Taylor’s record design. Their deep roots in printshop, Underground Resistance, Motown, and Archer vinyl pressing plant invite the plants to grow in the way of the village’s faith. A second spine to W139’s site of origin, with ceremony as a gesture to consider how structure, sound, and freedom interact.</image:caption>
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      <image:caption>Inhabiting the architectural, columnist vertices feel like encountering tall trees that make up a grove in an encoded forest where the poems, prints, textiles, books, and oral stories can breathe, iterate, and support one another.</image:caption>
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      <image:caption>Linda’s 6 week journey to Flint and Detroit MI as an honorary community member in 2024 inspired them to build the squat as part of a transnational network of contested infrastructures, where the right to print, water, and build link parallel struggles for autonomy.</image:caption>
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      <image:title>Intellectual Squatters - Rhythmic Publications Workshop, 2025</image:title>
      <image:caption>Organized and initiated by the artist, the public was invited to meaningfully participate and build culture with these learning environments in the framework of a Community Center on July 13, 2025 at W139 in Amsterdam NL. Youth participants from Iran, Cyprus, Turkey, Italy, France, Belgium, NYC, and California created rhythmic publications and workshops while transducing the space into their own.</image:caption>
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      <image:caption>Linda Zeb Hang From Border 2 Grove: A Reprographic Dialect, 2019 Hand-carved negative space weavings and internment fractals on 14 liberated mesh canvases 13 × 9 × .75 in (33.02 × 22.86 × 1.905 cm) The currents of American carceral real estate with its trappings and benediction, beat and rhythm generated by manual labor accompanied by its worker’s voice—abstracts justification, while bodily sovereignty remains a perpetual haze of salvation in prayer, interlocking blues, and slip-streamed dreams. History repeats and repents through patterns of dissonance into a perilous realm. Reflecting and oscillating between groves of circumstance and judgment.</image:caption>
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      <image:caption>LINDA ZEB HANG Greez: I like, I wish, I wonder: Possibilities and fantasies for poc/qpoc designers, 2019; reprographic poster scroll, 4 plate units, each approximately 18 × 24″, 45.7 × 61cm, installation variable. Insert: Open Syllables: Paths, Dangers, Strategies, 2017–9; hand-carved negative space weaving on mesh canvas, 1 plate unit, approximately 22 × 13.25″, 55.9 × 33.7cm, installation variable.</image:caption>
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      <image:caption>Greez: I like, I wish, I wonder: Possibilities and fantasies for poc/qpoc designers, with Ramon Tejada (he/him), Silas Munro (he/him or she/her), Mary Lai (she/her), Gerardo Madera (he/him), Son Kit (they/them), Linda Zeb Hang (she/her), Yuri Ogita (she/her), and Rin Kim (they/them). Insert: Votive Scales, 2017–9; carbon assemblage, plate unit multiples, approximately 22 × 13.25″, 55.9 × 33.7cm, installation variable.</image:caption>
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      <image:caption>In design: What has been left empty? Who has been filled? Who is bearing? Who is pouring? Who is hurting? Who is healing? Who is healer? Where does design end and self begin? Does it? Why are we the “other?” An informal discussion on the intersections of race, gender, sexuality, class, gatekeeping, colorism, tokenization, capitalism, and white nonsense. Using the lens of contemporary design discourse, we talk through and around the decolonization of design infrastructures. Presented by Other Publishing.</image:caption>
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      <image:caption>SENKA MILUTINOVIĆ × LINDA ZEB HANG body less, 2024 5-color UV printing on hand-pulled metallic silver sunome-shi washi paper, enclosed in hand-made copper gold momi kozo folio, FMC printer’s embossed stamp Print and Paper size: 13.25 × 19.25 in, 33.5 × 48 cm Folio size: 22 × 15.75 in , 55.8 × 40 cm Edition of 5 + 3 AP, each one unique Broadside Reading Abstract Series body less Written, designed and illustrated by Senka Milutinović ( @readingrhythmsclub ) Published by FIST Printed and produced by Linda Zeb Hang at Frans Masereel Centrum ( @fransmasereelcentrum ), Kasterlee, Belgium During a summer we were waiting for 18:02 11.06.2024 Rotterdam, South Netherlands</image:caption>
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      <image:caption>SENKA MILUTINOVIĆ Senka Milutinović was born in 1999 in Belgrade, Serbia. They are a researcher, writer, and multimedia designer currently based in Rotterdam, the Netherlands. They graduated with a BA in Graphic Design with an Honors degree from the Willem de Kooning Academy (WdKA) in Rotterdam, the NL. Their work was shown in Amsterdam Museum Hermitage, National Taiwan Science Education Center &amp; Digital Art Center Taipei, MU Hybrid Art House Eindhoven, De Aa Kerk Groningen, Neude Library Utrecht, TENT Rotterdam, Worm Rotterdam, the Cultural Centre of Belgrade (KCB) and the Student Cultural Centre of Belgrade (SKC). They’ve held workshops focused on writing and image-making at Worm Rotterdam, WdKA and KCB (Belgrade). Their work has been published in the Amsterdam Museum Journal and featured in Research for People (Who Think) They Would Rather Create. They’ve received awards for individual and collective projects, most notably: the Golden Calf from Digital Culture Production of the Nederlands Film Festival (NFF), the Drempel Prijs Award for Honours Programme from WdKA, the Best Scenario Award from the International Comic Strip Salon and the 2nd award for New ŠTRAFTA from KCB (Belgrade). They’re obsessed with alternative archival practices and queer histories. ✍ LZH To print and publish soul reachers. Linda Zeb Hang’s conte of scanning voices cross-sections the invisible density, flavor profiles, and omniscient presence of the woven, yet frayed environment. The fiber-optics of place, an artery area, a micro-climate theory, spacecraft language and calyxes of meditation make public their pocket cosmology. Born in 1986 in the industrial port city of South-side Stockton CA to proletariat Hmong refugees, they are rooted from the aesthetic and civic praxis of Southeast Asian Animistic, Shaman and Buddhist life-world. They shape material behavior through technical experimentation, working spontaneously, collecting and generating information to arrive at a knotty mixed-media synthesis. Flexibility, instinct and intuition are their chosen guides. Their tools are digital, machine age and ‘primitive.’ From 2004–2024 they lived in San Francisco CA, Oakland CA, Berkeley CA, off-the-grid Humboldt/Mendocino County Far Northern CA, Sierra Nevada CA, Apache Junction AZ and New York City — giving them a critical depth of field on contemporary Asian-American counterculture. Founded in 2013, their mixed-media imprint FIST — with its production of abstract drawings, fine art prints, outlaw poetry, hypnagogic book design and hand-crafted publishing are held within collective and public spheres, including Queer Work Archive (RI); the Thomas J. Watson Library at The Metropolitan Museum of Art (NYC); Cooper Hewitt, Smithsonian Design Library, Smithsonian Institution (NYC); Letterform Archive (CA); The SFMOMA Library + Archives (CA); and Frans Masereel Centrum, Kasterlee (BE), among others. LZH studied Sculpture, Typographic Design, Book Arts and Horticulture in San Francisco CA and currently lives and works in Rotterdam, the Netherlands.</image:caption>
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      <image:caption>Linda Zeb Hang Cradle Regalia, 2016 Handmade garment: acrylic on milliskin, block printed FIST identity mudras, red woven label, mother of pearl cufflink buttons Edition of 10, each one unique Designed, produced, and distributed by FIST Worn with pride and significance, historical elements of this soft sculptural membrane suggest the dancer’s symbolic body. Pleats and diagonal tucks indicate the figure, the bosom, the side and the back; with the mudras and imagery as a mixture of social attitudes and values.</image:caption>
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      <image:caption>Fig. —2 Color plate Acquisitions: info@fistbiz.com</image:caption>
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      <image:caption>Linda Zeb Hang Divinity in Motion, 2016 Hand cut chipboard, reflected diagonal tucks, pleats, and flexible coils Edition of 8, each one unique 42pp, Dos-á-dos binding 9 × 12 in (22.86 × 30.48 cm) Produced and distributed by FIST Hover Align Expand</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 (detail)</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 (detail)</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022</image:title>
      <image:caption>Linda Zeb Hang A Free Reed Is A Vibrating Tongue Which Does Not Need To Beat Against A Solid Surface, 2022 Archival Pigment Print Print Size: 11 × 17 in (27.94 × 43.18 cm) Edition of 10 plus II AP</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull Serpentinized and efflorescent lettering domain, of unknown origin, age, and extent Electric Sutures Alphabetical (ESA) project as part of HUTONG WHISPERS exhibition—opened Thursday, 8 November 2018 at 8pm at Filodrammatica Gallery, Rijeka, Croatia. Steganography is a form of secret writing—the art and science of disguising hidden information within public information. At the centre of this practice is the instrumentalisation of the innocent to evade surveillance, censorship and control. The verb ‘to launder’ refers to the act of legitimising illegally obtained money to wash away its questionable traces. In contrast, the idiom ‘to air out dirty laundry’ is analogous to disclosing secrets publicly. The first speaks of erasure, removal, suppression, censorship, while the latter speaks of revealing, talking, leaking, publishing. The exhibition Hutong Whispers by the artist Amy Suo Wu is a steganographic catalogue of steganographic publishing projects camouflaged as a laundry line. The exhibition co-opts three omnipresent elements in the Chinese urban landscape—bedsheets; Shanzhai fashion, a Chinese phenomenon that features nonsense English; and QR codes—exploring them as covert media to publish sensitive and suppressed knowledge. This installation is designed to be eventually placed back into the traditional residential alleys of Beijing or hutongs, so that it may return back to its natural habitat, the context by which it was originally inspired. Hutong Whispers reconfigures previous work such as Thunderclap (2017) and The Choice of a Translator (2018) into hidden information. Hutong Whispers also includes its genesis, a selection of tactical and strategic uses of steganography that inspired the exhibition. As a whole, the project functions as a basic technical primer on steganography as a type of secret writing. And last but not least, it includes related projects and references submitted by Dusan Barok, Elaine W Ho, Clara Balaguer (Hardworking Goodlooking), Linda Zeb Hang (FIST), Woodstone Kugelblitz, Janez Jansa, Silvio Lorusso, Javier Lloret, and Nathalie Wuerth.</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523749488190-C8P5875ZPLBGXTCQZLBK/IMG_8099.JPG</image:loc>
      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull Fig. —2 BW plate</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull Fig. —3 BW plate</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull Fig. —4 BW plate</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull Fig. —5 BW plate</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull Fig. —6 BW plate</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull Fig. —7 BW plate</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull Fig. —8 BW plate</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull Fig. —9 BW plate</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull Fig. —10 BW plate</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical, 2017–19 Scratch-engraved meteorite alphabet on (Al) Atomic #13—aluminum crust badges, notched corners, double-clutch backing, 9 satellite plates; galvanized, sutured steel skulls, 9 receptacles 2 × 2 in (5.08 × 5.08 cm) each (AI) Atomic #13 crust badge 3.75 × 4.5 × 1.5 in (9.525 × 11.43 × 3.81 cm) each, closed sutured steel skull 3.75 × 5.25 × 2.75 in (9.525 × 13.335 × 6.985 cm) each, opened sutured steel skull Fig. —11 BW plate</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical (book), 2017–19 Full-color printing on paper Open Edition 20pp, saddle stitched 7.5 × 5 in (19.05 × 12.7cm) Published and distributed by FIST</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical (book), 2017–19 Full-color printing on paper Open Edition 20pp, saddle stitched7.5 × 5 in (19.05 × 12.7cm) Published and distributed by FIST Fig. —1 BW plate</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical (book), 2017–19 Full-color printing on paper Open Edition20pp, saddle stitched 7.5 × 5 in (19.05 × 12.7cm) Published and distributed by FIST Fig. —2 BW plate</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical (book), 2017–19 Full-color printing on paper Open Edition 20pp, saddle stitched 7.5 × 5 in (19.05 × 12.7cm) Published and distributed by FIST Fig. —3 BW plate</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical (book), 2017–19 Full-color printing on paper Open Edition 20pp, saddle stitched 7.5 × 5 in (19.05 × 12.7cm) Published and distributed by FIST Fig. —4 BW plate</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical (book), 2017–19 Full-color printing on paper Open Edition20pp, saddle stitched 7.5 × 5 in (19.05 × 12.7cm) Published and distributed by FIST Fig. —5 BW plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523751831274-1BTW23AM4G1ABDFMNRF2/---+14-15-testprint_Electric_Sutures_Book7.jpg</image:loc>
      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical (book), 2017–19 Full-color printing on paper Open Edition 20pp, saddle stitched 7.5 × 5 in (19.05 × 12.7cm) Published and distributed by FIST Fig. —6 BW plate</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical (book), 2017–19 Full-color printing on paper Open Edition 20pp, saddle stitched 7.5 × 5 in (19.05 × 12.7cm) Published and distributed by FIST Fig. —7 BW plate</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical (book), 2017–19 Full-color printing on paper Open Edition 20pp, saddle stitched 7.5 × 5 in (19.05 × 12.7cm) Published and distributed by FIST Fig. —8 BW plate</image:caption>
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      <image:title>Intellectual Squatters - Electric Sutures Alphabetical, 2017–19</image:title>
      <image:caption>Linda Zeb Hang Electric Sutures Alphabetical (book), 2017–19 Full-color printing on paper Open Edition 20pp, saddle stitched 7.5 × 5 in (19.05 × 12.7cm) Published and distributed by FIST Fig. —9 BW plate</image:caption>
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      <image:title>Intellectual Squatters - Fertile Crescent, 2014</image:title>
      <image:caption>Linda Zeb Hang × M.S.G. Fertile Crescent, 2014 Open edition, full color printing, each one unique 64pp, saddle-stitched 9 × 5 in (22.86 × 12.7 cm) Published and distributed by FIST Cover design: Dante Carlos Allegorical and dystopian monograph built upon cult of personality and enforced by a reign of power.</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —1 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442659615509-Z731OS0S7B8SO4J5SZVS/fertilecrescent-3+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —2 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442659621916-WVMDI1YD00LSGRWWN67K/fertilecrescent-4+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —3 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442659624299-CDHJ3CPNUCNRTI9ME4MU/fertilecrescent-5+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —4 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442659630572-LBZ9A58P2982MZM565A2/fertilecrescent-6+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —5 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442659632597-OOLHP64G3IPR4MCNL50Q/fertilecrescent-7+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —6 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442659637537-SP2QT4TJ65L1AEX0KBOT/fertilecrescent-8+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —7 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442659638882-X5T5FDW0RKXMKS2X53OZ/fertilecrescent-9+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —8 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442659648048-IDI0EG5LQBL2Z9RQX3ZU/fertilecrescent-10+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —9 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442659647593-5EKZLKMDPTFMUUU8GBY9/fertilecrescent-11+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —10 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442659656888-IMD89M6J5REGD075N6T2/fertilecrescent-12+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —11 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442659657382-0QK9CYIMK6DP14U42DR7/fertilecrescent-13+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —12 Color plate</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442659666370-RPZMOC3I11ZOGLHWPC2U/fertilecrescent-14+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —13 Color plate</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442659666672-59J8O5YVZKBFZUCDA7S7/fertilecrescent-15+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —14 Color plate</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442659675408-FXQGFCMUUO7XRBQ8EHZ7/fertilecrescent-16+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —15 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442659675147-L9Y89C4N4KN6YX6U8KGC/fertilecrescent-17+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —16 Color plate</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442659679643-XGYDH5BZBGI36HD3UHQM/fertilecrescent-18+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —17 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1643756459570-CV83USTZO1LCUIJOBBYJ/hesitation-blues.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Linda Zeb Hang Hesitation Blues, 2015 Screen printed lenticular book cover, digital printing on blue paper, specially designed plexiglass slip case, mirrored cradle with removable top edge Edition of 3, each one unique 70pp, coil bound 9 × 6.25 in (22.86cm × 15.875 cm) Published and distributed by FIST Atmospheric contamination, compression and distortion.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663435147-FQJ8PEMJ8QGA6WQZZ3Y9/hesitationblues-blue+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Hesitation Blues (2015) Atmospheric contamination, compression and distortion Screen printed Lenticular cover —1 by Way Wza</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663435664-G35MRPV15MW3QQYGVO3A/hesitationblues-blue15+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Screen printed Lenticular cover —2 Open edition 70pp, coil bound 22.86cm × 15.875cm, 9″ × 6.25″ Published by FIST</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663438080-Y6EZH309BS6P2V1TES8E/hesitationblues-red3+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Screen printed Lenticular cover —3</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663469603-R5Q5ZOFHJ4XFOOSF6KXO/hesitationblues-blue2.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —1 Blue color plate  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663469912-4D11PSJ8JKXVLFQI9519/hesitationblues-blue3.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —2 Blue color plate</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663519395-CERWH65RMI1GM5UHVO4X/hesitationblues-blue13.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —3 Blue color plate</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663479573-YWWDT62GYNGFVE7X6DZ0/hesitationblues-blue4.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —4 Blue color plate</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663479851-DBSZ0XJFERSKPPVZ6JJ4/hesitationblues-blue5.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —5 Blue color plate</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663519784-OTMRP4VPVRKXVJLGQ15J/hesitationblues-blue12.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —6 Blue color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663489897-YNPHLH3MSB2HKESFZHQS/hesitationblues-blue6.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —7 Blue color plate</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663490401-KVIHDMB7CJ9JOM4ABFVC/hesitationblues-blue7.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —8 Blue color plate</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663500218-230SMYDI1529GQ1DIXHA/hesitationblues-blue8.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —9 Blue color plate</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663500603-WKW1L1WZP9P05XL3KG0U/hesitationblues-blue9.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —9 Blue color plate</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663509836-PY7ZYZA37HT1NN6296F2/hesitationblues-blue10.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —10 Blue color plate</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663509990-I1LSGQVU2S5R1GEIBM6H/hesitationblues-blue11.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —11 Blue color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663530116-SPGCF75TYZQC0DVP0F7Q/hesitationblues-blue14.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —12 Blue color plate</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663529981-ZD8R4KKZNH5Z3M7XWEQC/hesitationblues-red.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —11 Purple color plate</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663538064-OQSJYPL822IXDUYP5853/hesitationblues-red4.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —2 Purple color plate</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663538493-8MUK72738X8G5KQZJXD4/hesitationblues-red5.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —3 Purple color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663546855-KMNDG87SQIDSLWP9FL0M/hesitationblues-red7.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —4 Purple color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663554417-W6G3D7QZXHRK6589Z7NI/hesitationblues-red9.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —5 Purple color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663562048-W1HNDAFCC3VO6MNUK7CH/hesitationblues-red10.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —6 Purple color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442663563468-ZFFQ9U2T80JJU6O2MR4J/hesitationblues-red11.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —7 Purple color plate</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1574409008096-G0OO6FTXH261HPNJX0MQ/Hang_Linda_Zeb_02.jpg</image:loc>
      <image:title>Intellectual Squatters - HIGHEST SPHERES, 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks Highest Spheres—Movement Observatory—An Ecliptic Equation—Endangered Script—Calyxes of Meditation—Steps of D. Gods, Whisper in D. Folds—New York City The flight travel that may occur in a dissociative fugue state can last for as little as a few hours, weeks or months, sometimes years. The journey is an internal scanning histology, experienced in Highest Spheres’ instrumental fugue, summiting acupressure as healing modality, carbon sequestering collage, and higher dimension flow systems. Dissociation staggers, and portals like a slip-stream blade: the cosmic dancer adapts, survives, and is forged through stress and relief, murking the cool waters of their mind.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1569758934088-XYVHF8ZPHVS6WTICLELD/20190925_042.jpg</image:loc>
      <image:title>Intellectual Squatters - Highest Spheres—Movement Observatory—An Ecliptic Equation—Endangered Script—Calyxes of Meditation—Steps of D. Gods, Whisper in D. Folds—New York City</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1569758980811-PX8QYEVSWNFACSN6X5I1/20190925_044.jpg</image:loc>
      <image:title>Intellectual Squatters - HIGHEST SPHERES (infection/inflammation), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1569758981151-V55ZXY5W2DLKK7B9TND3/20190925_045.jpg</image:loc>
      <image:title>Intellectual Squatters - HIGHEST SPHERES (sightseer, cross-section I), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1569758986905-J1UW9DT2RTGHDRWDQ7LU/20190925_046.jpg</image:loc>
      <image:title>Intellectual Squatters - HIGHEST SPHERES (coiled mass I), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1569758987025-YDUQIOUHUZQD878LR0T2/20190925_047.jpg</image:loc>
      <image:title>Intellectual Squatters - HIGHEST SPHERES (calyxes), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1569758993721-Z0OETYJ41FJ1BW8LP76A/20190925_048.jpg</image:loc>
      <image:title>Intellectual Squatters - HIGHEST SPHERES (sightseer, cross-section II), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1569758994271-QPV7WCYLSSV4RG7QMKNY/20190925_049.jpg</image:loc>
      <image:title>Intellectual Squatters - HIGHEST SPHERES (coiled mass II), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1569759000941-9UDFQPGXWXI9H7W4DAV8/20190925_050.jpg</image:loc>
      <image:title>Intellectual Squatters - HIGHEST SPHERES (sightseer, cross-section III), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1569759000607-OD3Q8PI31DRHIBHR4PC8/20190925_051.jpg</image:loc>
      <image:title>Intellectual Squatters - HIGHEST SPHERES (border vista), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1569759007447-DIIL144MRF31X2HUNHJX/20190925_052.jpg</image:loc>
      <image:title>Intellectual Squatters - HIGHEST SPHERES (mortal geography, cross-section IIII), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
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      <image:title>Intellectual Squatters - HIGHEST SPHERES (pluto in scorpio, cross-section V), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
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      <image:title>Intellectual Squatters - HIGHEST SPHERES (summit I), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
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      <image:title>Intellectual Squatters - HIGHEST SPHERES (sightseer, cross-section VI), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1569759023550-3X1XK7IOPHX11ONUK0QY/20190925_056.jpg</image:loc>
      <image:title>Intellectual Squatters - HIGHEST SPHERES (sightseer, cross-section VII), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1569759023803-BXKQ8L7G4BB8HTNOHEZI/20190925_057.jpg</image:loc>
      <image:title>Intellectual Squatters - HIGHEST SPHERES (coiled mass III), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1569759032919-K7ZPR91PMUHWL3BV9S7P/20190925_058.jpg</image:loc>
      <image:title>Intellectual Squatters - HIGHEST SPHERES (recognito), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
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      <image:title>Intellectual Squatters - HIGHEST SPHERES (sightseer, cross-section VIII), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
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      <image:title>Intellectual Squatters - HIGHEST SPHERES (summit II), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1569759039978-QVZA3H6AQDKB73PJTBBA/20190925_062.jpg</image:loc>
      <image:title>Intellectual Squatters - HIGHEST SPHERES (whisper in d folds, steps of d gods I), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
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      <image:title>Intellectual Squatters - HIGHEST SPHERES (slipstream, steps of d gods II), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
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      <image:title>Intellectual Squatters - HIGHEST SPHERES (steps of d gods III), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
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      <image:title>Intellectual Squatters - HIGHEST SPHERES (sightseer, cross-section VIIII), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
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      <image:title>Intellectual Squatters - HIGHEST SPHERES (steps of d gods IIII), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
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      <image:title>Intellectual Squatters - HIGHEST SPHERES (steps of d gods V), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
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      <image:title>Intellectual Squatters - HIGHEST SPHERES (whisper in d folds, steps of d gods VI), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
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      <image:title>Intellectual Squatters - HIGHEST SPHERES (sightseer, cross-section VV), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
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      <image:title>Intellectual Squatters - HIGHEST SPHERES (steps of d gods VII), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
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      <image:title>Intellectual Squatters - HIGHEST SPHERES (endangered script), 2018</image:title>
      <image:caption>Linda Zeb Hang HIGHEST SPHERES, 2018 2-Color Risograph in Seafoam and Hunter Green assemblage on paper Edition of 200 72pp, perfect bound 7.5 × 5.5 in (19.05 × 13.97 cm) Co-published by TXTbooks and FIST Printed in Brooklyn, NY by TXTbooks</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1569778678486-G4MWAIHNFDJKW0S79WWD/%E2%80%94horological-spread.jpg</image:loc>
      <image:title>Intellectual Squatters - Horological Tome, 2019</image:title>
      <image:caption>Linda Zeb Hang Horological Tome, 2019 CNC routed gaming stencils, 10 plates 12.5 × 10 × .75 in (31.75 × 25.4 × 1.905 cm) (tome) 12.5 × 20 × .375 in (31.75 × 50.8 × 0.9525 cm) (spread) Surgical anatomy of the book as movable type body maneuvering positions within role-playing game and architecture. A role-playing game is a browsing design system in which players assume the roles of characters in a fictional setting. Players take responsibility for acting out these roles within a narrative, either through literal acting, or through a process of decision-making regarding character development. The structural ‘ghostings‘ of these stencils predict the currency of gambling coins, eventual death terrain, and scope of time-based measurement in the life expectancy radar, mimicking the concocted, and providing ammunition for outsourcing landscapes of virtual reality.</image:caption>
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      <image:title>Intellectual Squatters</image:title>
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      <image:title>Intellectual Squatters - Geological Cross Fade Rhythm (Chirp Boomerang), 2019</image:title>
      <image:caption>Linda Zeb Hang Geological Cross Fade Rhythm (Chirp Boomerang), 2019 Acrylic yarn, laminated button knobs with negative space weavings on raised mesh canvas 11.75 × 11.75 × .25 in (29.84 × 29.85 × 0.635 cm) The poly-scratch and its cross rhythms scribe vectors of sound to satellite. Turntablist Transcription Methodology, or TTM is a notation system for scratching and searching with knob buttons, laminating the states of flow, engraving the surfaces of land and book faces, fading geological sounds, and liberating itself from distal binding.</image:caption>
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      <image:title>Intellectual Squatters - Baptismal Surf (slipcase), 2021</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (structure), 2020 Burnished ‘Baptismal Surf’ seal, asahi book cloth, binder's board, bristol board, methyl cellulose/pva adhesive 16 × 20.25 × .75 inches (40.64 × 51.435 × 1.905 cm) The seismic expression of a cerebrospinal reef with alluvial fanned deltas, steel over the anvil of an olivine wilderness. A varved patterning that depicts seasonal deposition from summer and winter in a glacial setting. The light colored layers are more silty, deposited in summer while the dark layers contain more clay from slow deposition in winter.</image:caption>
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      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1636604861583-3EPOA3NSCBFCAE5XU8LL/-Silas-Plural_Sight-Liminal_State15.jpg</image:loc>
      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:title>Intellectual Squatters - BAPTISMAL SURF, 2020</image:title>
      <image:caption>Linda Zeb Hang Baptismal Surf (prints), 2020 Double-suminagashi marbling on paper 15.75 × 20 in (40.005 × 50.8 cm) Printed and hand bound by the artist Published by FIST Edition Size: Open, each print unique</image:caption>
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      <image:title>Intellectual Squatters - Im Sayin Though, 2014</image:title>
      <image:caption>Michael Schools Im Sayin Though, 2014 Open edition, carbon on construction paper, each one unique 90pp, wire bound 6 × 9 in (15.24 × 22.86 cm) Published and distributed by FIST</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —1 Color plate</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —2 Color plate</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —3 Color plate</image:caption>
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      <image:caption>Fig. —4 Color plate</image:caption>
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      <image:caption>Fig. —5 Color plate</image:caption>
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      <image:caption>Fig. —6 Color plate</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —7 Color plate</image:caption>
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      <image:caption>Fig. —8 Color plate</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —9 Color plate</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —10 Color plate</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —11 Color plate</image:caption>
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      <image:caption>Fig. —12 Color plate</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —13 Color plate</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —14 Color plate</image:caption>
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      <image:title>Intellectual Squatters - Maiden Voyage, 2014</image:title>
      <image:caption>Linda Zeb Hang Maiden Voyage, 2014 Open edition, carbon on chipboard, each one unique 55pp, coil bound 7 × 5 in (17.78 × 12.7 cm) Published and distributed by FIST FIST tag: Michael Schools Musical odyssey goddesses.</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —1 Color plate</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —2 Color plate</image:caption>
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      <image:caption>Fig. —3 Color plate</image:caption>
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      <image:caption>Fig. —4 Color plate</image:caption>
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      <image:title>Intellectual Squatters - Foodscaping and the Sensorial Rhythm, 2021</image:title>
      <image:caption>Linda Zeb Hang Foodscaping and the Sensorial Rhythm, 2021 Buried logs, Bamboo, Rice Koji, Compost, Clay Soil, Seeds Installation Variable Sculptor and Gardener, site-specific micro-climate installation for Exodus: School of Expression’s Seed Summer Residency, BIPOC Community Garden for Composting, Mulching, and Pruning; Chickahominy and Powantan terrain in Richmond, Virginia, June–July 2021 From 2004–2007 I studied Sculpture, Typographic Design, Book Arts, and Horticulture in San Francisco, California. The recession of 2008 predicted the need to liberate oneself, and in doing so, the microcosm and thematic framework of these disciplines led me to live off-the-grid for years, building structural closed loop systems, studying chemistry, scientific food processes, and survival skills to heal body through land labor, as well as advocating for climate, food justice, and migrant workers’ rights. The slow reveal of this life’s union and self-determinant curricula provided a thinking station, engineering them as interfacing dimensions, and conjectures about shaped reality, the non-fungible nature of space and time, and the growth strictures of seed reception. This site-specific Foodscaping/Micro-Climate installation for Exodus Seed Summer BIPOC Artist Residency 2021 is dedicated to Asian-American abolitionists, and environmental justice feminists Dr. Grace Lee Boggs, PhD (of Chinese descent, June 27, 1915–October 5, 2015), co-founder of Detroit Summer, a multi-racial, inter-generational collective with a youth program that draws volunteers from all over the country to repair homes, paint murals, organize music festivals and turn vacant lots into community gardens in Detroit, Michigan. Dr. Connie Wun, PhD, (of Vietnamese descent), co-founder of AAPI Women Lead in Oakland, California, whose team uplifts the histories of anti-Asian violence, challenges the model minority myth by complicating what the Asian diaspora really looks like, highlighting issues of deportation, undocumented communities, and addressing economic disparities within the Asian diaspora, the invisibilization of our communities and our needs. Oakland's work around We Keep Us Safe, and call for solidarity work and resources to support our communities. Dr. Connie Wun writes: “The myth that we have not been impacted by white supremacy also ignores our diverse communities’ experiences with Islamophobia and anti-South Asian violence, especially post-9/11. It dismisses the lived realities of disabled and LGBTQI Asians and Asian Americans, as well as our youth. And it often fails to account for the experiences of our Native Hawaiian and Pacific Islander counterparts, whose stories are often conflated with that of Asians in the category of API, Asian Pacific Islanders. Yet, with all of these ongoing needs, less than one percent of philanthropic funding goes to our communities.” (2021) Dr. Grace Lee Boggs wrote: “We never know how our small activities will affect others through the invisible fabric of our connectedness. In this exquisitely connected world, it’s never a question of ‘critical mass.’ It’s always about critical connections.”</image:caption>
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      <image:title>Intellectual Squatters - Foodscaping and the Sensorial Rhythm, 2021</image:title>
      <image:caption>Linda Zeb Hang Foodscaping and the Sensorial Rhythm, 2021 Buried logs, Bamboo, Rice Koji, Compost, Clay Soil, Seeds Installation Variable</image:caption>
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      <image:title>Intellectual Squatters - Foodscaping and the Sensorial Rhythm, 2021</image:title>
      <image:caption>After the storm, electric olivine wilderness. Natural dye on burlap strings by Taylor Simone; land clay on cotton by Joy McMillian.</image:caption>
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      <image:title>Intellectual Squatters - Foodscaping and the Sensorial Rhythm, 2021</image:title>
      <image:caption>Fig. I Bamboo Leaf Mulch, 2021 Drying out in the sun, the Bamboo leaf left a curious scent waver of decomposition… to be determined as it blanketed above the grass, seeming to slip, and soak right thru fingertipped grass grains, back to land.</image:caption>
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      <image:title>Intellectual Squatters - Foodscaping and the Sensorial Rhythm, 2021</image:title>
      <image:caption>Fig. II Bamboo Harvesting, 2021 This Bamboo forest in the South was a welcoming embrace for the displaced Asian descendent. Within this Southern terrain laid flexible fiber. As it sung in the wind, I recalled a myth of the voice of a free reed: one of peripheral scales, sounds, syllables, and endangered scripts. The silica that corrupted all logical sense, as intuition locked in place, a dissonance of memor-i. Woven to Exodus.</image:caption>
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      <image:title>Intellectual Squatters - Foodscaping and the Sensorial Rhythm, 2021</image:title>
      <image:caption>Fig. III Recycled/Compostable Planter Seed Boxes (no plastic), 2021 Simplify what is available. Recology was a central theme in this micro-climate. How to use no plastic for seed starters? How to transplant without the shock of the roots? Creating and taking the time to world build thru craft, and ingenuity of materials.</image:caption>
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      <image:title>Intellectual Squatters - Foodscaping and the Sensorial Rhythm, 2021</image:title>
      <image:caption>Exodus: School of Expression’s Seed Summer Residency, BIPOC Community Garden for Composting, Mulching, and Pruning; Chickahominy and Powantan terrain in Richmond, Virginia, June–July 2021</image:caption>
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      <image:title>Intellectual Squatters - Opening Salvo/Sahasrara: Crown Mission Inoculant Telescope,  I—XIX (1–19), 2020</image:title>
      <image:caption>Linda Zeb Hang Opening Salvo/Sahasrara: Crown Mission Inoculant Telescope, I—XIX (1–19), 2020 Hand-woven fiber optic paper 5.25 × 19.25 × 5.25 inches (13.335 × 48.895 × 13.335 cm) Edition Size: 19, each one unique The tunneling, kaleidoscopic visual readership of a contaminated state within Rona&lt;n&gt; parasite—upon careful, and optical refraction of its root origins through one end, reveals the re-assembly, distribution EQ, connections, and revelations of a warbling, alien matrix. Seen through forced punctuations of Language, the folded DNA joints spiral a commonality, and pathology of reflection, reproductive seed sovereignty, and anti-subject, characterizing the presence of (-) abstraction in self-seeded, positive (+) bodies.</image:caption>
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      <image:title>Intellectual Squatters - Opening Salvo/Sahasrara: Crown Mission Inoculant Telescope,  I—XIX (1–19), 2020</image:title>
      <image:caption>Linda Zeb Hang Opening Salvo/Sahasrara: Crown Mission Inoculant Telescope, I—XIX (1–19), 2020 Hand-woven fiber optic paper 5.25 × 19.25 × 5.25 inches (13.335 × 48.895 × 13.335 cm) Edition Size: 19, each one unique</image:caption>
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      <image:title>Intellectual Squatters - Opening Salvo/Sahasrara: Crown Mission Inoculant Telescope,  I—XIX (1–19), 2020</image:title>
      <image:caption>Linda Zeb Hang Opening Salvo/Sahasrara: Crown Mission Inoculant Telescope, I—XIX (1–19), 2020 Hand-woven fiber optic paper 5.25 × 19.25 × 5.25 inches (13.335 × 48.895 × 13.335 cm) Edition Size: 19, each one unique</image:caption>
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      <image:title>Intellectual Squatters - Opening Salvo/Sahasrara: Crown Mission Inoculant Telescope,  I—XIX (1–19), 2020</image:title>
      <image:caption>Linda Zeb Hang Opening Salvo/Sahasrara: Crown Mission Inoculant Telescope, I—XIX (1–19), 2020 Hand-woven fiber optic paper 5.25 × 19.25 × 5.25 inches (13.335 × 48.895 × 13.335 cm) Edition Size: 19, each one unique</image:caption>
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      <image:title>Intellectual Squatters - Opening Salvo/Sahasrara: Crown Mission Inoculant Telescope,  I—XIX (1–19), 2020</image:title>
      <image:caption>Linda Zeb Hang Opening Salvo/Sahasrara: Crown Mission Inoculant Telescope, I—XIX (1–19), 2020 Hand-woven fiber optic paper 5.25 × 19.25 × 5.25 inches (13.335 × 48.895 × 13.335 cm) Edition Size: 19, each one unique</image:caption>
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      <image:title>Intellectual Squatters - MYSTROH,  2017</image:title>
      <image:caption>Linda Zeb Hang MYSTROH, 2017 Sparkling acrylic on 3D Scythe Components, 17 plate units 12.5 × 11.75 in (31.8 × 29.9 cm) each plate Installation variable</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —2 Color plate Acquisitions: info@fistbiz.com</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —3 Color plate</image:caption>
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      <image:title>Intellectual Squatters - Nematode/Boomslang Scales, I—IIII, 2019</image:title>
      <image:caption>Linda Zeb Hang Nematode/Boomslang Scales, I—IIII, 2019 Surgical hand incisions on deployable, flexible, woven, and liberated paper signatures I—72 Slices, 288 Incisions, 5 × 39 × 1 in (12.7 × 99.06 × 2.54 cm) II—96 Slices, 384 Incisions, 5 × 53.5 × 1 in (12.7 × 135.89 × 2.54 cm) III—64 Slices, 256 Incisions, 5 × 30 × 1 in (12.7 × 50.8 × 2.54 cm) IIII—40 Slices, 160 Incisions, 5 × 20 × 1 in (12.7 × 50.8 × 2.54 cm) Total : 272 Slices; 1,088 Hand Incisions As above, so below—seen on the expanded microscopic and baum level, the taxonomic tribe of boomslang parasite scales present patterns of “S” shaped striking poses when confronted and cornered, inflating its neck parasitizing around the hyphae of pathogens by various means such as swimming, coiling, penetrating through to secrete lyase to decompose the cell wall. The venomous contact zone of an adult boomslang has 1.6 to 8 mg of hemotoxin, and has been observed to cause hemorrhage into tissues such as muscle and brain. As a reclusive snake, bites generally occur with its maxillary teeth only when people attempt to handle, catch, or kill the being. Monovalent antivenom has been developed since the 1940s, by the South African Vaccine Producers for use in boomslang envenomations. To combat the poison, fungal endophytes are introduced as an endosymbiont, often a bacterium or fungus, that lives within a plant body for at least part of its life cycle without causing apparent disease, disrupting its colonized state back to a centered body.</image:caption>
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      <image:title>Intellectual Squatters - Nematode/Boomslang Scales, I—IIII, 2019</image:title>
      <image:caption>Linda Zeb Hang Nematode/Boomslang Scales, I—IIII, 2019 Surgical hand incisions on deployable, flexible, woven, and liberated paper signatures I—72 Slices, 288 Incisions, 5 × 39 × 1 in (12.7 × 99.06 × 2.54 cm) II—96 Slices, 384 Incisions, 5 × 53.5 × 1 in (12.7 × 135.89 × 2.54 cm) III—64 Slices, 256 Incisions, 5 × 30 × 1 in (12.7 × 50.8 × 2.54 cm) IIII—40 Slices, 160 Incisions, 5 × 20 × 1 in (12.7 × 50.8 × 2.54 cm) Total : 272 Slices; 1,088 Hand Incisions</image:caption>
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      <image:title>Intellectual Squatters - Nematode/Boomslang Scales, I—IIII, 2019</image:title>
      <image:caption>Linda Zeb Hang Nematode/Boomslang Scales, I—IIII, 2019 Surgical hand incisions on deployable, flexible, woven, and liberated paper signatures I—72 Slices, 288 Incisions, 5 × 39 × 1 in (12.7 × 99.06 × 2.54 cm) II—96 Slices, 384 Incisions, 5 × 53.5 × 1 in (12.7 × 135.89 × 2.54 cm) III—64 Slices, 256 Incisions, 5 × 30 × 1 in (12.7 × 50.8 × 2.54 cm) IIII—40 Slices, 160 Incisions, 5 × 20 × 1 in (12.7 × 50.8 × 2.54 cm) Total : 272 Slices; 1,088 Hand Incisions</image:caption>
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      <image:title>Intellectual Squatters - Nematode/Boomslang Scales, I—IIII, 2019</image:title>
      <image:caption>Linda Zeb Hang Nematode/Boomslang Scales, I—IIII, 2019 Surgical hand incisions on deployable, flexible, woven, and liberated paper signatures I—72 Slices, 288 Incisions, 5 × 39 × 1 in (12.7 × 99.06 × 2.54 cm) II—96 Slices, 384 Incisions, 5 × 53.5 × 1 in (12.7 × 135.89 × 2.54 cm) III—64 Slices, 256 Incisions, 5 × 30 × 1 in (12.7 × 50.8 × 2.54 cm) IIII—40 Slices, 160 Incisions, 5 × 20 × 1 in (12.7 × 50.8 × 2.54 cm) Total : 272 Slices; 1,088 Hand Incisions</image:caption>
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      <image:title>Intellectual Squatters - Nematode/Boomslang Scales, I—IIII, 2019</image:title>
      <image:caption>Linda Zeb Hang Nematode/Boomslang Scales, I—IIII, 2019 Surgical hand incisions on deployable, flexible, woven, and liberated paper signatures I—72 Slices, 288 Incisions, 5 × 39 × 1 in (12.7 × 99.06 × 2.54 cm) II—96 Slices, 384 Incisions, 5 × 53.5 × 1 in (12.7 × 135.89 × 2.54 cm) III—64 Slices, 256 Incisions, 5 × 30 × 1 in (12.7 × 50.8 × 2.54 cm) IIII—40 Slices, 160 Incisions, 5 × 20 × 1 in (12.7 × 50.8 × 2.54 cm) Total : 272 Slices; 1,088 Hand Incisions</image:caption>
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      <image:title>Intellectual Squatters - Nematode/Boomslang Scales, I—IIII, 2019</image:title>
      <image:caption>Linda Zeb Hang Nematode/Boomslang Scales, I—IIII, 2019 Surgical hand incisions on deployable, flexible, woven, and liberated paper signatures I—72 Slices, 288 Incisions, 5 × 39 × 1 in (12.7 × 99.06 × 2.54 cm) II—96 Slices, 384 Incisions, 5 × 53.5 × 1 in (12.7 × 135.89 × 2.54 cm) III—64 Slices, 256 Incisions, 5 × 30 × 1 in (12.7 × 50.8 × 2.54 cm) IIII—40 Slices, 160 Incisions, 5 × 20 × 1 in (12.7 × 50.8 × 2.54 cm) Total : 272 Slices; 1,088 Hand Incisions</image:caption>
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      <image:title>Intellectual Squatters - Nematode/Boomslang Scales, I—IIII, 2019</image:title>
      <image:caption>Linda Zeb Hang Nematode/Boomslang Scales, I—IIII, 2019 Surgical hand incisions on deployable, flexible, woven, and liberated paper signatures I—72 Slices, 288 Incisions, 5 × 39 × 1 in (12.7 × 99.06 × 2.54 cm) II—96 Slices, 384 Incisions, 5 × 53.5 × 1 in (12.7 × 135.89 × 2.54 cm) III—64 Slices, 256 Incisions, 5 × 30 × 1 in (12.7 × 50.8 × 2.54 cm) IIII—40 Slices, 160 Incisions, 5 × 20 × 1 in (12.7 × 50.8 × 2.54 cm) Total : 272 Slices; 1,088 Hand Incisions</image:caption>
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      <image:title>Intellectual Squatters - Open Syllables: Paths, Dangers, Strategies (Grass/Roots Inoculant), 2019</image:title>
      <image:caption>Linda Zeb Hang Open Syllables: Paths, Dangers, Strategies (Grass/Roots Inoculant), 2019 Hand-carved negative space weaving on raised mesh canvas 13.25 × 22 × 1⁄16 in (33.655 × 55.88 × 0.1588 cm) Families and communities form to network and penetrate like the Endomycorrhizal Fungi, which makes up the building blocks of life, mimicking nature’s biological intelligence of microbe breakdown, plant sugar exodates, and the relationship between the two. This fungi only grows on living plant roots, and if the soil goes dormant the fungi can sustain for a short period on carbons, but needs living roots to thrive and colonize. The infiltration of fungicides find their way into top soils everywhere, and small amounts over time will burnish living soil systems, becoming acidic and lacking life force. Heavy tilling will also kill these fragile life giving organisms. Cultivating these strands is the ultimate joy of any carbon sequestering steward, and in keeping them around it creates a relationship with the microscopic endos. New gardens and soils need inoculations of mycorrhizal fungi either through collecting IMOs (Indigenous Microorganisms) and or using a cultured product that has multiple species of endos. It is important to follow up every harvest with a cover crop so the fungi has fresh sugars to survive during non growing seasons. Sundanese Sorghum grass can host and feed over 100 different mycorrhizae species, and it easily grows in many different environments. Many other cover crops and weeds will also feed the fungi.</image:caption>
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      <image:title>Intellectual Squatters - Open Syllables: Paths, Dangers, Strategies (S.O.S Inoculant). 2019</image:title>
      <image:caption>Linda Zeb Hang Open Syllables: Paths, Dangers, Strategies (S.O.S Inoculant), 2019 Hand-carved negative space weaving on raised mesh canvas 13.25 × 22 × 1⁄16 in (33.66 × 55.88 × 0.1588 cm)</image:caption>
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      <image:caption>Open Syllables Publications 1 (tentative) California &amp; New York City: FIST Publishing, 2022 Pp. xxiv + 100, 25 plates Clothbound 9 x 11.75 in / 23 x 30 cm Open Edition</image:caption>
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      <image:title>Intellectual Squatters - Open Syllables: Paths, Dangers, Strategies (7H/Z Inoculant), 2019</image:title>
      <image:caption>Linda Zeb Hang Open Syllables: Paths, Dangers, Strategies (7H/Z Inoculant), 2019 Hand-carved negative space weaving on raised mesh canvas, woven yarn, multi-colored single loop binding 13.25 × 10.5 × .25 in (33.66 × 26.67 × 0.635 cm)</image:caption>
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      <image:title>Intellectual Squatters</image:title>
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      <image:title>Intellectual Squatters</image:title>
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      <image:title>Intellectual Squatters</image:title>
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      <image:title>Intellectual Squatters</image:title>
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      <image:title>Intellectual Squatters</image:title>
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      <image:title>Intellectual Squatters</image:title>
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      <image:title>Intellectual Squatters - Oxywave, Scroll I, 2016</image:title>
      <image:caption>Linda Zeb Hang Oxywave, Scroll I, 2016 Hand-stitched seed beads on fiberglass interfacing matrix Edition of 4, scrolls 20 × 17.25 in (50.8 × 43.815 cm)</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —1 Color plate</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —2 Color plate Acquisitions: info@fistbiz.com</image:caption>
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      <image:title>Intellectual Squatters - Palisades I, 2015</image:title>
      <image:caption>Linda Zeb Hang Palisades I, 2015 Valdani pearl cotton basket-stitched on Aida cotton 12 in × 18 in (30.48 cm × 45.72 cm)</image:caption>
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      <image:caption>Fig. —2</image:caption>
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      <image:caption>Fig. —3</image:caption>
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      <image:title>Intellectual Squatters - Palisades II, 2015</image:title>
      <image:caption>Linda Zeb Hang Palisades II, 2015 Valdani pearl cotton basket-stitched on Aida cotton 12 in × 18 in (30.48 cm × 45.72 cm)</image:caption>
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      <image:caption>Fig. —2</image:caption>
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      <image:caption>Fig. —3</image:caption>
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      <image:title>Intellectual Squatters - Pattern Erosion, 2018</image:title>
      <image:caption>Linda Zeb Hang PATTERN EROSION, 2018 Hand carved negative space weaving on raised mesh canvas, whip stitched gradient binding, 3 stack elements: 36 signatures, 72 plate units 11 × 13.5 × 1.5 in (27.94 × 34.29 × 3.81 cm) (each stack) 11 × 27 × .75 inches (27.49 × 68.58 × 1.905 cm) (spread)</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —1 Color plate</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —2 Color plate During a residency in Humboldt County, California, I was struck by the natural birth phenomena, critical food geography, and politics of survival within the Far Northern California back-to-the-land movement, an experience which left a profound impact on the way I think about space travel, ecology, and ethnography. Guided by my research and experience in the science of wound contraction these soiled, sedimented plastic book carcasses, with elements of gold, purple and black matter — known for spirited expansion, industry and pollution — patterns the toxicology of greed on the environment. Climate insecurities and policies of exhaustion are embedded into the plastic soil as negative space weavings, carving paths of root network and currency systems, collective electric circuitries and life cycle rituals to realise topographical traumas. Technology and the concept of capitalism erodes into fossilized chambers of abstraction; nature invades and calibrates, healing its wound only by changing shape.</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —3 Color plate Acquisitions: info@fistbiz.com</image:caption>
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      <image:caption>Fig. —4 Color plate</image:caption>
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      <image:caption>Fig. —5 Color plate</image:caption>
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      <image:caption>Fig. —6 Color plate</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —7 Color plate</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —9 Color plate</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —10 Color plate</image:caption>
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      <image:title>Intellectual Squatters - Plural Sight, Liminal State (Sahasrara I—XII), 2020</image:title>
      <image:caption>Linda Zeb Hang Plural Sight, Liminal State (Sahasrara I—XII), 2020 Double-Suminagashi marbling on paper 14.75 × 11.5 in (37.465 × 29.21 cm) Printed by the artist Published by FIST Edition Size: Open, each one unique Corona—known within its Asian root etymology as Crown Chakra in Meditation, is seen, and experienced through the opening salvo of its Sahasrara. In New York City, the sudden, vigorous, aggressive, succession of bodies—and the media interpretation, while invasive and prevalent, is not fixed. On the flip side, the aqueous, power gradients of this liminal state, and its plural sight uses a thematic approach to confront an inescapable, vicious paradox: in the eyes of both media and virus, the liberation movement of the working class are cast as pariahs—less than, but essential. My Suminagashi double-marblings on paper are peripatetic in nature within the book anatomy threshold. They are streaks of prayer, vectored as the door, the gate in which they gesture as leitmotifs for the extinguished breath. As the oldest marbling technique, and traditionally used as endpapers in the Book Arts, these effects of pressure gradients on a confined, turbulent wake, demarcate an extracted state, one in which Suminagashi doubles as a passage to ‘enter’, ‘withdraw’, and ‘roam,’ through the interactive currents of a steady flow. Unbound by circumstance, and with freedom to travel.</image:caption>
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      <image:title>Intellectual Squatters - Plural Sight, Liminal State (Sahasrara I—XII), 2020</image:title>
      <image:caption>Linda Zeb Hang Plural Sight, Liminal State (Sahasrara I—XII), 2020 Double-Suminagashi marbling on paper 14.75 × 11.5 in (37.465 × 29.21 cm) Printed by the artist Published by FIST Edition Size: Open, each one unique</image:caption>
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      <image:title>Intellectual Squatters - Plural Sight, Liminal State (Sahasrara I—XII), 2020</image:title>
      <image:caption>Linda Zeb Hang Plural Sight, Liminal State (Sahasrara I—XII), 2020 Double-Suminagashi marbling on paper 14.75 × 11.5 in (37.465 × 29.21 cm) Printed by the artist Published by FIST Edition Size: Open, each one unique</image:caption>
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      <image:title>Intellectual Squatters - Plural Sight, Liminal State (Sahasrara I—XII), 2020</image:title>
      <image:caption>Linda Zeb Hang Plural Sight, Liminal State (Sahasrara I—XII), 2020 Double-Suminagashi marbling on paper 14.75 × 11.5 in (37.465 × 29.21 cm) Printed by the artist Published by FIST Edition Size: Open, each one unique</image:caption>
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      <image:title>Intellectual Squatters - Plural Sight, Liminal State (Sahasrara I—XII), 2020</image:title>
      <image:caption>Linda Zeb Hang Plural Sight, Liminal State (Sahasrara I—XII), 2020 Double-Suminagashi marbling on paper 14.75 × 11.5 in (37.465 × 29.21 cm) Printed by the artist Published by FIST Edition Size: Open, each one unique</image:caption>
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      <image:title>Intellectual Squatters - Plural Sight, Liminal State (Sahasrara I—XII), 2020</image:title>
      <image:caption>Linda Zeb Hang Plural Sight, Liminal State (Sahasrara I—XII), 2020 Double-Suminagashi marbling on paper 14.75 × 11.5 in (37.465 × 29.21 cm) Printed by the artist Published by FIST Edition Size: Open, each one unique</image:caption>
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      <image:title>Intellectual Squatters - Plural Sight, Liminal State (Sahasrara I—XII), 2020</image:title>
      <image:caption>Linda Zeb Hang Plural Sight, Liminal State (Sahasrara I—XII), 2020 Double-Suminagashi marbling on paper 14.75 × 11.5 in (37.465 × 29.21 cm) Printed by the artist Published by FIST Edition Size: Open, each one unique</image:caption>
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      <image:title>Intellectual Squatters - Plural Sight, Liminal State (Sahasrara I—XII), 2020</image:title>
      <image:caption>Linda Zeb Hang Plural Sight, Liminal State (Sahasrara I—XII), 2020 Double-Suminagashi marbling on paper 14.75 × 11.5 in (37.465 × 29.21 cm) Printed by the artist Published by FIST Edition Size: Open, each one unique</image:caption>
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      <image:title>Intellectual Squatters - Plural Sight, Liminal State (Sahasrara I—XII), 2020</image:title>
      <image:caption>Linda Zeb Hang Plural Sight, Liminal State (Sahasrara I—XII), 2020 Double-Suminagashi marbling on paper 14.75 × 11.5 in (37.465 × 29.21 cm) Printed by the artist Published by FIST Edition Size: Open, each one unique</image:caption>
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      <image:title>Intellectual Squatters - Plural Sight, Liminal State (Sahasrara I—XII), 2020</image:title>
      <image:caption>Linda Zeb Hang Plural Sight, Liminal State (Sahasrara I—XII), 2020 Double-Suminagashi marbling on paper 14.75 × 11.5 in (37.465 × 29.21 cm) Printed by the artist Published by FIST Edition Size: Open, each one unique</image:caption>
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      <image:title>Intellectual Squatters - Plural Sight, Liminal State (Sahasrara I—XII), 2020</image:title>
      <image:caption>Linda Zeb Hang Plural Sight, Liminal State (Sahasrara I—XII), 2020 Double-Suminagashi marbling on paper 14.75 × 11.5 in (37.465 × 29.21 cm) Printed by the artist Published by FIST Edition Size: Open, each one unique</image:caption>
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      <image:title>Intellectual Squatters - Plural Sight, Liminal State (Sahasrara I—XII), 2020</image:title>
      <image:caption>Linda Zeb Hang Plural Sight, Liminal State (Sahasrara I—XII), 2020 Double-Suminagashi marbling on paper 14.75 × 11.5 in (37.465 × 29.21 cm) Printed by the artist Published by FIST Edition Size: Open, each one unique</image:caption>
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      <image:title>Intellectual Squatters - Qaldera, I, 2020–2022</image:title>
      <image:caption>Linda Zeb Hang QALDERA, I 2020–2022 Handwoven mesh canvases, carved negative space, rainbow gradient acrylic yarn 25 3/4 × 13 5/8 × .75 inches the antique sorcerer … the mighty shield … cast away fear and regret... QALDERA is a hand-carved typeface, improvised in a trio of slipcase books constructed from easily accessible materials found in craft stores. The letterforms reference traditional and exquisite Southeast Asian reverse-appliqué needlework. They are formed by research into the industry of Hmong refugee labor within Amish quilting communities in Lancaster, Pennsylvania. Thread-splitting, architectural schema, distortions found in monograms, and whipstitching—typically used to close seams—have been employed to bring relief and color to the slipcase surfaces. The patterns contained within the books extend from the universal structure of the grid into the inscription of story-cloth. “patterns aren’t talking they are singing”</image:caption>
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      <image:title>Intellectual Squatters - Qaldera, II, 2020–2022</image:title>
      <image:caption>Linda Zeb Hang QALDERA, II 2020–2022 Handwoven mesh canvases, carved negative space, rainbow gradient acrylic yarn 25 3/4 × 13 5/8 × .75 inches</image:caption>
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      <image:title>Intellectual Squatters - Qaldera, III, 2020–2022</image:title>
      <image:caption>Linda Zeb Hang QALDERA, III 2020–2022 Handwoven mesh canvases, carved negative space, rainbow gradient acrylic yarn 25 3/4 × 13 5/8 × .75 inches</image:caption>
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      <image:title>Intellectual Squatters - Reliq I, 2017</image:title>
      <image:caption>Linda Zeb Hang Reliq I, 2017 Hand carved negative space weaving on mesh canvas, whip stitched gradient binding, 9 signatures, 18 plate units 11 × 10 × 5 in (27.94 × 25.4 × 12.7 cm)</image:caption>
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      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST</image:caption>
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      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —1 Color plate</image:caption>
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      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —2 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918839450-V2L5MFM7D1XUF9DZ9896/---+Reliq_3_Book2.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —3 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918837753-K4GLXL07W2MUMRVKNTFX/---+Reliq_3_Book3.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —4 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918842966-3T2J67ZF13SCMOAR9Z0K/---+Reliq_3_Book4.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —5 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918842415-23W2FM7CRKQ3T1ZOWRXV/---+Reliq_3_Book5.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —6 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918847107-2HLSATQPRDE52323GVKJ/---+Reliq_3_Book6.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —7 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918845333-FS1W11R9NMRY93Y8P5N2/---+Reliq_3_Book7.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —8 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918852240-DS1NQXJMGOT4O3Q0Y6U7/---+Reliq_3_Book8.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —9 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918848652-9W4TC22U3Z3LAOTW89JF/---+Reliq_3_Book9.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —10 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918855172-2H2N51VLR57ED3BFA5ZW/---+Reliq_3_Book10.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —11 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918854926-XATJ0JA6SKXPFEUFHVA0/---+Reliq_3_Book11.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —12 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918859200-ZKQKT1OJKBH5RFLO6SH3/---+Reliq_3_Book12.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —13 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918857125-9ACMWZK1AZDXZSZEGKTO/---+Reliq_3_Book13.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —14 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918862750-64LIDDC4U4PB052WISFH/---+Reliq_3_Book14.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —15 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918861602-K5B120IPU34R1YKD144L/---+Reliq_3_Book15.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —16 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918866937-C6ASJTEPX4APP9EIE4PT/---+Reliq_3_Book16.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —17 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918864761-Y3663TE2DINJQOOZKZP6/---+Reliq_3_Book17.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —18 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918869097-SZ7SLKGZO5MIV7YVYCDH/---+Reliq_3_Book18.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —19 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918868033-0B1D3UVH1T6UV864C5VU/---+Reliq_3_Book19.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —20 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918874255-RT3BUZORJ5P2RF98ITCE/---+Reliq_3_Book20.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —21 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918870270-0NS91U8LPWT5SF2HPIHO/---+Reliq_3_Book21.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —22 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918875832-T96H5XEEM6ZMO2TVBWIV/---+Reliq_3_Book22.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —23 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918875959-OXLK9ZTW3Q05YUM9G3WJ/---+Reliq_3_Book23.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —24 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918880995-NK5ZGSVY9H0P1VDLLV24/---+Reliq_3_Book24.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —25 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918877690-4660IK7NO60ITO9SYCFO/---+Reliq_3_Book25.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —26 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918883527-5QVOCFGCQMNKL0ZEP4UE/---+Reliq_3_Book26.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —27 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918883534-5PODLKKDE22RRQQNONA6/---+Reliq_3_Book27.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —28 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523918886484-36645WWHEUQ9CZGOYY8O/---+Reliq_3_Book28.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq I, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq I (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST Fig. —29 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1643754572530-5QK1IDZX1OAOU9OWWBIR/Reliq+2.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2017</image:title>
      <image:caption>Linda Zeb Hang Reliq II, 2017 Cross-sectioned silica, carved negative space weaving on mesh canvas, 12 plate units 9.5 × 8.25 in (24.13 × 20.95 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920450969-Q3E2GESIUF68PFY2BZEX/---+Reliq_4%282ndbook%29_Book.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920508705-EXT1GDS7G5Z0HIDGXBMD/---+Reliq_4%282ndbook%29_Book32.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Fig. —1 Color plate Concept, embroidery, carved negative space weaving on mesh canvas, photography, and book design by Linda Zeb Hang</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920446663-R7CNWS13BD11XQ4ZN5I3/---+Reliq_4%282ndbook%29_Book2.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —2 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920451905-1R1MXMHP3ANFBRFX8DB2/---+Reliq_4%282ndbook%29_Book3.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —3 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920452228-ZV57FINRX4QTB9H5XBXL/---+Reliq_4%282ndbook%29_Book4.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —4 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920459070-H2LV35F7EJ1JHF263505/---+Reliq_4%282ndbook%29_Book5.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —5 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920454895-D7RV83M2MU9FFOQE36DA/---+Reliq_4%282ndbook%29_Book6.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —6 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920460597-EVUBQ3FF0B9YWWPTOO7J/---+Reliq_4%282ndbook%29_Book7.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —7 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920460748-WM6JEE8E24U1KULIFXD6/---+Reliq_4%282ndbook%29_Book8.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —8 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920467339-GMSW4BVN2MQSWU7N519L/---+Reliq_4%282ndbook%29_Book9.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —9 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920462225-UFTIX42T3HDIDY59CBGA/---+Reliq_4%282ndbook%29_Book10.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —10 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920469100-0NXXWRMXINJ33EX5RVG1/---+Reliq_4%282ndbook%29_Book11.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —11 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920468936-CLF5FJWDLYJM4JJ5COA1/---+Reliq_4%282ndbook%29_Book12.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —12 Color plate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920476869-M7DM1NRMA55NZF8JLS20/---+Reliq_4%282ndbook%29_Book13.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —13 Color plate</image:caption>
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      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —14 Color plate</image:caption>
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      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —15 Color plate</image:caption>
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      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —16 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920484139-ZS4ARXGP24WJ4C3XKY6C/---+Reliq_4%282ndbook%29_Book17.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —17 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920480202-SUYX6VKAB2HE0TKC02G1/---+Reliq_4%282ndbook%29_Book18.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —18 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920487373-KH1PDJO95NTSWLQK2HPS/---+Reliq_4%282ndbook%29_Book19.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —19 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920486124-OBKPRQ8TNU5KITI4S2L6/---+Reliq_4%282ndbook%29_Book20.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —20 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920491113-9PNX2KPUZXZ09Z8PF80O/---+Reliq_4%282ndbook%29_Book21.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —21 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920488737-JJR5AKPXL2D5C5WADKYQ/---+Reliq_4%282ndbook%29_Book22.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —22 Color plate</image:caption>
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      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —23 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920493962-J34S84M5JIGLWR4R65RP/---+Reliq_4%282ndbook%29_Book24.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —24 Color plate</image:caption>
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      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —25 Color plate</image:caption>
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      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —26 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1523920504543-7N22L3O9C3E2FM2A7SI5/---+Reliq_4%282ndbook%29_Book27.jpg</image:loc>
      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —27 Color plate</image:caption>
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      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —28 Color plate</image:caption>
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      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —29 Color plate</image:caption>
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      <image:title>Intellectual Squatters - Reliq II, 2018</image:title>
      <image:caption>Linda Zeb Hang Reliq II (book), 2018 Open edition, full color printing, each one unique 32pp, saddle-stitched 7.5 × 5 in (17.05cm × 12.7 cm) Published &amp; distributed by FIST Fig. —30 Color plate</image:caption>
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      <image:title>Intellectual Squatters - Rixmadaeus, Serpent Arachnid, I of VV, 2020</image:title>
      <image:caption>Linda Zeb Hang Rixmadaeus, Serpent Arachnid, I of VV, 2020 Archival Pigment Print Print Size: 8 × 10 in (20.32 × 25.4 cm) Edition of 5 plus II AP Description: A bloomed, reproductive state counters the sterility of current herbicides, pesticides, and fungicides. Role-playing natural architecture, and game design characters within the deep void of RGB terrain. Creature—Chamber Flute Serpent; Keyword Ability: Flying, Islandwalk. Denizens of its surroundings are mystified by the songs of the serpent, for it can still be heard long after it has submerged from the top soil waters.</image:caption>
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      <image:title>Intellectual Squatters</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1642408468143-CXH3E5ZZEWOWWRFHF923/rixmadaeus-2.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1659121577275-V9GA0ZS186NMUYQK1IKG/%E2%80%94+Run+O%E2%80%99+The+River+%3A+Bitter+Medicine-0-bw+%28deluxe%29.jpg</image:loc>
      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Price upon request Email: info@fistbiz.com Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover dimensions: 6 1/4 × 15 1/4 × 3/4 inches (closed); 18.5 × 15 1/4 inches (opened) Page dimensions: 8 Folios (folded): 5.5 × 15 inches; 8 Folios (unfolded) 11 × 15 inches Edition of 12 Published by FIST × THINGMAKER Printed at Robert Blackburn Printmaking Workshop and Center for Book Arts NYC Printed by Keith Graham × Linda Zeb Hang Our collaborative project entitled Run O’ The River / Bitter Medicine is a printmaking odyssey and book expedition through psychedelic terrain. Visionary poems, drawings, schematic assemblages, instant aura-reading photographs and encoded glyphs congeal to reveal psychic and hypnagogic micro-climates. We offer a guided meditation, presented in media res, on the realization of simple truths—to open a window into a deeper relationship with our surroundings. Visually, Run O’ The River / Bitter Medicine embeds hard-won esoteric knowledge in a mapping of internal landscapes. Drawing on personal experience and interaction with place, our interests collide creating ﬁssures, oblique intersections and ambiguous storytelling that both hides and reveals an intricately woven yet frayed environment. Using a direct but persistent devotional code we have reprogrammed our mark-making voices, working collaboratively and spontaneously, collecting and generating information to arrive at a knotty mixed-media synthesis. In this moment, on the cusp of widening medicinal and recreational adoption of psilocybin, ﬂexibility, instinct and intuition have been our chosen guides. Our tools are digital, machine age and ‘primitive.’ Within lies spacecraft language, two toilers’ take on no-zones cultivated through technical experimentation, not hesitating to get dirt under our ﬁngernails. Run O’ The River / Bitter Medicine sets out on a naturalist-adaptationist voyage into brutal, implacable terrain, as difﬁcult to subdue as the wind, piercing gaps in the gates of perception with pure oxygen.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1659121919349-E3V6LRDAQJ8HZRWGG0M6/%25E2%2580%2594%2BRun%2BO%25E2%2580%2599%2BThe%2BRiver%2B%253A%2BBitter%2BMedicine-2-bw%2B%2528deluxe%2529.jpg</image:loc>
      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1659121576954-TLBJU7VKUMYY211AK320/%E2%80%94+Run+O%E2%80%99+The+River+%3A+Bitter+Medicine-0-bw-2+%28deluxe%29.jpg</image:loc>
      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1659130881457-3GVK7JOMP0299NB8GJ58/%25E2%2580%2594%2BRun%2BO%25E2%2580%2599%2BThe%2BRiver%2B%253A%2BBitter%2BMedicine-3-bw%2B%2528deluxe%2529.jpg</image:loc>
      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1659140804798-1X1PUS51VJHRGV5PNLHU/%E2%80%94+Run+O%E2%80%99+The+River+%3A+Bitter+Medicine-5-bw+%28deluxe%29.jpg</image:loc>
      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
    </image:image>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1659141080150-XVVWID72D1KQ2391Q5OY/%E2%80%94+Run+O%E2%80%99+The+River+%3A+Bitter+Medicine-8-bw+%28deluxe%29.jpg</image:loc>
      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1659141181844-U9HDKHZ8LDDPAQZGTKS5/%E2%80%94+Run+O%E2%80%99+The+River+%3A+Bitter+Medicine-9-bw+%28deluxe%29.jpg</image:loc>
      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKERPrinted in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1659121790921-P8WO22F3ZMPYMHRJIKQK/%E2%80%94+Run+O%E2%80%99+The+River+%3A+Bitter+Medicine-1-bw-2+%28deluxe%29.jpg</image:loc>
      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine I (ROTR-BM I), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine (Deluxe Edition) 2020–2022 Hand-set metal glyphs, foil-stamped cover, double-suminagashi marbling book cloth, hand-made adhesive, obi-strip, lithograph and letterpress printed interior from polymer plates on Rives BFK, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches; Folios (folded): 5.5 × 15 inches; Folios (unfolded) 11 × 15 inches edition of 12 Published by FIST × THINGMAKER Printed in New York City at Robert Blackburn Printmaking Workshop and Center for Book Arts Printed by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1676763322567-S8OXQ58YDQ07M5E98I9L/%E2%80%94+ROTR-BM-Second-Iteration-Letterpress.jpg</image:loc>
      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine II (ROTR-BM II), 2020–22</image:title>
      <image:caption>Price upon request Email: info@fistbiz.com Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine II (ROTR-BM II), 2020–22 Hand-set metal type, foil-stamped cover, hand-made book cloth and adhesive, waxed linen, leather diamond cartouche, obi-strip, letterpress printed interior from polymer plates on Rives BFK, bitmap pigment print on green kitakata, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches (closed); 18.5 × 15 1/4 inches (opened) 8 Folios (folded): 5.5 × 15 inches; 8 Folios (unfolded) 11 × 15 inches Edition of 18 Designed by Linda Zeb Hang × Keith Graham Published by FIST and THINGMAKER Printed at Robert Blackburn Printmaking Workshop, Center for Book Arts NYC, Kala Art Institute and San Francisco Center for the Book Printed and bound by Keith Graham × Linda Zeb Hang Our collaborative project entitled Run O’ The River / Bitter Medicine is a printmaking odyssey and book expedition through psychedelic terrain. Visionary poems, drawings, schematic assemblages, instant aura-reading photographs and encoded glyphs congeal to reveal psychic and hypnagogic micro-climates. We offer a guided meditation, presented in media res, on the realization of simple truths—to open a window into a deeper relationship with our surroundings. Visually, Run O’ The River / Bitter Medicine embeds hard-won esoteric knowledge in a mapping of internal landscapes. Drawing on personal experience and interaction with place, our interests collide creating ﬁssures, oblique intersections and ambiguous storytelling that both hides and reveals an intricately woven yet frayed environment. Using a direct but persistent devotional code we have reprogrammed our mark-making voices, working collaboratively and spontaneously, collecting and generating information to arrive at a knotty mixed-media synthesis. In this moment, on the cusp of widening medicinal and recreational adoption of psilocybin, ﬂexibility, instinct and intuition have been our chosen guides. Our tools are digital, machine age and ‘primitive.’ Within lies spacecraft language, two toilers’ take on no-zones cultivated through technical experimentation, not hesitating to get dirt under our ﬁngernails. Run O’ The River / Bitter Medicine sets out on a naturalist-adaptationist voyage into brutal, implacable terrain, as difﬁcult to subdue as the wind, piercing gaps in the gates of perception with pure oxygen.</image:caption>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine II (ROTR-BM II), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine II (ROTR-BM II), 2020–22 Hand-set metal type, foil-stamped cover, hand-made book cloth and adhesive, waxed linen, leather diamond cartouche, obi-strip, letterpress printed interior from polymer plates on Rives BFK, bitmap pigment print on green kitakata, flocked lapis and sun gold mica, binder’s board Cover: 6 1/4 × 15 1/4 × 3/4 inches (closed); 18.5 × 15 1/4 inches (opened) 8 Folios (folded): 5.5 × 15 inches; 8 Folios (unfolded) 11 × 15 inches Edition of 18 Designed by Linda Zeb Hang × Keith Graham Published by FIST and THINGMAKER Printed at Robert Blackburn Printmaking Workshop and Center for Book Arts NYC Printed and bound by Keith Graham × Linda Zeb Hang</image:caption>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine II (ROTR-BM II), 2020–22</image:title>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine II (ROTR-BM II), 2020–22</image:title>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine II (ROTR-BM II), 2020–22</image:title>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine III (ROTR-BM III), 2020–22</image:title>
      <image:caption>Linda Zeb Hang × Keith Graham Run O’ The River / Bitter Medicine III (ROTR-BM III), 2020–22 36pp, copper staples, grimoire letterpress printed cover, black stipple softcover 5.5 × 15 inches (13.97 × 38.1 cm) Text and drawings by Linda Zeb Hang and Keith Graham Designed by Linda Zeb Hang and Keith Graham Edition of 300 Cover letterpress printed at Kala Art Institute, Berkeley CA by Keith Graham and Linda Zeb Hang Published and hand-bound by Sming Sming Books, Saratoga CA Interior digitally printed at Lightning Press, Santa Clara CA Originally published in 2022 by FIST and Thingmaker as an unbound letterpress and lithograph book in an edition of 12, printed at the Center for Book Arts and Robert Blackburn Printmaking Workshop in NYC Copyright © 2022, Linda Zeb Hang and Keith Graham All rights reserved ISBN: 978-1-953189-06-6</image:caption>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine III (ROTR-BM III), 2020–22</image:title>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine III (ROTR-BM III), 2020–22</image:title>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine III (ROTR-BM III), 2020–22</image:title>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine III (ROTR-BM III), 2020–22</image:title>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine III (ROTR-BM III), 2020–22</image:title>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine III (ROTR-BM III), 2020–22</image:title>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine III (ROTR-BM III), 2020–22</image:title>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine III (ROTR-BM III), 2020–22</image:title>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine III (ROTR-BM III), 2020–22</image:title>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine III (ROTR-BM III), 2020–22</image:title>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine III (ROTR-BM III), 2020–22</image:title>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine III (ROTR-BM III), 2020–22</image:title>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine III (ROTR-BM III), 2020–22</image:title>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine III (ROTR-BM III), 2020–22</image:title>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine III (ROTR-BM III), 2020–22</image:title>
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      <image:title>Intellectual Squatters - Run O’ The River / Bitter Medicine III (ROTR-BM III), 2020–22</image:title>
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      <image:title>Intellectual Squatters - SCRIBE,  friezes  i–vvii,  2017</image:title>
      <image:caption>Linda Zeb Hang SCRIBE, friezes i—vvii, 2017 Marker on paper, 12 plate units 12 × 9 in (30.48 × 22.86 cm) Installation variable</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —1 Color plate</image:caption>
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      <image:title>Intellectual Squatters - SCRIBE,  votive  stencils /  i–iii, 2018</image:title>
      <image:caption>Linda Zeb Hang SCRIBE, votive stencils i—iii, 2018 Marker on paper, 3 plate unit assemblage 11 × 15 in (27.9 × 38.1 cm) Installation variable</image:caption>
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      <image:title>Intellectual Squatters - SCRIBE, open sylla/womb i–ii, 2018</image:title>
      <image:caption>Linda Zeb Hang SCRIBE, open sylla / womb i—ii, 2018 Marker on paper, carved negative space weaving on mesh canvas, 2 plate unit assemblage 8.75 × 13.25 in (22.2 × 33.7 cm) Installation variable</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —2 Color plate Acquisitions: info@fistbiz.com</image:caption>
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      <image:title>Intellectual Squatters - Seals of Authenticity—Scripture I, 2006–2015</image:title>
      <image:caption>Linda Zeb Hang Seals of Authenticity—Scripture I, 2006–2015 5.75 × 3.5 × 1 in (14.605 × 8.89 × 3.81 cm) 1 in Lucite screw down Top piece beveled 3 × 4 in Top loaded image i.—XIV</image:caption>
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      <image:title>Intellectual Squatters - Seals of Authenticity—Grand Medicine Society I, 2006–2015</image:title>
      <image:caption>Linda Zeb Hang Seals of Authenticity—Grand Medicine Society I, 2006–2015 3.5 × 5.75 × 1 in (8.89 × 14.605 × 3.81 cm) 1 in Lucite screw down Top piece beveled 3 × 4 in Top loaded image i.—XIV</image:caption>
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      <image:title>Intellectual Squatters - Seals of Authenticity—FIST, 2006–2015</image:title>
      <image:caption>Linda Zeb Hang Seals of Authenticity—FIST, 2006–2015 5.75 × 3.5 × 1 in (14.605 × 8.89 × 3.81 cm) 1 in Lucite screw down Top piece beveled 3 × 4 in Top loaded image i.—XIV Michael Schools FIST tag—New York City, 2012</image:caption>
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      <image:title>Intellectual Squatters - Seals of Authenticity—Divinity in Motion I (for Dizzy), 2006–2015</image:title>
      <image:caption>Linda Zeb Hang Seals of Authenticity—Divinity in Motion I (for Dizzy), 2006–2015 5.75 × 3.5 × 1 in (14.605 × 8.89 × 3.81 cm) 1 in Lucite screw down Top piece beveled 3 × 4 in Top loaded image i.—XIV</image:caption>
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      <image:title>Intellectual Squatters - Seals of Authenticity—Infant Eyes I, 2006–2015</image:title>
      <image:caption>Linda Zeb Hang Seals of Authenticity—Infant Eyes I, 2006–2015 3.5 × 5.75 × 1 in (8.89 × 14.605 × 3.81 cm) 1 in Lucite screw down Top piece beveled 3 × 4 in Top loaded image i.—XIV</image:caption>
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      <image:title>Intellectual Squatters - Seals of Authenticity—Infant Eyes II, 2006–2015</image:title>
      <image:caption>Linda Zeb Hang Seals of Authenticity—Infant Eyes II, 2006–2015 3.5 × 5.75 × 1 in (8.89 × 14.605 × 3.81 cm) 1 in Lucite screw down Top piece beveled 3 × 4 in Top loaded image i.—XIV</image:caption>
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      <image:title>Intellectual Squatters - Seals of Authenticity—Mystery of Iniquity, 2006–2015</image:title>
      <image:caption>Linda Zeb Hang Seals of Authenticity—Mystery of Iniquity, 2006–2015 5.75 × 3.5 × 1 in (14.605 × 8.89 × 3.81 cm) 1 in Lucite screw down Top piece beveled 3 × 4 in Top loaded image i.—XIV</image:caption>
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      <image:title>Intellectual Squatters - Seals of Authenticity—Wind Interference, 2006–2015</image:title>
      <image:caption>Linda Zeb Hang Seals of Authenticity—Wind Interference, 2006–2015 5.75 × 3.5 × 1 in (14.605 × 8.89 × 3.81 cm) 1 in Lucite screw down Top piece beveled 3 × 4 in Top loaded image i.—XIV</image:caption>
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      <image:title>Intellectual Squatters - Seals of Authenticity—Scripture II, 2006–2015</image:title>
      <image:caption>Linda Zeb Hang Seals of Authenticity—Scripture II, 2006–2015 5.75 × 3.5 × 1 in (14.605 × 8.89 × 3.81 cm) 1 in Lucite screw down Top piece beveled 3 × 4 in Top loaded image i.—XIV</image:caption>
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      <image:title>Intellectual Squatters - Seals of Authenticity—CIPHR I: Cycles, Inspiration, Pastiche, Harlequin, Rarities, 2006–2015</image:title>
      <image:caption>Linda Zeb Hang Seals of Authenticity—CIPHR I: Cycles, Inspiration, Pastiche, Harlequin, Rarities, 2006–2015 5.75 × 3.5 × 1 in (14.605 × 8.89 × 3.81 cm) 1 in Lucite screw down Top piece beveled 3 × 4 in Top loaded image i.—XIV</image:caption>
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      <image:title>Intellectual Squatters - Seals of Authenticity—CIPHR II: Cycles, Inspiration, Pastiche, Harlequin, Rarities, 2006–2015</image:title>
      <image:caption>Linda Zeb Hang Seals of Authenticity—CIPHR II: Cycles, Inspiration, Pastiche, Harlequin, Rarities, 2006–2015 5.75 × 3.5 × 1 in (14.605 × 8.89 × 3.81 cm) 1 in Lucite screw down Top piece beveled 3 × 4 in Top loaded image i.—XIV</image:caption>
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      <image:title>Intellectual Squatters - Seals of Authenticity—Infant Eyes III, 2006–2015</image:title>
      <image:caption>Linda Zeb Hang Seals of Authenticity—Infant Eyes III, 2006–2015 5.75 × 3.5 × 1 in (14.605 × 8.89 × 3.81 cm) 1 in Lucite screw down Top piece beveled 3 × 4 in Top loaded image i.—XIV</image:caption>
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      <image:title>Intellectual Squatters - Seals of Authenticity—Infant Eyes IIII, 2006–2015</image:title>
      <image:caption>Linda Zeb Hang Seals of Authenticity—Infant Eyes III, 2006–2015 5.75 × 3.5 × 1 in (14.605 × 8.89 × 3.81 cm) 1 in Lucite screw down Top piece beveled 3 × 4 in Top loaded image i.—XIV</image:caption>
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      <image:title>Intellectual Squatters - Seals of Authenticity—Stagger, 2006–2015</image:title>
      <image:caption>Linda Zeb Hang Seals of Authenticity—Stagger, 2006–2015 5.75 × 3.5 × 1 in (14.605 × 8.89 × 3.81 cm) 1 in Lucite screw down Top piece beveled 3 × 4 in Top loaded image i.—XIV</image:caption>
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      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU, (UV) 2018 Carbon 1970s Bengali émigré photography, turtle shell espalier, grass tufts, and faceted glass tile drawings on paper, mounted onto canvas 48 × 60 × 2 in (121.9 × 152.4 × 5.08 cm)</image:caption>
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      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (book), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm) Textured collages flood every page in Sherbanu, a collaborative effort between Linda Zeb Hang and Sean Maung. Photocopied imagery is blown up to serve as red backdrops, with black-and-white figures cropping up in tufts of grass. As a result, Sherbanu provides a salient example of mixed-media collage, and a visually arresting zine that tests the limits of reprographics. — Printed Matter NYC</image:caption>
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      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (book), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm) Fig. —2 Color plate Original 1970s Bangladesh émigré photography and collaborative concept by Sean Maung. Drawings, image assemblage on canvas, book design, and production by Linda Zeb Hang. Acquisitions: info@fistbiz.com</image:caption>
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      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (book), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm) Fig. —3 Color plate</image:caption>
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      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (book), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm) Fig. —4 Color plate</image:caption>
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      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (reprographic dialect), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm)</image:caption>
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      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (reprographic dialect), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm)</image:caption>
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    <image:image>
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      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (reprographic dialect), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm)</image:caption>
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      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (reprographic dialect), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm)</image:caption>
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      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (reprographic dialect), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm)</image:caption>
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      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (reprographic dialect), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1554693656019-ROGFPF17J0DRSHU7YMDK/-+FINAL-nocropsinglespages-SHERBANU-final-print+copy_Page_04127.jpg</image:loc>
      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (reprographic dialect), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm)</image:caption>
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      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (reprographic dialect), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm)</image:caption>
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    <image:image>
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      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (reprographic dialect), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1554693689425-YOYG8YJLXGC95HY2BAZZ/-+FINAL-nocropsinglespages-SHERBANU-final-print+copy_Page_041210.jpg</image:loc>
      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (reprographic dialect), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1554693695130-FMPVSLFTK5RSQDG2LLE1/-+FINAL-nocropsinglespages-SHERBANU-final-print+copy_Page_041211.jpg</image:loc>
      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (reprographic dialect), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1554693706797-RZVEUNNG5ROQ5CPGQHU6/-+FINAL-nocropsinglespages-SHERBANU-final-print+copy_Page_041212.jpg</image:loc>
      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (reprographic dialect), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1554693712075-ODDY7ATDYTH8VHMVJ490/-+FINAL-nocropsinglespages-SHERBANU-final-print+copy_Page_041213.jpg</image:loc>
      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (reprographic dialect), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1554693725550-W9UE7WYYXSY58BIBTFN6/-+FINAL-nocropsinglespages-SHERBANU-final-print+copy_Page_041214.jpg</image:loc>
      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (reprographic dialect), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1554693736076-AANHI1EYFP7YXCB9Y4R1/-+FINAL-nocropsinglespages-SHERBANU-final-print+copy_Page_041215.jpg</image:loc>
      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (reprographic dialect), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1554693753274-177OKOF2YRM6VYVFTFAY/-+FINAL-nocropsinglespages-SHERBANU-final-print+copy_Page_041216.jpg</image:loc>
      <image:title>Intellectual Squatters - Sherbanu, 2018</image:title>
      <image:caption>Linda Zeb Hang × Sean Maung SHERBANU (reprographic dialect), 2018 16pp, full color/1 color blueprint printing, saddle stitched Published &amp; distributed by FIST Open Edition 5.35 × 8.35 in (13.589 × 21.209 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527031963371-VXL819JZHI1VRMD5CPNR/---+Some-Say-Paper-is-a-kind-of-stone.jpg</image:loc>
      <image:title>Intellectual Squatters - Some Say Paper is a Kind of Stone, 2017</image:title>
      <image:caption>Linda Zeb Hang Some Say Paper is a Kind of Stone, 2017 Open edition, full color printing, each one unique 28pp, saddle-stitched 5 × 7.5 in (12.7 × 17.05 cm) Published and distributed by FIST</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527031965080-KSBWUFA78D4XRH03GTL3/---+Some-Say-Paper-is-a-kind-of-stone2.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —1 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527031965583-RI0N0CU5EVHYGCV94WGC/---+Some-Say-Paper-is-a-kind-of-stone3.jpg</image:loc>
      <image:title>Intellectual Squatters - (Our chapter begins on the shores of Eureka and continues towards the mountains of Humboldt.)</image:title>
      <image:caption>Fig. —2 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527031974803-5NJF9UPBRVXR2YAC44SJ/---+Some-Say-Paper-is-a-kind-of-stone4.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —3 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527031969885-KDD7D8I5J4OCO5AA78E3/---+Some-Say-Paper-is-a-kind-of-stone5.jpg</image:loc>
      <image:title>Intellectual Squatters - (She traces the brim of her hat.)</image:title>
      <image:caption>Fig. —4 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527031975462-65IT8TWYQS9A2LPGL6LB/---+Some-Say-Paper-is-a-kind-of-stone6.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —5 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527031978975-FXTFK3FI7ND0A72Y5EDG/---+Some-Say-Paper-is-a-kind-of-stone7.jpg</image:loc>
      <image:title>Intellectual Squatters - (It is easy to mistake mist for smoke.)</image:title>
      <image:caption>Fig. —6 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527031982578-R4LQYMCVEIKMJYTYKUA7/---+Some-Say-Paper-is-a-kind-of-stone8.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —7 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527031981710-ZL7AANO96RQC0ZWHGJJ7/---+Some-Say-Paper-is-a-kind-of-stone9.jpg</image:loc>
      <image:title>Intellectual Squatters - (When we last left her, WAY WZA had learned of a secret dance move.)</image:title>
      <image:caption>Fig. —8 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527031990094-ZVMHOVQ1YQYA0X8HIYEZ/---+Some-Say-Paper-is-a-kind-of-stone10.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —9 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527031986779-ET29QEK7H8WA2VWMXF4C/---+Some-Say-Paper-is-a-kind-of-stone11.jpg</image:loc>
      <image:title>Intellectual Squatters - (The thief notices the dice is without marks.)</image:title>
      <image:caption>Fig. —10 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527031993117-9YI29OUR2VXUE1NHEDU1/---+Some-Say-Paper-is-a-kind-of-stone12.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —11 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527031992185-1WI9QOYMZFPYYBNHOWRS/---+Some-Say-Paper-is-a-kind-of-stone13.jpg</image:loc>
      <image:title>Intellectual Squatters - (She summons a lit joint for the tribe to share.)</image:title>
      <image:caption>Fig. —12 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527032000099-9XFW6CCV88DTX2L5JQJH/---+Some-Say-Paper-is-a-kind-of-stone14.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —13 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527031997698-UBI4HVXZO9W9XDIJSXFY/---+Some-Say-Paper-is-a-kind-of-stone15.jpg</image:loc>
      <image:title>Intellectual Squatters - (To those who do not know her tale, skill and wisdom are her left and right fists.)</image:title>
      <image:caption>Fig. —14 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527032004408-G1ZVAOHJMMOP09QUFUDA/---+Some-Say-Paper-is-a-kind-of-stone16.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —15 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527032002902-HGVTUHQEMQOPEO9IVP8M/---+Some-Say-Paper-is-a-kind-of-stone17.jpg</image:loc>
      <image:title>Intellectual Squatters - (The monk takes a bite of a dumpling.)</image:title>
      <image:caption>Fig. —16 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527032009645-VLHSXEDTSVYTG2615GTS/---+Some-Say-Paper-is-a-kind-of-stone18.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —17 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527032011004-PN96RLM8HDOLKPEC017E/---+Some-Say-Paper-is-a-kind-of-stone19.jpg</image:loc>
      <image:title>Intellectual Squatters - (She is a scribe who writes her own prophecies. With startling accuracy.)</image:title>
      <image:caption>Fig. —18 Color plate</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527032018678-97OR0VCQQSM9R5MGY5ZX/---+Some-Say-Paper-is-a-kind-of-stone20.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —19 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527032017125-MRMVTR7LSRS7BRINR7H5/---+Some-Say-Paper-is-a-kind-of-stone21.jpg</image:loc>
      <image:title>Intellectual Squatters - (Laughs)</image:title>
      <image:caption>Fig. —20 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527032027744-Q82IW8XOQMBSSLXXANNR/---+Some-Say-Paper-is-a-kind-of-stone22.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —21 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527032022065-89CU230NXGHPZ1BH1INL/---+Some-Say-Paper-is-a-kind-of-stone23.jpg</image:loc>
      <image:title>Intellectual Squatters - (Some say paper is a kind of stone.)</image:title>
      <image:caption>Fig. —22 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527032031559-2GFEOZN7C12D5D6R4JE9/---+Some-Say-Paper-is-a-kind-of-stone24.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —23 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527032031442-M1GUE109NHWO5PDG7WF5/---+Some-Say-Paper-is-a-kind-of-stone25.jpg</image:loc>
      <image:title>Intellectual Squatters - (Her journey south begins.)</image:title>
      <image:caption>Fig. —24 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1527032033562-F7YJG0P2971STIRFXPC9/---+Some-Say-Paper-is-a-kind-of-stone28.jpg</image:loc>
      <image:title>Intellectual Squatters - WAY WZA</image:title>
      <image:caption>Fig. —25 Color plate</image:caption>
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      <image:title>Intellectual Squatters</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1629585114441-VULKZZ4KDS7JY0OC3X19/Linda-Zeb-Hang_Exodus_Residency-Speara.jpg</image:loc>
      <image:title>Intellectual Squatters - SPEARA, 2021</image:title>
      <image:caption>Linda Zeb Hang SPEARA (detail), 2021 Handwoven fiber-optic paper, featherweight cot, bow frame, stretch-free PVC mesh, shock-corded anodized aluminum poles, nylon feet 81 × 4 × 4 in ( 205.74 × 10.16 × 10.16 cm) Fiber-optic woven talismans or “taleos” demarcate caution, rigor, and nuance in the everyday satellite of domestic spaces, or events. It is also a sanction on entering or leaving a place. The “taleo speara” is inter-woven as critical connections, guarding the point of entry, forwarding the craft. Accompanied by an arm’s throw gesture, and a short blessing in Hmong, the sacred language of Shamanism. The world of humans, and the world of spirits merge with a rumor that it is a “once a century” angry ghost occurrence, similar to Ghost Festivals of Buddhist and Taoist mythology. An arm’s throw offering to the God fearing.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1555740755391-HEBJ1LNBK0BF84ZAQ51P/---oscillate-binding-sculpture2.jpg</image:loc>
      <image:title>Intellectual Squatters - STRUT/COIL/INDENT, 2018</image:title>
      <image:caption>Linda Zeb Hang STRUT/COIL/INDENT, 2018 Flexible distal binding on chipboard, 44 plate units 9 × 12 in (22.86 × 30.48 cm) (book) 3 × 3 × 3 in (7.62 × 7.62 cm) (coiled indents) Installation variable</image:caption>
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      <image:title>Intellectual Squatters - Hyperparasitism and Predation</image:title>
      <image:caption>Hyperparasitism is another ecological strategy that endophytes provide to protect the host plant. In hyperparasitism, the pathogen is directly attacked by a specific endophyte that kills it or its propagules. Fungal endophytes parasitize around the hyphae of pathogens by various means such as coiling, twisting, penetrating the hyphae of pathogens and secreting lyase to decompose the cell wall of pathogens. Microbial predations are the mode of action of endophyte to suppress the plant pathogens. Trichoderma produces a range of enzymes that are directly used against the cell walls of fungi to compel the fragment of pathogens.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442661161564-LV7DDBNZYVM912M7V94Z/summerprophecies-1+copy.jpg</image:loc>
      <image:title>Intellectual Squatters - Summer Prophecies, 2014</image:title>
      <image:caption>Linda Zeb Hang Summer Prophecies, 2014 Open edition, full color printing, each one unique 24pp, saddle-stitched 8 × 8 in (20.32cm × 20.32 cm) Published and distributed by FIST Cover design: Dante Hong Carlos Dances and rituals of indigenous tribes crossing the cosmos and natural architecture to form a language of movement in places of worship.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442661166220-J0RPIECTM5WUKL8KNOJX/summerprophecies-2+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —1 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442661169400-YV70ARXEOF09JWETN7LI/summerprophecies-3+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —2 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442661174143-M0CN4D7V7NFEJ7HHRQ80/summerprophecies-4+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —3 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442661176521-IMJY3LZ3OBO2XC01IOPC/summerprophecies-5+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —4 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442661183795-LIQIB5IKMD0DTKM0C9BP/summerprophecies-6+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —5 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442661184553-GFWICJ1KHXQUBQ0WHWVA/summerprophecies-7+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —6 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442661193946-22UWCCYDOX0KQR5U2205/summerprophecies-8+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —7 Color plate</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1442661194313-XI30F7B93B2CA53VF3KA/summerprophecies-9+copy.jpg</image:loc>
      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —8 Color plate</image:caption>
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      <image:caption>Fig. —9 Color plate</image:caption>
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      <image:title>Intellectual Squatters</image:title>
      <image:caption>Fig. —10 Color plate</image:caption>
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      <image:title>Intellectual Squatters - The Antique Sorcerer, 2024</image:title>
      <image:caption>Linda Zeb Hang The Antique Sorcerer MMXXIV (proletariat iteration) 20pp, unbound, grimoire letterpress printed cover ⁄ bookmark, atomic cartouche, molecular chatelaine, hand-set metal ‘Filigree’ type, digitally printed interior 5.5 × 15 inches (13.97 × 38.1 cm) If—a—village—has—no—music, how—can—it—be—called—a—village? Poems shape material behavior through spellbinding, letter casting in and out of the patterned ordinary. There are . . . . 2 iterations: hand-pulled + proletariat artist books. Loner folk verses, Brahmacharya, railroad tracks, atoms, and metallic adornment on my mind. Shots in the dark. Artwork and text by Linda Zeb Hang Designed, printed, and unbound by Linda Zeb Hang Published by FIST, Rotterdam NL Open Edition Hand-set metal ‘Filigree’ type, cover letterpress printed, and unbound at Kala Art Institute, Berkeley CA by Linda Zeb Hang Polymer plates by Boxcar Press, Syracuse NY Interior printed by Shiva at Easy Copy Center, Berkeley CA Fine-tuned at Frans Masereel Centrum, Kasterlee BE Copyright © 2024, Linda Zeb Hang ⁄ FIST All rights reserved Last queer Asian-American publication. Collection of Thomas J. Watson Library at The Metropolitan Museum of Art (NYC). Printed Matter (NYC) has some copies.</image:caption>
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      <image:title>Intellectual Squatters - The Antique Sorcerer, 2024</image:title>
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      <image:title>Intellectual Squatters - The Antique Sorcerer, 2024</image:title>
      <image:caption>If—a—village—has—no—music, how—can—it—be—called—a—village?</image:caption>
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      <image:title>Intellectual Squatters - Table of Contents, The Antique Sorcerer, 2024</image:title>
      <image:caption>Verses The Diamond Mind 2.0 Microcosmicroom Pitch Glue Cold Code Calyxes Treacle and Exudate Ex-Umbris ⁄ Spit-Bite Drum Drops Birth Game ⁄ North Chart Artery Area The Free Reed Village’s Faith Keys Colophon Donors Critical Citations Statement ⁄ Bio</image:caption>
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      <image:title>Intellectual Squatters - Verse I, The Antique Sorcerer, 2024</image:title>
      <image:caption>The Diamond Mind 2.0 Perceived—as—oneiric—and—likely—to Their—4—great—tragedies Still—seams—to—be—cut-cloth O’—the—distance—measured—by—anatomy From—the—two-palm—healer’s—shadow—fist Decorating—figure—8z—towards—the—7th—day Blessed—by—drums—smoke-covered—joss Rheumy—tertiaries—o’—their—Floor—Culture Move—in-between—marginal—gait—and Brite—altars—o’—non—deceptive—remind Metallic—and—bottomless Footwork—commingle—in—this—swool—pit When—the—lite—strikes—thrice In—a—blink—all—things—laden—zero Faith—and—nowhere—to—hull Then—current—ahead [ forge—your—own—chains ] Filament—fracas One—long—direction—both—ways—dead Equal—weight Drive—either—way Unique—proud—and—alone Head-lite—roadie—on—winding—dirt As—the—open—dusky-dawn—rite Explodes—from—dandelions O’—this—island—mountain—highway Visionary—looking—glass Flint-knapping—meteor Broken—into—flesh Penetrating—arteries Blending—origin—with—chiasma Swelter—and—falter—across A—fraying—fascia Hearth—o’—the—diamond—pattern—maker Wood-fired—as—it—were—the—primitive—gasp On—a—purslane—site—as—ageless—as—recursive—space Though—sticky—as—treacle—on—stone The—iambic—bilious—one Their—impermanent—transparencies Piercing—into—dark—corners Dislocating—the—four—directions Grinding—accurately—blue-brown—lenses Mudra—obscura—heterochromia Scribed—within—these—salt—walls There—is—a—black—which—is—ol’ And—a—black—which—is—fresh He—may—walk—in—their—eyes Through—it—pass From—burning—fetters—incorporeal—and—hidden As—unmoved—and—aware With—mind—well—freed Their—emptiness—river Where—no—floods—overwhelm To—cool—and—coil—the—wind Drifting—cantata—in—angel’s—bile O’—their—own—bitter—heav’n ¬</image:caption>
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      <image:title>Intellectual Squatters - Verse II, The Antique Sorcerer, 2024</image:title>
      <image:caption>Microcosmicroom I—dance—to—remind . . . . I—will—create—as—I—speak . . . . Ex-Umbris . . . . Sosegada-Pietra . . . . Its—secret . . . . Is—beautiful . . . . Because—it . . . . Belongs . . . . To—no—one . . . . ¬</image:caption>
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      <image:title>Intellectual Squatters - Verse III, The Antique Sorcerer, 2024</image:title>
      <image:caption>Pitch Glue O’—sunsºººbooks˘˘˘polymers˙˙˙ And—bond¬ Terpene—membersˇˇˇærosolˆˆˆ And—stone—ground—lime Acetic—boreal˜˜˜dredge—and—behold Polish—the—plank O’—nepenthes Peerless—caves—crafting—nite—alkali Embers—then˚˚˚with—rare Wax—filigree Warbling—radical˘˘˘manipulating Moon—darts Shots—in—the—dark Steam—bending—and—once On—our—own Two-feet Back-tap—the—jukebox O’—star-tentsˆˆˆ Cold—code—and—petch—lite World-wide—singling˙˙˙ Hideous—and—comic Even—love ¶ revolutionary ¬</image:caption>
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      <image:title>Intellectual Squatters - Verse IIII, The Antique Sorcerer, 2024</image:title>
      <image:caption>Cold Code Indestructible—identity Shatter—not ºººShe—lives—her—justice The—kind—that—no—one—sees The—causeway—o’ Plainclothes—regret Caress—and—bind—your—sleep Creep—up—on—you And—you’ll—cave You’ve—entered Fires—earth—snakes Even—floods Unbreakable—adaptation Equality—in—isolation Crushing—abstract—and—skein Difference—o’—negative—plate Raged—from—pæsina—rays With—ol’—glamour Hard—street—edge Stone—wash —and Sun—erased Stone—wash —and Sun—erased ¬</image:caption>
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      <image:title>Intellectual Squatters - Verse V, The Antique Sorcerer, 2024</image:title>
      <image:caption>Calyxes A—gifted—Calyx Forming—the—whorls—of—inspiration ºººBy—a—visionary—sacred—pen [ Who—are—the—pœts—? ] ˘˘˙˙˙It—hisses—when—the—written Language—is—absent With—elegance—and—gall ¬</image:caption>
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      <image:title>Intellectual Squatters - Verse VI, The Antique Sorcerer, 2024</image:title>
      <image:caption>Treacle and Exudate PaPa Properties—o’—knife—war—and—device MaMa Way—o’—iron—and—needle Thread-splitting—sacred—sorrows ¬</image:caption>
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      <image:title>Intellectual Squatters - Verse VII, The Antique Sorcerer, 2024</image:title>
      <image:caption>Ex-Umbris ⁄ Spit-Bite He—was—a—monkey—toad The—trickster—in—a—circus Hot—mess—express Hard—to—the—villain—arc Yo—he—def—a—narc Someone—give—me—a—brick 2x—the—better He—ought—to—be—a—comedian Poquito—crybaby—clown Asinine—pocket—scrub A—broken—frame Without—a—picture Is—to—wipe—the—hands—o’—him Silver—scalp—strands Officially—plucked—out Bloodline—battle—flyers Semi-satin-select Sml—dique—minus One—knee—cap ¬</image:caption>
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      <image:title>Intellectual Squatters - Verse VIII, The Antique Sorcerer, 2024</image:title>
      <image:caption>Drum Drops Boreal—forest Canocopic—oak-ash Omniscient—letters Ecstatic—tap—dancer Woven—by—hand Stretched—to—receive Distribution—EQ O’—strike Machinist—primitive —and Baby-faced ¬</image:caption>
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      <image:title>Intellectual Squatters - Verse VIIII, The Antique Sorcerer, 2024</image:title>
      <image:caption>Birth Game ⁄ North Chart Cali—æolian Hip—librarian—like—Gemini Definition—of—down—like—Sagittarius Fine—detail—like—Capricorn Emotional—content—like—Cancer Fold¬ em—like—Aries ¬</image:caption>
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      <image:title>Intellectual Squatters - Verse VV, The Antique Sorcerer, 2024</image:title>
      <image:caption>Artery Area Somnambulist—body—parts—are—strewn—about In—this—ordinary—yet—rare—feminist—read The—technologist’s—reliquary A—lullaby—for—the—unborn [ An—empty—nest ] Dislocation—o’—the—adaptationist—divine And—into—the—Diamond—Mind—2.0 [ Cutting—thru—all—illusion ] I—can—feel—something—within—this Cold—code A—recognito—scene—cool—memories And—September—blues ¬</image:caption>
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      <image:title>Intellectual Squatters - Verse VVI, The Antique Sorcerer, 2024</image:title>
      <image:caption>The Free Reed Tongue—o’—many—strings —and Erotic—plots Unusual—elan —and Flair [ Draped—ivories—patterned—with—special—hardware ] Androgynous—grey—green Its—presence—o’—encoded—script Implanted—on—domestic—sheets—o’—hemp Varying—degrees—o’—stitch—a Rhythmic—site—to—abstract ¬</image:caption>
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      <image:title>Intellectual Squatters - Verse VVII, The Antique Sorcerer, 2024</image:title>
      <image:caption>Village’s Faith We—all—go—there—in—time Mixing—it—up—with—iconic Graphic—silhouettes Drape—and—shadow—work It’s—there—when—the—written Language—is—absent The—flow—o’—compulsion—to—transduce A—promise A—wish This—serpentinized—curse Their—recovery—was—worth—the—operation The—unlikely—yet—possible—return Towards—the—locus—o’—cosmetic—portraiture Into—procedure—o’—war And—the—breaking—o’—our—world Make—seen—and—valuable A—resinous—exudate Harvested—by—its—Antique—Sorcerer Meaningful—and—terribly—bare In—the—vertical—way—we—pray To—cure—our—goodbyes ¬</image:caption>
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      <image:title>Intellectual Squatters - Keys, The Antique Sorcerer, 2024</image:title>
      <image:caption>FIST Keys To print and publish soul-reachers. The Antique Sorcerer, 2024. Deluxe and proletariat iterations. My last American printing and publishing ❤️‍. It’s the book I wanted to make as a kid. The negative space to do it all, with sophistication, elegance, and gall. I keep wanting to get better at the craft. I want that sparkle in my eyes to remain. Like I see in the artists who fight for love. There are tears mixed in with the letterpress ink, printed onto paper. My steely eyes softening, and the calm that I’m achieving after so many years of working with hands. To trust myself is to know that I’m enough. I think that’s what makes it so beautiful. It comes from elsewhere, this saline solution, the mystery ingredient.</image:caption>
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      <image:title>Intellectual Squatters - Colophon, The Antique Sorcerer, 2024</image:title>
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      <image:title>Intellectual Squatters - LZH Studio Donors, The Antique Sorcerer, 2024</image:title>
      <image:caption>Grassroots Fall 2022–2023 overseas exhibition support, recovery, space, housing, artist residency, printing, and publishing. We continue to want that for each other, as we vote with our dollars . . . .</image:caption>
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      <image:title>Intellectual Squatters - Critical Citations, The Antique Sorcerer, 2024</image:title>
      <image:caption>Poems shape material behavior through spellbinding, letter casting in and out of the patterned ordinary. A temperature read. There are . . . . 2 iterations: hand-pulled + proletariat artist books. Loner folk verses, Brahmacharya, railroad tracks, atoms, and metallic adornment on my mind.</image:caption>
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      <image:title>Intellectual Squatters - Statement ⁄ Bio, The Antique Sorcerer, 2024</image:title>
      <image:caption>Linda Zeb Hang’s conte of scanning voices cross-sections the invisible density, flavor profiles, and omniscient presence of the woven, yet frayed environment. The fiber-optics of place, an artery area, a micro-climate theory, spacecraft language and calyxes of meditation make public their pocket cosmology. Born in South-side Stockton, California to working-class Hmong refugees, they are rooted from the aesthetic and civic praxis of Southeast Asian Animistic, Shaman and Buddhist life-world. They shape material behavior through technical experimentation, working spontaneously, collecting and generating information to arrive at a knotty mixed-media synthesis. Flexibility, instinct and intuition are their chosen guides. Their tools are digital, machine age and ‘primitive.’</image:caption>
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      <image:title>Intellectual Squatters - Statement ⁄ Bio, The Antique Sorcerer, 2024</image:title>
      <image:caption>Founded in 2013, their mixed-media imprint FIST—with its production of drawings, prints, poetry, book design and hand crafted publishing are held within collective and public spheres, including Queer Work Archive (RI); the Thomas J. Watson Library at The Metropolitan Museum of Art (NYC); Cooper Hewitt, Smithsonian Design Library, Smithsonian Institution (NYC); The Herb Lubalin Study Center of Design and Typography, The Cooper Union (NYC); University at Buffalo Libraries Special Collection, The Poetry Collection (NY); John M. Flaxman Library, School of the Art Institute of Chicago (IL); Carl A. Kroch Library, RMC at Cornell University (NY); the Marjorie G. and Carl W. Stern Book Arts &amp; Special Collections Center at the San Francisco Public Library (CA); Letterform Archive (CA); and The SFMOMA Library + Archives (CA). LZH studied Sculpture, Typographic Design, Book Arts and Horticulture in San Francisco CA from 2004–07 and currently lives and works in Stockton CA and the Netherlands.</image:caption>
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      <image:title>Intellectual Squatters - The Effervescent Seed, 2021</image:title>
      <image:caption>Linda Zeb Hang The Effervescent Seed, 2021 Acrylic paint and flat gold riso ink on paper 9 × 12.5 in (22.86 × 31.75 cm) Abstracts have their own distinct colors, discovering innate word processes that narrate a complex memetic, climatological story to decode.</image:caption>
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      <image:title>Intellectual Squatters - The Effervescent Seed</image:title>
      <image:caption>The reflexivity in food sovereignty and its liberated EQ, inoculates humans and other potential carriers into memetic fractals, by analogy with genetics. We vector in a world filled with opposing belief systems so similar as to be nearly interchangeable, yet whose adherents are blind to that symmetry. This description applies not only to myriad small conflicts in the world, but also to the colossally block-headed opposition of the Divided States. Yet the recognition of symmetry—in short, the distinctive reparations—have not yet come.</image:caption>
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      <image:title>Intellectual Squatters - My Wistfulness / Comforts My Future</image:title>
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      <image:title>Intellectual Squatters - Broadside Reading Abstract Series, Experiential Lectures from Exodus: School of Expression</image:title>
      <image:caption>Linda Zeb Hang Poet, Painter, Designer, and Printmaker. Broadside Reading Abstract Series, Experiential Lectures from Exodus: School of Expression, Exodus at the ICA VCU, Institute for Contemporary Art at Virginia Commonwealth University, August 6, 2021.</image:caption>
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      <image:title>Intellectual Squatters - The Effervescent Seed, 2021</image:title>
      <image:caption>Linda Zeb Hang The Effervescent Seed, 2021 Acrylic paint and flat gold riso ink on paper 9 × 12.5 in (22.86 × 31.75 cm)</image:caption>
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      <image:title>Intellectual Squatters - The Effervescent Seed, 2021</image:title>
      <image:caption>Linda Zeb Hang The Effervescent Seed, 2021 Acrylic paint and flat gold riso ink on paper 9 × 12.5 in (22.86 × 31.75 cm)</image:caption>
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      <image:title>Intellectual Squatters - The Effervescent Seed, 2021</image:title>
      <image:caption>Linda Zeb Hang The Effervescent Seed, 2021 Acrylic paint and flat gold riso ink on paper 9 × 12.5 in (22.86 × 31.75 cm)</image:caption>
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      <image:title>Intellectual Squatters - The Effervescent Seed, 2021</image:title>
      <image:caption>Linda Zeb Hang The Effervescent Seed, 2021 Acrylic paint and flat gold riso ink on paper 9 × 12.5 in (22.86 × 31.75 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1637684315869-RD98RJ20UXFUKGJR6Z2H/%E2%80%94+exodus+broadside+8.jpg</image:loc>
      <image:title>Intellectual Squatters - The Effervescent Seed, 2021</image:title>
      <image:caption>Linda Zeb Hang The Effervescent Seed, 2021 Acrylic paint and flat gold riso ink on paper 9 × 12.5 in (22.86 × 31.75 cm)</image:caption>
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      <image:caption>Think Twice (2015)</image:caption>
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      <image:title>Intellectual Squatters</image:title>
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      <image:title>Intellectual Squatters</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1640892632056-91JU8R80RZ6UUKUXEVA6/%E2%80%94+Warble+Wht-Org-2-web.jpg</image:loc>
      <image:title>Intellectual Squatters - Warble I, 2020–1</image:title>
      <image:caption>Linda Zeb Hang WARBLE I, 2020–1 Handwoven fiber-optic paper 72 × 72 × 10 in (182.88 × 182.88 × 25.4 cm) WARBLE is an artifact of intimacy, hinge, and shadow. This process of repetitious folding yields a jointed architecture held together without adhesive, through gravity. The talismans of migrant cultures place importance on woven entry points: they hold significance as a marker, symbol for an exit, an architecture for one’s return to the world. In protection, this undisclosed design forms another “eye,” or a nest for meditation and restoration. As a geoglyph, it can be thought of as a braided crater.</image:caption>
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      <image:title>Intellectual Squatters - Warble I, 2020–1</image:title>
      <image:caption>Linda Zeb Hang WARBLE I, 2020–1 Handwoven fiber-optic paper 72 × 72 × 10 in (182.88 × 182.88 × 25.4 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1642399463534-S09BUSXPXNA13VKQTIPH/%E2%80%94warble-bokeh-web-2.jpg</image:loc>
      <image:title>Intellectual Squatters - WARBLE II, 2020–1</image:title>
      <image:caption>Linda Zeb Hang WARBLE II (Bokeh I), 2020–1 Handwoven fiber-optic paper 72 × 72 × 10 in (182.88 × 182.88 × 25.4 cm)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fd2fc6e4b0482ee54b06a9/1642398969467-TRFP8UU3PSY3IOOA75A2/%E2%80%94warble-bokeh-web+copy.jpg</image:loc>
      <image:title>Intellectual Squatters - WARBLE II, 2020–1</image:title>
      <image:caption>Linda Zeb Hang WARBLE II (Bokeh II), 2020–1 Handwoven fiber-optic paper 72 × 72 × 10 in (182.88 × 182.88 × 25.4 cm)</image:caption>
    </image:image>
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